AJc306 New Literatures 2

Faculty of Education
Spring 2020
Extent and Intensity
0/0/3. 6 credit(s). Type of Completion: z (credit).
Teacher(s)
Mgr. Jiří Šalamoun, Ph.D. (lecturer)
Guaranteed by
doc. Mgr. Světlana Hanušová, Ph.D.
Department of English Language and Literature – Faculty of Education
Contact Person: Jana Popelková
Supplier department: Department of English Language and Literature – Faculty of Education
Timetable
Fri 14. 2. 16:00–17:50 učebna 58, Fri 28. 2. 16:00–17:50 učebna 58, Fri 13. 3. 16:00–17:50 učebna 58, Fri 27. 3. 16:00–17:50 učebna 58, Fri 17. 4. 16:00–17:50 učebna 58
Course Enrolment Limitations
The course is only offered to the students of the study fields the course is directly associated with.
fields of study / plans the course is directly associated with
Course objectives
This is an advanced literary/cultural course exploring and examining selected topics of Contemporary British and American Literature. Literature and other cultural production tend to foretell and reflect on entanglements with globalization, emerging markets, people, and cultures from the heart of Anglophone cultural hegemony. The course attempts to re-think selected literary topics investigating global, national or regional frames to re-evaluate the growing claims on inevitable internationalization of Anglophone Canon. Special focus is to be paid to topics, shapes, subjects of so called transnational cultural production. This course is designed to explore the shapes of American and British literary and cultural imagination within Western Canon. We will also consider how transnational approaches to American and British literature contribute to reception, translation and institutalization (literary prizes, commercialization). The popularity of ethnic cultural production is to be examined as well in order to understand literary terrain in changing globalized world. Transnational and comparative approach allows for learning social, political, and cultural networks that enable students to attain complex understanding of role of literature and empowerment by literature. Last but not least, the course contributes and complements to an emerging field in international literary studies conventionally known as Transnationalism.
Learning outcomes
At the end of the course, the students will be able to see how: (i) contemporary global phenomena are mirrored in literature; (ii) literature examines the experience of living in the contemporary world; and (iii) thus to make the experience more meaningful.
Syllabus
  • COURSE OUTLINE • 1. Literature and its prophesies. Regionalism and globalization. Culture and emerging markets. Lasting Anglophone cultural hegemony? Ways to rethink literature. Western Canon: global, national or regional? Internationalization of Anglophone Canon. Transnationalism, Crossculturalism, Multiculturalism. Cultural studies and Popular Culture. Re-imagination and Nostalgia. Social, political, and cultural networks and role of literature. • 2. EAST MEETS WEST, cultural flows in between East and West in both directions. Asians and 9/11. Asian tigers and emerging markets. Focus on South Asian literature and west in the backstage. (Jhumpa Lahiri, Arvind Adiga, Mohsin Hamid, Kiran Desai, Anita Desai, Hanif Kureishi, Monica Ali, Arundhati Roy) • 3.Regional British literature: Scottish Voices. British Diaspora and Scotland. Scottish English, horror, double personality and class issues. Outwardness, wider appeal and relevance. Scottish and Gealic heritage. Revision of Scottish women's past and present. (Janice Galloway, Muriel Spark, Iain Banks, Irvine Welsh, Duncan McLean, Ian Rankin, Ali Smith, Alasdair Gray) • 4. AFTER 9/11: New Ethnic literatures or transnational literature. History versus memory, cultural history re-discovered. Dignity re-discoverd, stereotypes challenged. Recent transnational literature (transnational literature/cultural production, or a new world literature, written by authors who develop strong transnational ties with more than one country). Historiography in contemporary culture, objective truth, global cultural narrative and meta-narratives. (Khaled Hosseini, Zadie Smith, Mohsin Hamid, Jonathan Safran Foer, Nicole Krauss, Sandra Cisneros, Chris Abani, Shauna Singh Baldwin, Kiran Desai, Anita Desai, Hanif Kureishi) • 5. Gender, Body and Queer Literature. Boundaries between masculine and feminine. Self-discovery, and the reinvention of bodies and selves; self-conscious and self-reflexive narratives. Theories of sex, gender; the queer. (J. Winterson, Angela Carter, Alice Munro, Fay Weldon, A. S. Byatt, Iris Murdoch, Sarah Waters, Ali Smith) • 6. Neo-Victorian Cultural Production; victorian sexuality revised. Texts of redemptive past, or neo-romantic romances using Victorian aesthetics, morality and settings. These texts often portray disputable social attitudes and conventions. Sometimes, those are seen as “revenge of oppressed imagination”. Texts recycle Dickensian and Austenian topics, point at its contradictions, and use timely slang, explore the timely stereotypes, focusing on unspoken physical, emotional and sexual realities.
Teaching methods
It is assumed the students are advanced learners, who have gained previous basic knowledge of current most visible literary trends, and shall actively evaluate and form their critical stances on selected texts and cultural phenomena, while exploring narrative fiction, non-fiction, or other contemporary cultural production. Cultural, historical, and theoretical context will be examined and discussed, while primary or secondary readings are to be utilized and scrutinized. Method of close reading would allow us to observe relevant themes and form critical judgments. The seminar is based on active reading and analysis of selected extracts; other activities and discussions are required and encouraged. The goal of the course is that students become confident in working with literature, and able to form judgments on current shape of the transforming international English Canon. Upon finishing the course students are capable of critical analysis, evaluation and synthesis of new and complex ideas.
Assessment methods
Participation in in-class discussions and exploratory activities. Final assignment (which is to be uploaded into Moodlinka course of the subject)
Language of instruction
English
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Information on the extent and intensity of the course: 36 hodin.
The course is also listed under the following terms Spring 2018, Spring 2019, Spring 2021, Spring 2022, Spring 2023, Spring 2024.
  • Enrolment Statistics (Spring 2020, recent)
  • Permalink: https://is.muni.cz/course/ped/spring2020/AJc306