1. Seznam povinné četby

1a. Sekundární literatura

CERTEAU, Michel de (2004): Čtení jako pytlačení. Teorie vědy 13, č. 2, s. 89-106.

ELSAESSER, Thomas (2004): Historie raného filmu a multimédia: Archeologie možných budoucností? In:
Szczepanik, Petr (ed.): Nová filmová historie. Praha: Herrmann a synové, s. 113-131.

ERNST, Wolfgang (2006): Dis/continnnuities. Does the Archive Become Metaphorical in Multi-Media
Space? In: Wendy Hui Kyong Chun + Thomas Keenan (eds.): New Modeia - Old Media. A History anfd
Theory Reader. New York-London: Routledge, s. 105-124.

Gitelman, Lisa (1999): Patent Instrument and Reading Machine. In: Táž: Scripts, Grooves, and
Writing Machines. Representing Technology in the Edison Era. Stanford: Stanford University Press,
s. 97-148.

Grau, Oliver (2003): Intermedia Stages of Virtual Reality in the Twentieth Century: Art as
Inspiration of Evolving Media. In: Týž: Virtual Art: From Illusion to Immersion.
London-Massachusetts: The MIT Press, s. 140-191.

Holmberg, Jan (2003): Ideals of Immersion in Early Cinema. Cinémas: Journal of Film Studies 14, č.
1, s. 129-147.

HUHTAMO, Erkki (2002): Od kaleidoskomaniaka po kybernerda: poznámky k archeologii médií. Kino-ikon,
6, č. 1, s. 81-92.

Latour, Bruno (2010): Poznání a vizualizace aneb jak myslet očima a rukama. In: Tomáš Dvořák (ed.):
Kapitoly z dějin a teorie médií. Praha: VVP AVU, s. 267-308.

Morley, David (2010): Domesticating Dislocation in a Worls of "New" Technology. In: Chris
Berry-Soyoung Kim-Lynn Spigel (eds.): Electronic Elsewheres. Media, Technology, and the Experience
of Social Space. Minneapolis: University of Minnesota Press, s. 3-15.

Otis, Laura (2010): Metaforický obvod: organická a technologická komunikace v 19. století. In:
Tomáš Dvořák (ed.): Kapitoly z dějin a teorie médií. Praha: VVP AVU, s. 193-214.

1b. Pramenné texty

Bush, Vannevar (1945): As We May Think. The Atlantic, July 1945.

SUTHERLAND, Ivan E. The Ultimate Display. 1965



2. Doplňková literatura k tématu

Iluminace č. 2/2011 - tematický blok Archeologie médií v postmediální době.

Dvořák, Tomáš (ed.) (2010): Kapitoly z dějin a teorie médií. Praha: VVP AVU

Dvořák, Tomáš, Sběrné suroviny. Texty, obrazy a zvuky nedávné minulosti. Praha: Filosofia 2009.

Elsaesser, Thomas (2004): The New Film History as Media Archeology. CiNeMAS 14, 2004, č. 2–3,s.
75–117.

Ernst, Wolfgang (2005): „Let there be irony. Cultural history and media archaeology in parallel
lines“.Art History, roč. 28, 2005, 5, s. 582–603.

Grau, Oliver (2003): Virtual Art. From Illusion to Immersion. Massachusetts: New The MIT Press
2003.

Grau, Oliver (2007): MediaArtHistories. Massachusetts: New The MIT Press.

Griffithsová, Alison (2008): „Pohyblivé obrazy nebes“. Pohroužení do vesmírného divadla planetária.
Iluminace 20, 2008, č. 3 (71), s. 68–106.

Kittler, Friedrich A. (1999): Gramophone, Film, Typewriter. Stanford: Stanford University Press
1999.

Kittler, Friedrich A. (2010): Optical media. Berlin Lectures 1999. Cambridge: Polity Press 2010.

Kluitenberg, Eric (ed.) (2006): Book of imaginary Media: excavating the dream of the ultimate
communication medium. Rotterdam: NAi Publishers.

Marvin, Carolyn (1988): When Old Technologies Were New. Thinking About Electric Communicationin the
Late Nineteenth Century. New York and Oxford: Oxford University Press.

Ronell, Avital (1989): The Telephone Book. Technology, Schizophrenia, Electric Speech. Lincoln:
University of Nebraska Press.

Uricchio, William (1997): Media, Simultaneity, Convergence. Culture and Technology in an Age of
Intermediality. Utrecht: Universiteit Utrecht.

Zielinski, Siegfried – Link, David (eds.) (2006). Variantology II. On Deep Time Relations of Art,
Science and Technologies. Berlin: Verlag der Buchhandlung Walter Konig.

Zielinski, Siegfried – Wagnermaier Silvia M. (eds.) (2005): Variantology I. On Deep Time Relations
of Art, Science and Technologies. Berlin: Verlag der Buchhandlung Walter Konig.

Zielinski, Siegfried (1999): Audiovisons. Cinema and Television as Entr’Actes in History.
Amsterdam: Amsterdam University Press.

Zielinski, Siegfried (2006): The Deep Time of the Media. Toward an Archaeology of Hearing and
Seeing by Technical Means. Cambridge: The MIT Press 2006.


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