The aim of the course is to enable students to confront the various procedures with other students, in the process of training the compositions. It also gives the possibility of contact with the audience to the student in the early phase of training, students develop their ability to verbalize their observations of non-verbal areas.
Course Enrollment Limitations
The course is only offered to the students of the study fields the course is directly associated with.
Fields of study the course is directly associated with
At the end of this course the student will be able to confront the various procedures in the process of training of songs with other students. It is also necessary for the artist to contact the audience in an early stage of training and finally, students develop the ability to verbalize and interpret their observations in the non-verbal area.
Syllabus
Interpretation of musical composition. Confrontation of diverse methods of practising. Parol formulation of musical content.
Literature
HAVLÍK, Zdeněk. Interpret a dílo : poznámky k současné beethovenovské klavírní interpretaci. Edited by Jiří Vysloužil - Rudolf Pečman. 1973. 112 s. info
SÝKORA, Václav Jan. Dějiny klavírního umění od nejstarších dob až po současnost. Praha: Panton, 1973. 193 s.
KUNDERA, Ludvík. Beethovenovy klavírní sonáty. I. část. Vyd. 1. Praha: Státní pedagogické nakladatelství, 1964. 55 s. : no. info
DOLMETSCH, Arnold. Interpretace hudby 17. a 18. století : The interpretation of the music of the 17. and 18. centuries (Orig.). Translated by Dana Šetková, Edited by Milan Munclinger. 1. vyd. Praha: Státní nakladatelství krásné literatury, hudby a umění, 1958. 209 s. + [. info
Teaching methods
Consultations, practical exercises, public presentation
Assessment methods
Credit. The interpretation of the works by Czech and international composers.
Further Comments
The course is taught each semester.
The course is taught: every week.