ZDK_31 Aesthetic theories of multimedia and synesthesia I

Faculty of Arts
Autumn 2021
Extent and Intensity
1/1/0. 4 credit(s). Type of Completion: zk (examination).
Teacher(s)
doc. PhDr. Martin Flašar, Ph.D. (lecturer)
Guaranteed by
doc. PhDr. Martin Flašar, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Fri 17. 9. 15:00–16:40 N21, Fri 15. 10. 15:00–16:40 N21, Fri 12. 11. 15:00–16:40 N21, Fri 10. 12. 15:00–16:40 N21
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
Course objectives
The aim of the course is to provide theoretical, analytical and interpretative instruments for understanding media art, especially multimedia art. The course represents an introduction to the problem of multimedia in a broader context of art manifestos and their concrete application. Although multimedia seem to be rooted in the realm of digital media in 1980's, in a broader "archaeological" sense its basic principles could be traced back to artistic and theoretical approaches of 18th and 19th century.
Learning outcomes
- Obtaining knowledge and interpretative skills in the field of basic notions and history.
- Providing basic conceptual instruments for multimedia art analysis.
Syllabus
  • - Multimedia – definitory approaches.
  • - Synaesthesia – history of multimedial thinking.
  • - Order – chaos - number.
  • - Richard Wagner and The Artwork of the Future.
  • - Italian futurism and aesthetics of multimedia.
  • - Architecture as a form of multimedia.
  • - Music in film – musical film – videoclip.
  • - Sound and music in digital games.
Literature
    required literature
  • FLAŠAR, Martin. Poème électronique, 1958: Le Corbusier, E. Varèse, I. Xenakis. Brno: Masarykova univerzita, 2012. Spisy Masarykovy univerzity v Brně, Filozofická fakulta. ISBN 978-80-210-5945-0. Dostupné také z: http://digilib.phil.muni.cz/handle/11222.d
  • Multimedia : from Wagner to virtual reality. Edited by William Gibson - Randall Packer - Ken Jordan. New York: W.W. Norton, 2002. xxxviii, 4. ISBN 0393049795.
  • BLÁHA, Jaroslav. Výtvarné umění a hudba. I/2, Tvar, prostor a čas. Praha: Togga, 2013. Musica viva. ISBN 978-80-7476-019-8.
  • PEŠÁNEK, Zdeněk. Kinetismus: (kinetika ve výtvarnictví - barevná hudba). V Praze: Akademie múzických umění v Praze, 2013. ISBN 978-80-7331-232-9.
  • FLAŠAR, Martin. Hudba a zvuk v počítačových hrách - od filmové k herní hudbě. Opus musicum : hudební revue, Brno: Opus musicum, 2012, roč. 44, č. 4, s. 28-37. ISSN 0862-8505.
  • FLAŠAR, Martin - HORÁKOVÁ, Jana - MACEK, Petr a kol. Umění a nová média. 1. vyd. Brno: Masarykova univerzita, 2011.
  • GLEICK, James. Chaos [orig. Chaos]. Překlad Renata Kamenická. Vydání první. Brno: Ando Publishing, 1996. 349 s. ISBN 80-86047-04-0.
  • BLÁHA, Jaroslav. Výtvarné umění a hudba. I/2, Tvar, prostor a čas. Praha: Togga, 2013. Musica viva. ISBN 978-80-7476-019-8.
    recommended literature
  • Multimedia : from Wagner to virtual reality. Edited by William Gibson - Randall Packer - Ken Jordan. New York: W.W. Norton, 2002. xxxviii, 4. ISBN 0393049795.
  • XENAKIS, Iannis. Music and architecture: architectural projects, texts, and realizations. Hillsdale, N.Y.: Pendragon, c2008. The Iannis Xenakis series. ISBN 978-1-57647-107-4.
Teaching methods
Lecture, parallel reading of the recommended texts.
Assessment methods
- self-study of electronic materials and consultations
- final essay on the topic of the lecture
Language of instruction
Czech
Further Comments
Study Materials
The course is taught annually.
The course is also listed under the following terms Autumn 2022, Autumn 2023, Autumn 2024.
  • Enrolment Statistics (Autumn 2021, recent)
  • Permalink: https://is.muni.cz/course/phil/autumn2021/ZDK_31