Course Information

PV110 Basics of Film Narratives

Extent and Intensity

0/4/1. 4 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).
Taught in person.

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. Šimon Mačejovský (seminar tutor)
Ondřej Kocar (seminar tutor)
Bc. Juraj Ulbrich (assistant)
Mgr. Erik Hirner (seminar tutor)
Bc. Adam Král (seminar tutor)
Samuel Ladislav Šindler (seminar tutor)
Patrik Trachtulec (seminar tutor)
Tatiana Pavolková (assistant)
Bc. Lukáš Caletka (assistant)
Bc. Matej Turek (assistant)
Mgr. Adam Ivora (assistant)
Bc. Anna Mária Kollarčíková (assistant)
Mgr. Adam Štěpánek (assistant)
Ing. Pavel Šiler (assistant)
Bc. Viktor Strmiska (assistant)
Bc. Roman Pelikán (assistant)
Bc. Katarína Gočová (assistant)
Mgr. Martin Hofbauer (assistant)
Mgr. Dalibor Jelínek (seminar tutor)
Martin Baran (assistant)
Mgr. Magdaléna Blažková (assistant)
Roman Dvořák (assistant)
Mgr. Dominik Hanák (assistant)
Elizabeth Maria Karpukhina Busswood (assistant)
Stanislav Kemeň (assistant)
Marek Kozlovský (assistant)
Mgr. Matúš Kropuch (assistant)
RNDr. Martin Macák, Ph.D. (assistant)
Natália Malychinová (assistant)
Eva Novotná (assistant)
Bc. Paulína Ovečková (assistant)
Dorota Palicová (assistant)
Matúš Porubský (assistant)
Tereza Rašilovová (assistant)
Mgr. Michal Románek (assistant)
Sára Vašičková (assistant)
Bc. Barbora Zouharová (assistant)

Guaranteed by

doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics

Prerequisites

Prerequisites for enrollment and successful completion are only enthusiasm for cinematography, ability to work effectively in a team, communicate, solve problems, manage crisis situations and relative time flexibility. The student does not need to have knowledge of the film industry. Knowing the basics of creative writing and electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 37 fields of study the course is directly associated with, display

Course objectives

The aim of PV110 and PV113 Production of Audiovisual Artefacts is to enable students to express their own via movie language. This is gradually learned by writing and filing his own subject, literary and technical scenario, preparing a technical scenario for his film production in the follow-up spring semester in the course PV113 Production of Audiovisual Artefacts, and by discussing principles and gaining practical skills from areas of editing, engaging, camera, scene lighting, scene sound, and postproduction.

Learning outcomes

At the end of the course, the student will be able to:
- use the knowledge of the basics of screenwriting, dramaturgy, direction, production in writing his own theme, literary and technical scenario; - prepare a technical scenario and production of a short movie; - use the acquired knowledge of editing, cutting, engaging, camera, scene lighting, scene sound and postproduction in the movie production; - create a film crew with fixed roles from the group of students; - produce his own short audiovisual work.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, the setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. The substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is an adaptation of literary model into the movie script. Students have to write or adapt a story into a script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing a good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory using DLSR and other rich sets of audio and video instruments.

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík
• Mistrovství práce s DSLR (Roman Pihan)

Teaching methods

The course consists of lectures conducted in a seminar form, often using discussion and interactive teaching methods, where dramaturgy and scenario creation are discussed. Further, the subject consists of exercises, realized in the form of four-hour workshops, taught once every two weeks. Students will acquire theoretical knowledge from the fields of audiovisual production and will also practice them (constructivism). Students' work is mentored by graduates of previous years. Students work in the LEMMA lab and have access to audio-visual technology in the LEMMA booking system.

Assessment methods

To award a colloquium, it is necessary to surrender and defend a technical scenario that can be used in the follow-up subject PV113 Production of Audiovisual Artefacts. For the credit, it is necessary to take part in the production of a short film, which the students will shoot in the created groups - crews.

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.
The course is taught: every week.

Teacher's information

https://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Narratives

Extent and Intensity

0/4/1. 4 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).
Taught in person.

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. Šimon Mačejovský (seminar tutor)
Ondřej Kocar (seminar tutor)
Bc. Juraj Ulbrich (assistant)
Mgr. Erik Hirner (seminar tutor)
Bc. Adam Král (seminar tutor)
Samuel Ladislav Šindler (seminar tutor)
Patrik Trachtulec (seminar tutor)
Tatiana Pavolková (assistant)
Bc. Lukáš Caletka (assistant)
Bc. Matej Turek (assistant)
Mgr. Adam Ivora (assistant)
Bc. Anna Mária Kollarčíková (assistant)
Mgr. Adam Štěpánek (assistant)
Ing. Pavel Šiler (assistant)
Bc. Viktor Strmiska (assistant)
Bc. Roman Pelikán (assistant)
Bc. Katarína Gočová (assistant)
Mgr. Martin Hofbauer (assistant)
Mgr. Dalibor Jelínek (seminar tutor)
Martin Baran (assistant)
Mgr. Magdaléna Blažková (assistant)
Roman Dvořák (assistant)
Mgr. Dominik Hanák (assistant)
Elizabeth Maria Karpukhina Busswood (assistant)
Stanislav Kemeň (assistant)
Marek Kozlovský (assistant)
Mgr. Matúš Kropuch (assistant)
RNDr. Martin Macák, Ph.D. (assistant)
Natália Malychinová (assistant)
Eva Novotná (assistant)
Bc. Paulína Ovečková (assistant)
Dorota Palicová (assistant)
Matúš Porubský (assistant)
Tereza Rašilovová (assistant)
Mgr. Michal Románek (assistant)
Sára Vašičková (assistant)
Bc. Barbora Zouharová (assistant)

Guaranteed by

doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics

Timetable

Wed 18:00–19:50 D3

• Timetable of Seminar Groups:

PV110/01: Mon 14:00–15:50 C403, Mon 14:00–15:50 C416, E. Hirner, D. Jelínek, O. Kocar, A. Král, Š. Mačejovský, S. Šindler, P. Trachtulec
PV110/02: Mon 16:00–17:50 C403, Mon 16:00–17:50 C416, E. Hirner, D. Jelínek, O. Kocar, A. Král, Š. Mačejovský, S. Šindler, P. Trachtulec

Prerequisites

Prerequisites for enrollment and successful completion are only enthusiasm for cinematography, ability to work effectively in a team, communicate, solve problems, manage crisis situations and relative time flexibility. The student does not need to have knowledge of the film industry. Knowing the basics of creative writing and electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 82 fields of study the course is directly associated with, display

Course objectives

The aim of PV110 and PV113 Production of Audiovisual Artefacts is to enable students to express their own via movie language. This is gradually learned by writing and filing his own subject, literary and technical scenario, preparing a technical scenario for his film production in the follow-up spring semester in the course PV113 Production of Audiovisual Artefacts, and by discussing principles and gaining practical skills from areas of editing, engaging, camera, scene lighting, scene sound, and postproduction.

Learning outcomes

At the end of the course, the student will be able to:
- use the knowledge of the basics of screenwriting, dramaturgy, direction, production in writing his own theme, literary and technical scenario; - prepare a technical scenario and production of a short movie; - use the acquired knowledge of editing, cutting, engaging, camera, scene lighting, scene sound and postproduction in the movie production; - create a film crew with fixed roles from the group of students; - produce his own short audiovisual work.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, the setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. The substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is an adaptation of literary model into the movie script. Students have to write or adapt a story into a script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing a good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory using DLSR and other rich sets of audio and video instruments.

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík
• Mistrovství práce s DSLR (Roman Pihan)

Teaching methods

The course consists of lectures conducted in a seminar form, often using discussion and interactive teaching methods, where dramaturgy and scenario creation are discussed. Further, the subject consists of exercises, realized in the form of four-hour workshops, taught once every two weeks. Students will acquire theoretical knowledge from the fields of audiovisual production and will also practice them (constructivism). Students' work is mentored by graduates of previous years. Students work in the LEMMA lab and have access to audio-visual technology in the LEMMA booking system.

Assessment methods

To award a colloquium, it is necessary to surrender and defend a technical scenario that can be used in the follow-up subject PV113 Production of Audiovisual Artefacts. For the credit, it is necessary to take part in the production of a short film, which the students will shoot in the created groups - crews.

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

https://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Narratives

Extent and Intensity

0/4/1. 4 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).
Taught in person.

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. Šimon Mačejovský (seminar tutor)
Ondřej Kocar (seminar tutor)
Bc. Juraj Ulbrich (seminar tutor)
Mgr. Erik Hirner (seminar tutor)
Bc. Adam Král (seminar tutor)
Samuel Ladislav Šindler (seminar tutor)
Patrik Trachtulec (seminar tutor)
Tatiana Pavolková (assistant)
Bc. Lukáš Caletka (assistant)
Bc. Jakub Galanda (assistant)
Mgr. Dominik Hanák (assistant)
Mgr. Matúš Kropuch (assistant)
Bc. Matej Turek (assistant)
Mgr. Adam Ivora (assistant)
Mgr. Patrik Smolnický (assistant)
Bc. Anna Mária Kollarčíková (assistant)
Mgr. Adam Štěpánek (assistant)
Ing. Pavel Šiler (assistant)
Bc. Viktor Strmiska (assistant)
Bc. Roman Pelikán (assistant)
Bc. Katarína Gočová (assistant)
Mgr. Veronika Helánová (assistant)
Mgr. Martin Hofbauer (assistant)
Katarína Ráczová (assistant)
Mgr. Michal Románek (assistant)

Guaranteed by

doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics

Timetable

Wed 18:00–19:50 D3

• Timetable of Seminar Groups:

PV110/01: Mon 14:00–15:50 C403, Mon 14:00–15:50 C416, E. Hirner, O. Kocar, A. Král, Š. Mačejovský, S. Šindler, P. Trachtulec, J. Ulbrich
PV110/02: Mon 16:00–17:50 C403, Mon 16:00–17:50 C416, E. Hirner, O. Kocar, A. Král, Š. Mačejovský, S. Šindler, P. Trachtulec, J. Ulbrich

Prerequisites

Prerequisites for enrollment and successful completion are only enthusiasm for cinematography, ability to work effectively in a team, communicate, solve problems, manage crisis situations and relative time flexibility. The student does not need to have knowledge of the film industry. Knowing the basics of creative writing and electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 82 fields of study the course is directly associated with, display

Course objectives

The aim of PV110 and PV113 Production of Audiovisual Artefacts is to enable students to express their own via movie language. This is gradually learned by writing and filing his own subject, literary and technical scenario, preparing a technical scenario for his film production in the follow-up spring semester in the course PV113 Production of Audiovisual Artefacts, and by discussing principles and gaining practical skills from areas of editing, engaging, camera, scene lighting, scene sound, and postproduction.

Learning outcomes

At the end of the course, the student will be able to:
- use the knowledge of the basics of screenwriting, dramaturgy, direction, production in writing his own theme, literary and technical scenario; - prepare a technical scenario and production of a short movie; - use the acquired knowledge of editing, cutting, engaging, camera, scene lighting, scene sound and postproduction in the movie production; - create a film crew with fixed roles from the group of students; - produce his own short audiovisual work.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, the setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. The substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is an adaptation of literary model into the movie script. Students have to write or adapt a story into a script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing a good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory using DLSR and other rich sets of audio and video instruments.

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík
• Mistrovství práce s DSLR (Roman Pihan)

Teaching methods

The course consists of lectures conducted in a seminar form, often using discussion and interactive teaching methods, where dramaturgy and scenario creation are discussed. Further, the subject consists of exercises, realized in the form of four-hour workshops, taught once every two weeks. Students will acquire theoretical knowledge from the fields of audiovisual production and will also practice them (constructivism). Students' work is mentored by graduates of previous years. Students work in the LEMMA lab and have access to audio-visual technology in the LEMMA booking system.

Assessment methods

To award a colloquium, it is necessary to surrender and defend a technical scenario that can be used in the follow-up subject PV113 Production of Audiovisual Artefacts. For the credit, it is necessary to take part in the production of a short film, which the students will shoot in the created groups - crews.

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

https://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Narratives

Extent and Intensity

2/2/1. 4 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).
Taught in person.

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Bc. Peter Gamboš (seminar tutor)
Ondřej Kocar (seminar tutor)
Bc. Juraj Ulbrich (seminar tutor)
Bc. Jan Kaderka (seminar tutor)
Bc. Miroslav Šálek (seminar tutor)
Mgr. Dalibor Jelínek (seminar tutor)
Ing. Pavel Šiler (assistant)
Jakub Antonín (assistant)
Bc. Lukáš Caletka (assistant)
Bc. Jakub Galanda (assistant)
Mgr. Nikola Kunzová (assistant)
Mgr. Erik Hirner (assistant)
Mgr. Matúš Kropuch (assistant)
Mgr. Šimon Mačejovský (assistant)
Mgr. Ivana Papcunová (assistant)
Katarína Ráczová (assistant)
Bc. Matej Turek (assistant)
Mgr. Adam Ivora (assistant)
Mgr. Patrik Smolnický (assistant)
Mgr. Veronika Helánová (assistant)
Bc. Katarína Gočová (assistant)
Lukáš Gorazd Hrodek (assistant)
Mgr. Martin Hofbauer (assistant)
Mgr. Adam Štěpánek (assistant)

Guaranteed by

doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics

Timetable

Wed 15. 9. to Wed 15. 12. Wed 18:00–19:50 D3

• Timetable of Seminar Groups:

PV110/01: Mon 20. 9. to Mon 29. 11. each even Monday 14:00–17:50 C416, each even Monday 14:00–17:50 C403; and Mon 13. 9. 14:00–17:50 C403, 14:00–17:50 C416, P. Gamboš, D. Jelínek, J. Kaderka, O. Kocar, M. Šálek, J. Ulbrich
PV110/02: Mon 13. 9. to Mon 6. 12. each odd Monday 14:00–17:50 C416, each odd Monday 14:00–17:50 C403, P. Gamboš, D. Jelínek, J. Kaderka, O. Kocar, M. Šálek, J. Ulbrich

Prerequisites

Prerequisites for enrollment and successful completion are only enthusiasm for cinematography, ability to work effectively in a team, communicate, solve problems, manage crisis situations and relative time flexibility. The student does not need to have knowledge of the film industry. Knowing the basics of creative writing and electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 81 fields of study the course is directly associated with, display

Course objectives

The aim of PV110 and PV113 Production of Audiovisual Artefacts is to enable students to express their own via movie language. This is gradually learned by writing and filing his own subject, literary and technical scenario, preparing a technical scenario for his film production in the follow-up spring semester in the course PV113 Production of Audiovisual Artefacts, and by discussing principles and gaining practical skills from areas of editing, engaging, camera, scene lighting, scene sound, and postproduction.

Learning outcomes

At the end of the course, the student will be able to:
- use the knowledge of the basics of screenwriting, dramaturgy, direction, production in writing his own theme, literary and technical scenario; - prepare a technical scenario and production of a short movie; - use the acquired knowledge of editing, cutting, engaging, camera, scene lighting, scene sound and postproduction in the movie production; - create a film crew with fixed roles from the group of students; - produce his own short audiovisual work.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, the setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. The substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is an adaptation of literary model into the movie script. Students have to write or adapt a story into a script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing a good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory using DLSR and other rich sets of audio and video instruments.

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík
• Mistrovství práce s DSLR (Roman Pihan)

Teaching methods

The course consists of lectures conducted in a seminar form, often using discussion and interactive teaching methods, where dramaturgy and scenario creation are discussed. Further, the subject consists of exercises, realized in the form of four-hour workshops, taught once every two weeks. Students will acquire theoretical knowledge from the fields of audiovisual production and will also practice them (constructivism). Students' work is mentored by graduates of previous years. Students work in the LEMMA lab and have access to audio-visual technology in the LEMMA booking system.

Assessment methods

To award a colloquium, it is necessary to surrender and defend a technical scenario that can be used in the follow-up subject PV113 Production of Audiovisual Artefacts. For the credit, it is necessary to take part in the production of a short film, which the students will shoot in the created groups - crews.

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

https://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Narratives

Extent and Intensity

2/2/1. 4 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).
Taught online.

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. Michaela Martišová (seminar tutor)
Bc. Peter Gamboš (seminar tutor)
Bc. Juraj Ulbrich (seminar tutor)
Bc. Jan Kaderka (seminar tutor)
Bc. Miroslav Šálek (seminar tutor)
Mgr. Dalibor Jelínek (seminar tutor)
Ondřej Kocar (seminar tutor)
Ing. Pavel Šiler (assistant)
Jakub Antonín (assistant)
Bc. Lukáš Caletka (assistant)
Bc. Jakub Galanda (assistant)
Bc. Katarína Gočová (assistant)
Mgr. Erik Hirner (assistant)
Bc. Mária Kocúreková (assistant)
Mgr. Matúš Kropuch (assistant)
Mgr. Šimon Mačejovský (assistant)
Mgr. Ivana Papcunová (assistant)
Katarína Ráczová (assistant)
Mgr. Patrik Smolnický (assistant)
Mgr. Adam Štěpánek (assistant)
Bc. Matej Turek (assistant)

Guaranteed by

doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics

Timetable

Wed 18:00–19:50 D3

• Timetable of Seminar Groups:

PV110/01: Mon 5. 10. 14:00–17:50 C403, 14:00–17:50 C416, Mon 12. 10. 14:00–17:50 C403, 14:00–17:50 C416, Mon 19. 10. 14:00–17:50 C416, 14:00–17:50 C403, Mon 2. 11. 14:00–17:50 C403, 14:00–17:50 C416, Mon 16. 11. 14:00–17:50 C416, 14:00–17:50 C403, Mon 30. 11. 14:00–17:50 C416, 14:00–17:50 C403, Mon 14. 12. 14:00–17:50 C416, 14:00–17:50 C403, P. Gamboš, D. Jelínek, J. Kaderka, O. Kocar, M. Martišová, M. Šálek, J. Ulbrich

Prerequisites

Prerequisites for enrollment and successful completion are only enthusiasm for cinematography, ability to work effectively in a team, communicate, solve problems, manage crisis situations and relative time flexibility. The student does not need to have knowledge of the film industry. Knowing the basics of creative writing and electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 81 fields of study the course is directly associated with, display

Course objectives

The aim of PV110 and PV113 Production of Audiovisual Artefacts is to enable students to express their own via movie language. This is gradually learned by writing and filing his own subject, literary and technical scenario, preparing a technical scenario for his film production in the follow-up spring semester in the course PV113 Production of Audiovisual Artefacts, and by discussing principles and gaining practical skills from areas of editing, engaging, camera, scene lighting, scene sound, and postproduction.

Learning outcomes

At the end of the course, the student will be able to:
- use the knowledge of the basics of screenwriting, dramaturgy, direction, production in writing his own theme, literary and technical scenario; - prepare a technical scenario and production of a short movie; - use the acquired knowledge of editing, cutting, engaging, camera, scene lighting, scene sound and postproduction in the movie production; - create a film crew with fixed roles from the group of students; - produce his own short audiovisual work.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, the setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. The substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is an adaptation of literary model into the movie script. Students have to write or adapt a story into a script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing a good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory using DLSR and other rich sets of audio and video instruments.

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík
• Mistrovství práce s DSLR (Roman Pihan)

Teaching methods

The course consists of lectures conducted in a seminar form, often using discussion and interactive teaching methods, where dramaturgy and scenario creation are discussed. Further, the subject consists of exercises, realized in the form of four-hour workshops, taught once every two weeks. Students will acquire theoretical knowledge from the fields of audiovisual production and will also practice them (constructivism). Students' work is mentored by graduates of previous years. Students work in the LEMMA lab and have access to audio-visual technology in the LEMMA booking system.

Assessment methods

To award a colloquium, it is necessary to surrender and defend a technical scenario that can be used in the follow-up subject PV113 Production of Audiovisual Artefacts. For the credit, it is necessary to take part in the production of a short film, which the students will shoot in the created groups - crews.

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

https://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Narratives

Extent and Intensity

2/2/1. 4 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Bc. Miroslav Šálek (seminar tutor)
Mgr. Michaela Martišová (seminar tutor)
Bc. Jan Kaderka (seminar tutor)
Bc. Juraj Ulbrich (seminar tutor)
Bc. Peter Gamboš (seminar tutor)
Mgr. Dalibor Jelínek (seminar tutor)
Mgr. Radek Gomola (assistant)
Ing. Pavel Šiler (assistant)
Bc. Jakub Galanda (assistant)
Mgr. Adam Ivora (assistant)
Bc. Mária Kocúreková (assistant)
Mgr. Matúš Kropuch (assistant)
Mgr. Šimon Mačejovský (assistant)
Bc. Lýdie Palečková (assistant)
Katarína Ráczová (assistant)
Mgr. Patrik Smolnický (assistant)
Mgr. Bc. Pavla Wernerová (assistant)

Guaranteed by

doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics

Timetable

Wed 18:00–19:50 D3

• Timetable of Seminar Groups:

PV110/01: Mon 16. 9. 14:00–17:50 C403, 14:00–17:50 C416, Mon 23. 9. 14:00–17:50 C403, 14:00–17:50 C416, Mon 30. 9. 14:00–17:50 C403, 14:00–17:50 C416, Mon 14. 10. 14:00–17:50 C416, 14:00–17:50 C403, Mon 11. 11. 14:00–17:50 C403, 14:00–17:50 C416, Mon 25. 11. 14:00–17:50 C403, 14:00–17:50 C416, Mon 2. 12. 14:00–17:50 C403, 14:00–17:50 C416, P. Gamboš, M. Martišová, J. Ulbrich
PV110/02: Mon 16. 9. 14:00–17:50 C403, 14:00–17:50 C416, Mon 23. 9. 14:00–17:50 C403, 14:00–17:50 C416, Mon 7. 10. 14:00–17:50 C403, 14:00–17:50 C416, Mon 21. 10. 14:00–17:50 C403, 14:00–17:50 C416, Mon 4. 11. 14:00–17:50 C416, 14:00–17:50 C403, Mon 18. 11. 14:00–17:50 C416, 14:00–17:50 C403, Mon 2. 12. 14:00–17:50 C416, 14:00–17:50 C403, P. Gamboš, M. Martišová, J. Ulbrich

Prerequisites

Prerequisites for enrollment and successful completion are only enthusiasm for cinematography, ability to work effectively in a team, communicate, solve problems, manage crisis situations and relative time flexibility. The student does not need to have knowledge of the film industry. Knowing the basics of creative writing and electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 81 fields of study the course is directly associated with, display

Course objectives

The aim of PV110 and PV113 Production of Audiovisual Artefacts is to enable students to express their own via movie language. This is gradually learned by writing and filing his own subject, literary and technical scenario, preparing a technical scenario for his film production in the follow-up spring semester in the course PV113 Production of Audiovisual Artefacts, and by discussing principles and gaining practical skills from areas of editing, engaging, camera, scene lighting, scene sound, and postproduction.

Learning outcomes

At the end of the course, the student will be able to:
- use the knowledge of the basics of screenwriting, dramaturgy, direction, production in writing his own theme, literary and technical scenario; - prepare a technical scenario and production of a short movie; - use the acquired knowledge of editing, cutting, engaging, camera, scene lighting, scene sound and postproduction in the movie production; - create a film crew with fixed roles from the group of students; - produce his own short audiovisual work.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, the setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. The substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is an adaptation of literary model into the movie script. Students have to write or adapt a story into a script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing a good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory using DLSR and other rich sets of audio and video instruments.

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík
• Mistrovství práce s DSLR (Roman Pihan)

Teaching methods

The course consists of lectures conducted in a seminar form, often using discussion and interactive teaching methods, where dramaturgy and scenario creation are discussed. Further, the subject consists of exercises, realized in the form of four-hour workshops, taught once every two weeks. Students will acquire theoretical knowledge from the fields of audiovisual production and will also practice them (constructivism). Students' work is mentored by graduates of previous years. Students work in the LEMMA lab and have access to audio-visual technology in the LEMMA booking system.

Assessment methods

To award a colloquium, it is necessary to surrender and defend a technical scenario that can be used in the follow-up subject PV113 Production of Audiovisual Artefacts. For the credit, it is necessary to take part in the production of a short film, which the students will shoot in the created groups - crews.

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

https://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Narratives

Extent and Intensity

2/2/1. 4 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Bc. Tomáš Schmidl (seminar tutor)
Mgr. Michaela Martišová (seminar tutor)
Mgr. Jakub Bohoš (seminar tutor)
Bc. Juraj Ulbrich (seminar tutor)
Bc. Jan Šplíchal (seminar tutor)
Mgr. Viktor Lehotský (seminar tutor)
Mgr. Martin Kacvinský (seminar tutor)
Mgr. Radek Gomola (assistant)
Ing. Pavel Šiler (assistant)
Mgr. Jozef Bátrna (assistant)
Bc. Peter Gamboš (assistant)
Mgr. et Mgr. Elena Kubalíková (assistant)
Bc. Lýdie Palečková (assistant)
Mgr. Kristýna Rudolfová (assistant)
Bc. Roman Pelikán (assistant)
Jan Tesařík (assistant)
Bc. Kateřina Veselá (assistant)
MgA. Radovan Hakl (assistant)

Guaranteed by

doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics

Timetable

Wed 18:00–19:50 D3

• Timetable of Seminar Groups:

PV110/01: Mon 17. 9. to Mon 10. 12. each even Monday 14:00–17:50 C403, J. Bohoš, M. Kacvinský, V. Lehotský, M. Martišová, T. Schmidl, J. Šplíchal, J. Ulbrich
PV110/02: Mon 17. 9. to Mon 10. 12. each odd Monday 14:00–17:50 C403, J. Bohoš, M. Kacvinský, V. Lehotský, M. Martišová, T. Schmidl, J. Šplíchal, J. Ulbrich

Prerequisites

Enthusiasm and ideas for a movie. Knowing the basics of electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 44 fields of study the course is directly associated with, display

Course objectives

When student pass this course, she/he should be posses main skills, craft and art of preparation of the script of a short movie or play. Course graduate should be accustomed to the creative and technical processes that are inevitable in the preparation of a product of short movie type. He/she will have ready technical script for movie production in the course PV113 Production of Audiovisual Artefacts in the Spring semester.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory using DLSR and other rich set of audio and video instruments.

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík
• Mistrovství práce s DSLR (Roman Pihan)

Teaching methods

In addition to the introductory lectures about principles of audiovisual communication and principles of audio and video acquisition the main part of the course will be devoted to the discussions about student's project preparation materials (literary and technical scripts). Students will be also given homeworks to learn the skills of movie cutting (Adobe Premiere) in the LEMMA laboratory.

Assessment methods

Final grading is based on the defense of written literary and technical script of short movie. This document will be consulted and discussed during the term. When defended, it's production will be done in spring term (in the course PV113 Production of Audiovisual Artefacts).

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

http://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Narratives

Extent and Intensity

2/2/1. 4 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Bc. Tomáš Schmidl (seminar tutor)
Mgr. Michaela Martišová (seminar tutor)
Mgr. Jakub Bohoš (seminar tutor)
Bc. Juraj Ulbrich (seminar tutor)
Bc. Jan Šplíchal (seminar tutor)
Mgr. Jana Čecháčková (seminar tutor)
Mgr. Viktor Lehotský (seminar tutor)
Mgr. Radek Gomola (assistant)
Ing. Pavel Šiler (assistant)
Mgr. Antonín Holík (assistant)
Mgr. Lucie Bartoňková (assistant)
Mgr. Jozef Bátrna (assistant)
Bc. Andrej Boniš (assistant)
Alžbeta Fekiačová (assistant)
Bc. Peter Gamboš (assistant)
Klára Hurtlová (assistant)
Mgr. et Mgr. Elena Kubalíková (assistant)
Bc. Lýdie Palečková (assistant)
Mgr. Michal Románek (assistant)
Anna Zapletalová (assistant)

Guaranteed by

doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics

Timetable

Wed 18:00–19:50 D3

• Timetable of Seminar Groups:

PV110/01: each odd Monday 14:00–17:50 C403, J. Bohoš, J. Čecháčková, V. Lehotský, M. Martišová, T. Schmidl, J. Šplíchal, J. Ulbrich
PV110/02: each even Monday 14:00–17:50 C403, J. Bohoš, J. Čecháčková, V. Lehotský, M. Martišová, T. Schmidl, J. Šplíchal, J. Ulbrich

Prerequisites

Prerequisites for enrollment and successful completion are only enthusiasm for cinematography, ability to work effectively in a team, communicate, solve problems, manage crisis situations and relative time flexibility. The student does not need to have knowledge of the film industry. Knowing the basics of creative writing and electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 44 fields of study the course is directly associated with, display

Course objectives

The aim of PV110 and PV113 Production of Audiovisual Artefacts is to enable students to express their own via movie language. This is gradually learned by writing and filing his own subject, literary and technical scenario, preparing a technical scenario for his film production in the follow-up spring semester in the course , and by discussing principles and gaining practical skills from areas of editing, engaging, camera, scene lighting, scene sound and postproduction.

Learning outcomes

At the end of the course, the student will be able to:
- use the knowledge of the basics of screenwriting, dramaturgy, direction, production in writing his own theme, literary and technical scenario; - prepare a technical scenario and production of a short movie; - use the acquired knowledge of editing, cutting, engaging, camera, scene lighting, scene sound and postproduction in the movie production; - create a film crew with fixed roles from the group of students; - produce his own short audiovisual work.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory using DLSR and other rich set of audio and video instruments.

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík
• Mistrovství práce s DSLR (Roman Pihan)

Teaching methods

The course consists of lectures conducted in a seminar form, often using discussion and interactive teaching methods, where dramaturgy and scenario creation are discussed. Further, the subject consists of exercises, realized in the form of four hour workshops, taught once every two weeks. Students will acquire theoretical knowledge from the fields of audiovisual production and will also practice them (constructivism). Students' work is mentored by graduates of previous years. Students work in the LEMMA lab and have access to audio-visual technology in the LEMMA booking system.

Assessment methods

To award a colloquium, it is necessary to surrender and defend a technical scenario that can be used in the follow-up subject . For the credit, it is necessary to take part in the production of a short film, which the students will shoot in the created groups - crews.

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

https://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Narratives

Extent and Intensity

2/2/1. 4 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. Daniel Poľan (seminar tutor)
Bc. Kryštof Zvolánek (seminar tutor)
Mgr. Jan Szlauer (seminar tutor)
Mgr. Radek Gomola (assistant)
Ing. Pavel Šiler (assistant)
Bc. Tomáš Schmidl (seminar tutor)
MgA. Josef Víšek (seminar tutor)
Mgr. Jana Čecháčková (seminar tutor)
Bc. Samuel Antol (assistant)
Mgr. Jozef Bátrna (assistant)
Mgr. Marek Holášek (assistant)
Mgr. Michal Humaj (assistant)
Jan Křenek (assistant)
Mgr. Michaela Martišová (assistant)
Bc. Monika Mráziková (assistant)
Mgr. Michal Románek (assistant)
Bc. Jan Šplíchal (assistant)
Martin Štěrba (assistant)
Bc. Juraj Ulbrich (assistant)

Guaranteed by

doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics

Timetable

Wed 18:00–19:50 D3

• Timetable of Seminar Groups:

PV110/01: each odd Monday 14:00–17:50 C403, each odd Monday 14:00–17:50 C416, J. Čecháčková, D. Poľan, T. Schmidl, J. Szlauer, K. Zvolánek
PV110/02: each even Monday 14:00–17:50 C416, each even Monday 14:00–17:50 C403, J. Čecháčková, D. Poľan, T. Schmidl, J. Szlauer, K. Zvolánek

Prerequisites

Enthusiasm and ideas for a movie. Knowing the basics of electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 44 fields of study the course is directly associated with, display

Course objectives

When student pass this course, she/he should be posses main skills, craft and art of preparation of the script of a short movie or play. Course graduate should be accustomed to the creative and technical processes that are inevitable in the preparation of a product of short movie type. He/she will have ready technical script for movie production in the course PV113 Production of Audiovisual Artefacts in the Spring semester.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory using DLSR and other rich set of audio and video instruments.

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík
• Mistrovství práce s DSLR (Roman Pihan)

Teaching methods

In addition to the introductory lectures about principles of audiovisual communication and principles of audio and video acquisition the main part of the course will be devoted to the discussions about student's project preparation materials (literary and technical scripts). Students will be also given homeworks to learn the skills of movie cutting (Adobe Premiere) in the LEMMA laboratory.

Assessment methods

Final grading is based on the defense of written literary and technical script of short movie. This document will be consulted and discussed during the term. When defended, it's production will be done in spring term (in the course PV113 Production of Audiovisual Artefacts).

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

The course is taught annually.

Teacher's information

http://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Discourse

Extent and Intensity

2/2/1. 4 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. Daniel Poľan (seminar tutor)
Bc. Kryštof Zvolánek (seminar tutor)
MgA. Josef Víšek (seminar tutor)
Mgr. Radek Gomola (assistant)
Ing. Pavel Šiler (assistant)
Bc. Tomáš Schmidl (assistant)
Mgr. Jakub Špiřík (assistant)
Mgr. Antonín Holík (assistant)
Mgr. Jana Čecháčková (assistant)
Mgr. Marián Valovič (assistant)
Bc. Jan Šplíchal (assistant)
Anna Galbová (assistant)
Mgr. Michal Románek (assistant)
Lukáš Kubiš (assistant)
Martin Jancík (assistant)
Mgr. Jan Szlauer (assistant)
Mgr. et Mgr. Elena Kubalíková (assistant)
Martin Štěrba (assistant)

Guaranteed by

doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics

Timetable

Mon 18:00–19:50 D3

• Timetable of Seminar Groups:

PV110/02: each even Monday 14:00–17:50 C403, each even Monday 14:00–17:50 C416, D. Poľan, K. Zvolánek
PV110/29: each odd Monday 14:00–17:50 C403, each odd Monday 14:00–17:50 C416, D. Poľan, K. Zvolánek

Prerequisites

Enthusiasm and ideas for a movie. Knowing the basics of electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 44 fields of study the course is directly associated with, display

Course objectives

When student pass this course, she/he should be posses main skills, craft and art of preparation of the script of a short movie or play. Course graduate should be accustomed to the creative and technical processes that are inevitable in the preparation of a product of short movie type. He/she will have ready technical script for movie production in the course PV113 Production of Audiovisual Artefacts in the Spring semester.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory using DLSR and other rich set of audio and video instruments.

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík
• Mistrovství práce s DSLR (Roman Pihan)

Teaching methods

In addition to the introductory lectures about principles of audiovisual communication and principles of audio and video acquisition the main part of the course will be devoted to the discussions about student's project preparation materials (literary and technical scripts). Students will be also given homeworks to learn the skills of movie cutting (Adobe Premiere) in the LEMMA laboratory.

Assessment methods

Final grading is based on the defense of written literary and technical script of short movie. This document will be consulted and discussed during the term. When defended, it's production will be done in spring term (in the course PV113 Production of Audiovisual Artefacts).

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

http://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Discourse

Extent and Intensity

2/1/1. 3 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. Martin Kacvinský (seminar tutor)
MgA. Josef Víšek (seminar tutor)
Mgr. Daniel Poľan (seminar tutor)
Mgr. Radek Gomola (seminar tutor)
Ing. Pavel Šiler (assistant)
Bc. Kryštof Zvolánek (assistant)
Bc. Nikola Linhartová (assistant)
Mgr. et Mgr. Elena Kubalíková (assistant)
Mgr. Jakub Špiřík (assistant)
Mgr. Antonín Holík (assistant)
Bc. Jana Ludvíková (assistant)
Bc. Jeroným Pelikovský (assistant)
Bc. Jan Šplíchal (assistant)
Mgr. Peter Strieška (assistant)
Bc. Roman Kadlčík (assistant)

Guaranteed by

doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics

Timetable

Wed 18:00–19:50 D3

• Timetable of Seminar Groups:

PV110/01: Wed 16:00–17:50 B311, M. Kacvinský
PV110/02: Mon 16:00–17:50 B311, R. Gomola, D. Poľan

Prerequisites

Enthusiasm and ideas for a movie. Knowing the basics of electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 43 fields of study the course is directly associated with, display

Course objectives

When student pass this course, she/he should be posses main skills, craft and art of preparation of the script of a short movie or play. Course graduate should be accustomed to the creative and technical processes that are inevitable in the preparation of a product of short movie type. He/she will have ready technical script for movie production in the course PV113 Production of Audiovisual Artefacts in the Spring semester.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory using DLSR and other rich set of audio and video instruments.

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík

Teaching methods

In addition to the introductory lectures about principles of audiovisual communication and principles of audio and video acquisition the main part of the course will be devoted to the discussions about student's project preparation materials (literary and technical scripts). Students will be also given homeworks to learn the skills of movie cutting (Adobe Premiere) in the LEMMA laboratory.

Assessment methods

Final grading is based on the defense of written literary and technical script of short movie. This document will be consulted and discussed during the term. When defended, it's production will be done in spring term (in the course PV113 Production of Audiovisual Artefacts).

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

http://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Discourse

Extent and Intensity

2/1/1. 3 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. Martin Kacvinský (seminar tutor)
Mgr. Daniel Poľan (seminar tutor)
Mgr. Radek Gomola (seminar tutor)
Ing. Pavel Šiler (assistant)
Bc. Tomáš Kotlant, DiS. (assistant)
Bc. Kryštof Zvolánek (assistant)
Mgr. Milan Doležal (assistant)
Mgr. Petr Sečkář (assistant)
Bc. Antonín Hojný (assistant)
Bc. Nikola Linhartová (assistant)
Mgr. Milan Mikuš (assistant)
RNDr. Pavol Ulbrich (assistant)

Guaranteed by

doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics

Timetable

Wed 18:00–19:50 D3

• Timetable of Seminar Groups:

PV110/01: Tue 18:00–19:50 B311, R. Gomola
PV110/02: Wed 16:00–17:50 B311, M. Kacvinský
PV110/03: Mon 16:00–17:50 B311, D. Poľan
PV110/04: Mon 18:00–19:50 B311, D. Poľan

Prerequisites

Knowing the basics of electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 43 fields of study the course is directly associated with, display

Course objectives

When student pass this course, she/he should be posses main skills, craft and art of preparation of the script of a short movie or play. Course graduate should be accustomed to the creative and technical processes that are inevitable in the preparation of a product of short movie type. He/she will have ready technical script for movie production in the course PV113 Production of Audiovisual Artefacts in the Spring semester.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory using DLSR and other rich set of audio and video instruments.

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík

Teaching methods

In addition to the introductory lectures about principles of audiovisual communication and principles of audio and video acquisition the main part of the course will be devoted to the discussions about student's project preparation materials (literary and technical scripts). Students will be also given homeworks to learn the skills of movie cutting (Adobe Premiere) in the LEMMA laboratory.

Assessment methods

Final grading is based on the defense of written literary and technical script of short movie. This document will be consulted and discussed during the term. When defended, it's production will be done in spring term (in the course PV113 Production of Audiovisual Artefacts).

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

http://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Discourse

Extent and Intensity

2/1/1. 3 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. Martin Kacvinský (seminar tutor)
Mgr. Daniel Poľan (seminar tutor)
Ing. Pavel Šiler (seminar tutor)
Mgr. Radek Gomola (assistant)
Bc. Václav Mach (assistant)
Bc. Tomáš Kotlant, DiS. (assistant)
Tomáš Knězek (assistant)
Tomáš Vymazal (assistant)
Mgr. Miroslava Jarešová (assistant)

Guaranteed by

prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics

Timetable

Wed 18:00–19:50 D3

• Timetable of Seminar Groups:

PV110/01: Tue 16:00–17:50 B311, D. Poľan
PV110/02: Thu 18:00–19:50 B311, M. Kacvinský

Prerequisites

The key is high motivation to acquire skills and craft of audiovisual artefacts preparation. To know the basics of electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 43 fields of study the course is directly associated with, display

Course objectives

When student pass this course, she/he should be posses main skills, craft and art of preparation of the script of a short movie or play. Course graduate should be accustomed to the creative and technical processes that are inevitable in the preparation of a product of short movie type. He/she will have ready technical script for movie production in the course PV113 Production of Audiovisual Artefacts in the Spring semester.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory (Premiere Pro or AVID).

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík

Teaching methods

In addition to the introductory lectures about principles of audiovisual communication and principles of audio and video acquisition the main part of the course will be devoted to the discussions about student's project preparation materials (literary and technical scripts). Students will be also given homeworks to learn the skills of movie cutting (Adobe Premiere) in the LEMMA laboratory.

Assessment methods

Final grading is based on the defense of written literary and technical script of short movie. This document will be consulted and discussed during the term. When defended, it's production will be done in spring term (in the course PV113 Production of Audiovisual Artefacts).

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

http://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Discourse

Extent and Intensity

2/1/1. 3 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. Martin Kacvinský (seminar tutor)
Mgr. Daniel Poľan (seminar tutor)
Ing. Pavel Šiler (seminar tutor)
Mgr. Tomáš Kratěna (assistant)
Bc. Radim Urbášek (assistant)
Bc. Tomáš Adamec (assistant)
Tomáš Knězek (assistant)

Guaranteed by

prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.

Timetable

Wed 18:00–19:50 D3

• Timetable of Seminar Groups:

PV110/01: Mon 14:00–15:50 B311, D. Poľan
PV110/02: Tue 18:00–19:50 B311, D. Poľan
PV110/03: Wed 16:00–17:50 B311, M. Kacvinský
PV110/04: Fri 8:00–9:50 B311

Prerequisites

The key is high motivation to acquire skills and craft of audiovisual artefacts preparation. To know the basics of electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 43 fields of study the course is directly associated with, display

Course objectives

When student pass this course, she/he should be posses main skills, craft and art of preparation of the script of a short movie or play. Course graduate should be accustomed to the creative and technical processes that are inevitable in the preparation of a product of short movie type. He/she will have ready technical script for movie production in the course PV113 Production of Audiovisual Artefacts in the Spring semester.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory (Premiere Pro or AVID).

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík

Teaching methods

In addition to the introductory lectures about principles of audiovisual communication and principles of audio and video acquisition the main part of the course will be devoted to the discussions about student's project preparation materials (literary and technical scripts). Students will be also given homeworks to learn the skills of movie cutting (Adobe Premiere) in the LEMMA laboratory.

Assessment methods

Final grading is based on the defense of written literary and technical script of short movie. This document will be consulted and discussed during the term. When defended, it's production will be done in spring term (in the course PV113 Production of Audiovisual Artefacts).

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

http://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Discourse

Extent and Intensity

2/1/1. 3 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
Mgr. Martin Kacvinský (seminar tutor)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Ing. Pavel Šiler (lecturer)

Guaranteed by

prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.

Timetable

Mon 8:00–9:50 B311, Wed 18:00–19:50 D3, Thu 18:00–19:50 B311

• Timetable of Seminar Groups:

PV110/01: No timetable has been entered into IS. M. Kacvinský
PV110/02: No timetable has been entered into IS. M. Kacvinský

Prerequisites

The key is high motivation to acquire skills and craft of audiovisual artefacts preparation. To know the basics of electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 42 fields of study the course is directly associated with, display

Course objectives

When student pass this course, she/he should be posses main skills, craft and art of preparation of the script of a short movie or play. Course graduate should be accustomed to the creative and technical processes that are inevitable in the preparation of a product of short movie type. He/she will have ready technical script for movie production in the course PV113 Production of Audiovisual Artefacts in the Spring semester.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory (Premiere Pro or AVID).

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík

Teaching methods

In addition to the introductory lectures about principles of audiovisual communication and principles of audio and video acquisition the main part of the course will be devoted to the discussions about student's project preparation materials (literary and technical scripts). Students will be also given homeworks to learn the skills of movie cutting (Adobe Premiere) in the LEMMA laboratory.

Assessment methods

Final grading is based on the defense of written literary and technical script of short movie. This document will be consulted and discussed during the term. When defended, it's production will be done in spring term (in the course PV113 Production of Audiovisual Artefacts).

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

http://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Discourse

Extent and Intensity

2/1/1. 3 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
Mgr. Martin Kacvinský (seminar tutor)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Ing. Pavel Šiler (lecturer)

Guaranteed by

prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.

Timetable

Wed 18:00–19:50 A107

• Timetable of Seminar Groups:

PV110/01: Wed 16:00–17:50 B311, M. Kacvinský
PV110/02: Thu 18:00–19:50 B311, M. Kacvinský

Prerequisites

The key is high motivation to acquire skills and craft of audiovisual artefacts preparation. To know the basics of electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 40 fields of study the course is directly associated with, display

Course objectives

When student pass this course, she/he should be posses main skills, craft and art of preparation of the script of a short movie or play. Course graduate should be accustomed to the creative and technical processes that are inevitable in the preparation of a product of short movie type. He/she will have ready technical script for movie production in the course PV113 Production of Audiovisual Artefacts in the Spring semester.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in the Spring term. Practical exercises will be done in the LEMMA laboratory (Premiere Pro or AVID).

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík

Teaching methods

In addition to the introductory lectures about principles of audiovisual communication and principles of audio and video acquisition the main part of the course will be devoted to the discussions about student's project preparation materials (literary and technical scripts). Students will be also given homeworks to learn the skills of movie cutting (Adobe Premiere) in the LEMMA laboratory.

Assessment methods

Final grading is based on the defense of written literary and technical script of short movie. This document will be consulted and discussed during the term. When defended, it's production will be done in spring term (in the course PV113 Production of Audiovisual Artefacts).

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

http://www.fi.muni.cz/~sojka/PV110/

PV110 Basics of Film Discourse

Extent and Intensity

2/1/1. 3 credit(s) (plus extra credits for completion). Type of Completion: k (colloquium).

Teacher(s)

Mgr. BcA. Robert Král, Ph.D. (lecturer)
Mgr. Martin Kacvinský (seminar tutor)

Guaranteed by

prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.

Timetable

Wed 18:00–19:50 D3

• Timetable of Seminar Groups:

PV110/01: Tue 10:00–11:50 B311, M. Kacvinský
PV110/02: Wed 16:00–17:50 B311, M. Kacvinský

Prerequisites

The key is high motivation to acquire skills and craft of audiovisual artefacts preparation. To know the basics of electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 33 fields of study the course is directly associated with, display

Course objectives

In the course main skills, craft and art of preparation of the script of a short movie or play are being taught.
Graduate of the course will be accustomed to creative and technical processes that are inevitable in the preparation of a product of short movie type. He/she will have ready technical script for movie production in the course PV113 Production of Audiovisual Artefacts in the Spring semester.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction. Editing. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in Spring term. Practical exercises will be done in the LEMMA laboratory (Premiere Pro or AVID).

Literature

• VALUŠIAK, Josef. Základy střihové skladby. 3., rozš. vyd. V Praze: FAMU, 2005, 143 s. ISBN 8073310392. info
• KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík

Assessment methods

Written script and technical script for short movie as well as presence on lectures are required for grant of credit.

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

Teacher's information

http://www.fi.muni.cz/~sojka/PV110/

PV110 Electronic Publishing Seminar I

Extent and Intensity

2/0/2. 3 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).

Teacher(s)

doc. RNDr. Petr Sojka, Ph.D. (lecturer)
MgA. Radovan Hakl (lecturer)
Ing. Pavel Šiler (assistant)
Mgr. BcA. Robert Král, Ph.D. (assistant)
Ing. Mgr. Lukáš Horáček (seminar tutor)
Mgr. Michal Hečko (assistant)

Guaranteed by

prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.

Timetable

Wed 8:00–9:50 A107

• Timetable of Seminar Groups:

PV110/01: Mon 8:00–9:50 B311
PV110/02: Tue 18:00–19:50 B311

Prerequisites

The key is high motivation to acquire skills and craft of movie or multimedia preparation. To know the basics of electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 37 fields of study the course is directly associated with, display

Course objectives

In the course main skills, craft and art of preparation of the script of a short movie or play or multimedia presentation are being taught. In the seminar so called collective dramaturgy will be practised: students will present their own thoughts and works, and discuss and criticize works of others.
Graduate of the course will be accustomed to creative and technical processes that are inevitable in the preparation of a product of short movie type. He/she will have ready technical script for movie production in the course PV113 Production of Audiovisual Artefacts in the Spring semester.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction Editing. Specifics of e-learning. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in Spring term. Practical exercises will be done in the LEMMA laboratory (Premiere Pro or AVID).

Literature

• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík
• Základní složky filmu / Mojmír Drvota; [předml. Vladimír Zuska]. -- 1. vyd. -- Praha : Národní film. archiv, 1994. -- 98 s. -- (Knihovna Iluminace ; sv. 3)
• Jan Bernard: O mezeře mezi světy NFA (1995) Národní filmový archiv

Assessment methods (in Czech)

Závěrečné hodnocení má podobu obhajoby/kolokvia nad písemně vypracovaným literárním i technickým scénářem filmu či implementační studií/prototypem multimediální prezentace. Tento dokument bude konzultován a diskutován v průběhu semestru a bude také podmínkou zápisu navazujícího PV113, kde bude zprodukován.

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

PV110 Electronic Publishing Seminar I

Extent and Intensity

2/0/2. 3 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).

Teacher(s)

doc. RNDr. Petr Sojka, Ph.D. (lecturer)
MgA. Radovan Hakl (lecturer)
Mgr. Michal Hrabí (seminar tutor)
Ing. Pavel Šiler (assistant)
Mgr. Stanislav Hrabí (assistant)

Guaranteed by

prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.

Timetable

Wed 8:00–9:50 B204

• Timetable of Seminar Groups:

PV110/01: Thu 10:00–11:50 B311, M. Hrabí
PV110/02: Fri 9:00–10:50 B311, M. Hrabí

Prerequisites

The key is high motivation to acquire skills and craft of movie or multimedia preparation. To know the basics of electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 17 fields of study the course is directly associated with, display

Course objectives

In the course main skills, craft and art of preparation of the script of a short movie or play or multimedia presentation are being taught. In the seminar so called collective dramaturgy will be practised: students will present their own thoughts and works, and discuss and criticize works of others.
Graduate of the course will be accustomed to creative and technical processes that are inevitable in the preparation of a product of short movie type. He/she will have ready technical script for movie production in the course PV113 Production of Audiovisual Artefacts in the Spring semester.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction Editing. Specifics of e-learning. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in Spring term. Practical exercises will be done in the LEMMA laboratory (Premiere Pro or AVID).

Literature

• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík
• Základní složky filmu / Mojmír Drvota; [předml. Vladimír Zuska]. -- 1. vyd. -- Praha : Národní film. archiv, 1994. -- 98 s. -- (Knihovna Iluminace ; sv. 3)
• Jan Bernard: O mezeře mezi světy NFA (1995) Národní filmový archiv

Assessment methods (in Czech)

Závěrečné hodnocení má podobu obhajoby/kolokvia nad písemně vypracovaným literárním i technickým scénářem filmu či implementační studií/prototypem multimediální prezentace. Tento dokument bude konzultován a diskutován v průběhu semestru a bude také podmínkou zápisu navazujícího PV113, kde bude zprodukován.

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

Study Materials
The course is taught annually.

PV110 Electronic Publishing Seminar I

Extent and Intensity

2/0/2. 3 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).

Teacher(s)

doc. RNDr. Petr Sojka, Ph.D. (lecturer)
David Kovalský (seminar tutor)
MgA. Radovan Hakl (lecturer)
Ing. Pavel Šiler (seminar tutor)

Guaranteed by

prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.

Timetable

Thu 8:00–9:50 A107, Thu 10:00–11:50 B311

Prerequisites

The key is high motivation to acquire skills and craft of movie or multimedia preparation. To know the basics of electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 17 fields of study the course is directly associated with, display

Course objectives

In the course main skills, craft and art of preparation of the script of a short movie or play or multimedia presentation are being taught. In the seminar so called collective dramaturgy will be practised: students will present their own thoughts and works, and discuss and criticize works of others.
Graduate of the course will be accustomed to creative and technical processes that are inevitable in the preparation of a product of short movie type. He/she will have ready technical script for movie production in the course PV113 Production of Audiovisual Artefacts in the Spring semester.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction Editing. Specifics of e-learning. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in Spring term. Practical exercises will be done in the LEMMA laboratory (Premiere Pro or AVID).

Literature

• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík
• Základní složky filmu / Mojmír Drvota; [předml. Vladimír Zuska]. -- 1. vyd. -- Praha : Národní film. archiv, 1994. -- 98 s. -- (Knihovna Iluminace ; sv. 3)
• Jan Bernard: O mezeře mezi světy NFA (1995) Národní filmový archiv

Assessment methods (in Czech)

Závěrečné hodnocení má podobu obhajoby/kolokvia nad písemně vypracovaným literárním i technickým scénářem filmu či implementační studií/prototypem multimediální prezentace. Tento dokument bude konzultován a diskutován v průběhu semestru a bude také podmínkou zápisu navazujícího PV113, kde bude zprodukován.

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

The course is taught annually.

PV110 Electronic Publishing Seminar I

Extent and Intensity

2/0/2. 3 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).

Teacher(s)

doc. RNDr. Petr Sojka, Ph.D. (lecturer)
MgA. Radovan Hakl (lecturer)
prof. RNDr. Tomáš Pitner, Ph.D. (assistant)

Guaranteed by

doc. Ing. Jan Staudek, CSc.
Department of Computer Systems and Communications – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.

Timetable

Thu 10:00–11:50 A107

Prerequisites

SOUHLAS
The key is high motivation to acquire skills and craft of movie or multimedia preparation. To know the basics of electronic publishing PB029 Electronic Document Preparation is a plus.

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 25 student(s).
Current registration and enrolment status: enrolled: 0/25, only registered: 0/25, only registered with preference (fields directly associated with the programme): 0/25

fields of study / plans the course is directly associated with

there are 17 fields of study the course is directly associated with, display

Course objectives

In the course main skills, craft and art of preparation of the script of a short movie or play or multimedia presentation are being taught. In the seminar so called collective dramaturgy will be practised: students will present their own thoughts and works, and discuss and criticize works of others.
Graduate of the course will be accustomed to creative and technical processes that are inevitable in the preparation of a product of short movie type. He/she will have ready technical script for movie production in the course PV113 Production of Audiovisual Artefacts in the Spring semester.

Syllabus

• Theme. Literary model for movie or multimedia project. Choice of model or intrigue. Basics of scriptwriting. Movie script: analysis of conflict, setting of key points in a script, plausibility of figures, dynamics of the storytelling, characters and their progress. Substance of dramaturgy, collective readings, processes towards final script and technical and production plan. Main rules of production and postproduction Editing. Specifics of e-learning. Practical goal is adaptation of literary model into movie script. Students have to write or adapt a story into script, taking in mind existing technical backing of the course in LEMMA laboratory. During the realization of this goal, students will be taught the right ways of doing good script and all the phases of literary preparation (model, story, script) all the topics around. Scripts written and defended in the course will be used for movie/multimedia production in Spring term. Practical exercises will be done in the LEMMA laboratory (Premiere Pro or AVID).

Literature

• Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
• Filmová řeč / Jerzy Plazewski ; [z polského originálu ... přeložil Zdeněk Smejkal ; doslov Jan Kučera]. -- 1. vyd. -- Praha : Orbis, 1967. -- 461 s., [52] s. obr. příl. -- P 9269/67. -- Obsahuje bibliografii na s. 425-432, rejstřík filmů a jm. rejstřík
• Základní složky filmu / Mojmír Drvota; [předml. Vladimír Zuska]. -- 1. vyd. -- Praha : Národní film. archiv, 1994. -- 98 s. -- (Knihovna Iluminace ; sv. 3)
• Jan Bernard: O mezeře mezi světy NFA (1995) Národní filmový archiv

Assessment methods (in Czech)

Závěrečné hodnocení má podobu obhajoby/kolokvia nad písemně vypracovaným literárním i technickým scénářem filmu či implementační studií/prototypem multimediální prezentace. Tento dokument bude konzultován a diskutován v průběhu semestru a bude také podmínkou zápisu navazujícího PV113, kde bude zprodukován.

Language of instruction

Czech

Follow-Up Courses

• PV113 Production of Audiovisual Artefacts

Further comments (probably available only in Czech)

The course is taught annually.

• Enrolment Statistics (recent)