FAV158 Chapters from the history of the Slovak Cinema

Faculty of Arts
Autumn 2016
Extent and Intensity
2/0/0. 4 credit(s). Type of Completion: zk (examination).
Teacher(s)
prof. Václav Macek, CSc. (lecturer), prof. PhDr. Jiří Voráč, Ph.D. (deputy)
Guaranteed by
prof. PhDr. Jiří Voráč, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts
Supplier department: Department of Film Studies and Audiovisual Culture – Faculty of Arts
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
there are 10 fields of study the course is directly associated with, display
Course objectives
The course „Chapters From the History of the Slovak Cinema“ deals with its subject from two aspects. On one hand it pursues political, ideological and historical connectivities that have influenced narrative structure models of the Slovak films. Conncurrently, it also analyzes the reflection of the film creation (both critical and theoretical) and its impact. On the other hand it pursues stylistics techniques and writing styles of the respective authors and their approach to the reality whereas the reality is not understood as things-in-itself but in conjunction with the meanings and sense we add into them. Students will familiarize themselves with „civilism“ (Bielik, Solan, Hollý, Hanák...), „stylization“ (Plicka, Uher, Havetta, Jakubisko...) and with the work of the youngest generation of the Slovak document oriented film makers (Kerekes, Škop, Lehotský, Vojtek, Rusnoková...) as well. Course graduates will benefit from substantial survey of the Slovak cinematography contexts.
The course will include dvd screenings and / or selected Slovak film extracts on dvd´s provided by the lecturer.
Sources: see Literature + DVD Edition of the Slovak Film Institute: 60s, 70s and 80s in the Slovak cinematography.
Objectives: thorough familiarization with the Slovak 20th century film creation in the historical and aesthetical contexts + analysis of the contemporary state.
Syllabus
  • • I. Introduction, study material and sources.
  • • II. Historical, political and aesthetical contexts.
  • • III. Models of the film creation from the 50´s, subsequent civilism and stylization.
  • • IV. Analysis of the state after 1989 with focus on document.
Literature
  • MACEK, Václav and Jelena PAŠTÉKOVÁ. Dejiny slovenskej kinematografie. Martin: Osveta, 1997, 599 s. ISBN 8021704004. info
  • Ciel, Martin: Odborná reflexia filmu na Slovensku. Bratislava: VŠMU, 1979
  • Šmatláková, R. – Šmatlák, M: Filmové profily (Slovenskí režiséri hraných filmov). Bratislava: SFÚ, 2005.
  • Branko, P: Straty a nálezy. Bratislava: SFÚ, 1999.
  • BRANKO, Pavel. Straty a nálezy. 1. vyd. Bratislava: Slovenský filmový ústav, 2005, 257 s. ISBN 8085187442. info
  • Filmový sborník historický 4. Česká a slovenská kinematografie 60. let. Praha: Národní filmový archiv, 1993.
  • HAMES, Peter. The czechoslovak new wave. 2. ed. London: Wallflower Press, 2005, xi, 323. ISBN 1904764436. info
  • PŘÁDNÁ, Stanislava, Zdena ŠKAPOVÁ and Jiří CIESLAR. Démanty všednosti :český a slovenský film 60. let : kapitoly o nové vlně. Vyd. 1. Praha: Pražská scéna, 2002, 387 s. ISBN 80-86102-17-3. info
Teaching methods
Lectures and screenings.
Assessment methods
Written test.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
Note related to how often the course is taught: ve vypsaných termínech.
The course is also listed under the following terms Autumn 2009, Spring 2014, Spring 2017.
  • Enrolment Statistics (Autumn 2016, recent)
  • Permalink: https://is.muni.cz/course/phil/autumn2016/FAV158