HV_626 New music

Faculty of Arts
Autumn 2022
Extent and Intensity
0/2/0. 3 credit(s). Type of Completion: k (colloquium).
Taught in person.
Teacher(s)
doc. PhDr. Martin Flašar, Ph.D. (lecturer)
doc. Mgr. Vladimír Maňas, Ph.D. (assistant)
Guaranteed by
doc. Mgr. Vladimír Maňas, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Tue 10:00–11:40 L33
Prerequisites
Basic orientation in the history and aesthetics of music of the 20th and 21st century.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 25 student(s).
Current registration and enrolment status: enrolled: 3/25, only registered: 0/25, only registered with preference (fields directly associated with the programme): 0/25
fields of study / plans the course is directly associated with
there are 12 fields of study the course is directly associated with, display
Course objectives
The aim of the course is a practical exercise in popularizing contemporary music with an output directed to new media, or social networks (YouTube, Instagram, etc.). Students will gain project-based experience in creating an online presentation of the work of contemporary Czech composers.
Learning outcomes
The output of each student's work will be a maximum ten-minute video presentation explaining the work of one particular composer.
Syllabus
  • 1. Project layout.
  • 2. Necessary prerequisites to create a presentation (cognitive base, technological support).
  • 3. Rules of music popularization (content, form)
  • 4. Individual work on presentations + consultations.
  • 5. Presentation of outputs in the seminar.
  • 6. Publication of outputs in a common channel of contributions.
Literature
    recommended literature
  • The Cambridge history of music criticism. Edited by Christopher Philip Dingle. First published. Cambridge: Cambridge University Press, 2019, xv, 826. ISBN 9781107037892. info
  • VIČAR, Jan. Hudební kritika a popularizace hudby. Praha: KLP, 1997, 183 s. ISBN 8085917270. info
  • FUKAČ, Jiří. Víme co je hudební kritika? [Do we know what music criticism is?]. Opus musicum. Brno: Státní filharmonie, Svaz čes. skladatelů, 1972, vol. 4, No 1972, p. 97-100. info
Teaching methods
study of sources, collection of information, video presentations, consultations
Assessment methods
To complete the course, it is necessary to present and hand in the finished video project in the seminar.
Language of instruction
Czech
Further Comments
Study Materials
The course is taught only once.
  • Enrolment Statistics (recent)
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