FAV213 Typology of Film Art II

Faculty of Arts
Spring 2011
Extent and Intensity
2/0/0. 4 credit(s). Type of Completion: k (colloquium).
Teacher(s)
prof. Pavel Švanda (lecturer), PhDr. Jaromír Blažejovský, Ph.D. (deputy)
Guaranteed by
PhDr. Jaromír Blažejovský, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts
Timetable
Tue 15:50–19:05 C34
Course Enrolment Limitations
The course is only offered to the students of the study fields the course is directly associated with.

The capacity limit for the course is 135 student(s).
Current registration and enrolment status: enrolled: 0/135, only registered: 0/135
fields of study / plans the course is directly associated with
there are 12 fields of study the course is directly associated with, display
Course objectives
The lectures which are closely connected to a seminar and film screenings introduce the so-called classics (both films and their creators) to the students.
The aim of the course is to:
cultivate the viewers' experiences;
develop their ability to reflect on films;
enhance their written and oral expression capabilities.
Thematically the course will be devoted to Italian post-neorealism.
Syllabus
  • Marco Bellocchio: Slap the Monster on Page One (Sbatti il mostro in prima pagina)
  • Pietro Germi: Divorce Italian Style (Divorzio all‘italiana)
  • Pietro Germi: Seduced and Abandoned (Sedotta e abbandonata)
  • Pier Paolo Pasolini: The Gospel According to St. Matthew (Il vangelo secondo Matteo)
  • Pier Paolo Pasolini: Oedipus Rex (Edipo re)
  • Bernardo Bertolucci: The Conformist (Il conformista)
  • Damiano Damiani: Confessions of a Police Captain (Confessione di un commissario di polizia al procuratore della repubblica)
  • Damiano Damiani: The Case Is Closed, Forget It (L'istruttoria é chiusa: dimentichi)
  • Luchino Visconti: Obsession (Ossessione)
  • Luchino Visconti: The Leopard (Il Gattopardo)
  • Luchino Visconti: The Stranger (Lo straniero)
  • Luchino Visconti: Sandra (Vaghe stelle dell‘Orsa)
  • Luchino Visconti: The Damned (La caduta degli rei)
Literature
    recommended literature
  • LANDY, Marcia. Italian film. 1st pub. Cambridge: Cambridge University Press, 2000, xxiii, 434. ISBN 0521649773. info
  • PASOLINI, Pier Paolo. Passione e ideologia. Edited by Alberto Asor Rosa. 1. ed. Milano: Garzanti, 1994, xxii, 566. ISBN 8811675227. info
  • OLIVA, Ljubomír. Filmová Itálie. Praha: Čs. filmový ústav, 1987. info
  • OLIVA, Ljubomír. Režiséři (Itálie) : medailóny, filmografie, bibliografie. Praha: Československý filmový ústav, 1984. info
  • NOVOTNÁ, Drahomíra. Luchino Visconti. 1. vyd. Praha: Orbis, 1969, 229 s. info
  • OLIVOVÁ, Drahomíra. Film velkých nadějí. 1. vyd. Praha: Orbis, 1963, 198 s. URL info
    not specified
  • BERNARD, Jan. Pier Paolo Pasolini. Praha: Čs. filmový ústav, 1987. info
  • PASOLINI, Pier Paolo and Oswald STACK. Pasolini on Pasolini : interviews with Oswald Stack. 1st pub. London: Thames and Hudson, 1969, 176 s. ISBN 500480117. info
  • KAUTSKÝ, Oldřich. Italský filmový neorealismus. Praha: Orbis, 1958. info
Teaching methods
Screenings and seminar analysis.
Assessment methods
The colloquium: an essay.
Language of instruction
Czech
Further Comments
Study Materials
The course is taught annually.
  • Enrolment Statistics (recent)
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