IM048 Introduction to Visual Composition in Time A

Faculty of Arts
Autumn 2008
Extent and Intensity
1/2. 3 credit(s). Type of Completion: z (credit).
Teacher(s)
MgA. Filip Cenek (lecturer), doc. Mgr. Jana Horáková, Ph.D. (deputy)
Guaranteed by
PhDr. Petr Macek, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: doc. Mgr. Jana Horáková, Ph.D.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 4 student(s).
Current registration and enrolment status: enrolled: 0/4, only registered: 0/4, only registered with preference (fields directly associated with the programme): 0/4
fields of study / plans the course is directly associated with
there are 15 fields of study the course is directly associated with, display
Course objectives
Composition of analogue and digital picture, manipulated photograph, creation and work with moving image, Basics of visual communication, language of film, design and colour iconography etc. The main objectives of the course are the ability to work with contemporary software, videopicture and videocomposition.
Syllabus
  • A practical course dedicated to the creation and work with moving image in the computer, development of creativity of students. Basics of composition of temporalized image.
Literature
  • Vogel, Amos: Film as a Subversive Art. Random House, New York (on-line)
  • Manuály, uživatelská fóra a rozcestníky: Adobe (www.adobe.com), Discreet (www.discreet.com), Quicktime (www.apple.com/quicktime), portály digitalproducer.com, desktopvideo.about.com, dvcentral.org ad.
  • Beyond Narrative. DVD-ROM, ZKM, Karlsruhe 2003
  • Sitney, P. Adams: Une histoire du cinéma. Museé national d’art moderne, Paris 1976
  • Block, Bruce: The Visual Story: Seeing the Structure of Film, TV, and New Media. FP, 2001
  • Antologie textů k~Úvodům. FAMU, Praha 2006
  • Aumont, Jacques: Obraz. AMU, Praha 2006
  • Beránek, Petr.: Digitální video v~praxi. UNIS, Praha 2001
  • Skripta FAMU (části, týkající se střihové skladby)
  • Epstein, Jean: Poetika obrazů. Herrmann & synové, Praha 1997
  • Ulver, Stanislav: Západní filmová avantgarda. ČFÚ, Praha 1991
  • Čada, Ondřej: Digitální video krok za krokem. Grafika Publishing, Praha 2002
  • Reiser, Martin & Zapp, Andrea (eds.): New Screen Media: Cinema/Art/Narrative. London 2002
  • Manovich, Lev: The Language of New Media. MIT Press, 2001
  • Wodtke, Mark: Mind Over Media. McGraw-Hill, New York 1993
  • Bellour, Raymond & Bandy, Mary Lea (eds.): Godard. Son + Image 1974–1991. New York 1992
Assessment methods
lecture: 1 hour seminar: 2 hours (individual) Exam, written essay
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
The course is taught annually.
The course is taught: every week.
Information on the extent and intensity of the course: přednáška+individuální výuka.
The course is also listed under the following terms Autumn 2007, Autumn 2009, Autumn 2010, Autumn 2011, Autumn 2012, Autumn 2013, Autumn 2014, Autumn 2015, Autumn 2016, Autumn 2017, Autumn 2018, Autumn 2019, Autumn 2020, Autumn 2021.
  • Enrolment Statistics (Autumn 2008, recent)
  • Permalink: https://is.muni.cz/course/phil/autumn2008/IM048