SUS_216 Ways of Presentation of Contemporary Visual Art

Faculty of Arts
Autumn 2020
Extent and Intensity
2/0/0. 4 credit(s). Type of Completion: k (colloquium).
Taught online.
Teacher(s)
Mgr. Terezie Petišková (lecturer), PhDr. Dagmar Koudelková (deputy)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Tue 10:00–11:40 N51
Course Enrolment Limitations
The course is only offered to the students of the study fields the course is directly associated with.

The capacity limit for the course is 18 student(s).
Current registration and enrolment status: enrolled: 1/18, only registered: 0/18
fields of study / plans the course is directly associated with
Course objectives
Contemporary visual art brings a number of new tendencies and ways of artistic expression. Works are created that work with new technologies, augmented reality and film image. Concurrently we are witnessing the return of traditional materials such as textiles, mosaics or ceramics. Works of a multi-genre nature are common and artists who make them take into account the cultural, historical and social context of the space they enter. Taking the example of large-scale spatial projects of the Brno House of Arts, such as Pavel Korbička's Deflection Spaces, Big Light by Federico Díaz, The World According to Ironym Kool by Václav Jirásek, Sculptor Miloš Zet by Martin Zet, Brno Art Open, etc. an insight into the way of thinking and working of the artists presented there will be provided. Furthermore, the mentioned projects will be compared with contemporary European work, presented at exhibitions such as Documenta 2017 and 2012, Skulptur Projekte, Münster 2017, or at the Künstlerhaus Halle für Kunst und Medien in Graz.
Learning outcomes
After completing the course, students will be able to:
- understand the way how a contemporary spatial work of art is constructed;
- understand the method of contemporary art creation that works with the contexts of content, shape and meaning of not only the work itself, but also of the space that it enters;
- be knowledgeable in the trendsetting international exhibitions of contemporary art and visual creation in Europe.
Syllabus
  • Pavel Korbička, Deflection Spaces in the context of contemporary international work
  • Federico Díaz, Big Light in the context of contemporary international work
  • Václav Jirásek, The World According to Ironym Kool in the context of contemporary international work
  • Martin Zet, Sculptor Miloš Zet, Walls, Plinths and Mock-ups in the context of contemporary international work
  • Brno Art Open biennial and the phenomenon of art in the public space
Literature
    recommended literature
  • WILSON, Michael. Jak číst současné umění : umění 21. století zblízka. Translated by Lucie Simerová - Milan Guštar. Vydání první. Praha: Kniha Zlin, 2017, 399 stran. ISBN 9788074736209. info
  • When attitudes become form : Bern 1969/Venice 2013. Edited by Germano Celant. Milan: Fondazione Prada, 2013, 727 s. ISBN 9788887029550. info
  • CHRISTOV-BAKARGIEV, Carolyn (ed.). dOCUMENTA 13, Das Buch der Bücher, Katalog 3/3, Bonn 2012. 815 pp. ISBN 9783775729505.
  • SZYMCZYK, Adam. Documenta 14, Bonn 2017.
Teaching methods
Lectures, screenings of exhibition recordings, discussions
Assessment methods
Final essay, thematically related to the Brno House of Arts current exhibition programme
Language of instruction
Czech
Further Comments
The course is taught only once.
The course is also listed under the following terms Autumn 2021, Autumn 2022, Autumn 2023.
  • Enrolment Statistics (Autumn 2020, recent)
  • Permalink: https://is.muni.cz/course/phil/autumn2020/SUS_216