US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2022
Extent and Intensity
1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Tue 8:00–9:40 N51
Prerequisites (in Czech)
US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 9 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present
  • American film
  • Changes in the production process
  • Success of the independent
  • System of support of independent cinema
  • Film clubs and festivals
  • Global film culture - multiplexes
  • DOGMA 95
  • Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2021
Extent and Intensity
1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Tue 8:00–9:40 N51
Prerequisites (in Czech)
US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 9 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present
  • American film
  • Changes in the production process
  • Success of the independent
  • System of support of independent cinema
  • Film clubs and festivals
  • Global film culture - multiplexes
  • DOGMA 95
  • Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2020
Extent and Intensity
1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Tue 8:00–9:40 N51
Prerequisites (in Czech)
US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 9 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present
  • American film
  • Changes in the production process
  • Success of the independent
  • System of support of independent cinema
  • Film clubs and festivals
  • Global film culture - multiplexes
  • DOGMA 95
  • Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2019
Extent and Intensity
1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Tue 12:00–13:40 N51
Prerequisites (in Czech)
US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 9 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present
  • American film
  • Changes in the production process
  • Success of the independent
  • System of support of independent cinema
  • Film clubs and festivals
  • Global film culture - multiplexes
  • DOGMA 95
  • Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2018
Extent and Intensity
1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Mon 10:50–12:25 N51
Prerequisites (in Czech)
US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 1/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 9 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present
  • American film
  • Changes in the production process
  • Success of the independent
  • System of support of independent cinema
  • Film clubs and festivals
  • Global film culture - multiplexes
  • DOGMA 95
  • Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2017
Extent and Intensity
1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Mon 10:50–12:25 N51
Prerequisites (in Czech)
US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 6 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present
  • American film
  • Changes in the production process
  • Success of the independent
  • System of support of independent cinema
  • Film clubs and festivals
  • Global film culture - multiplexes
  • DOGMA 95
  • Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
The course is taught annually.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2016
Extent and Intensity
1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Alena Taranzová
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Mon 10:50–12:25 N51
Prerequisites (in Czech)
US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 6 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present
  • American film
  • Changes in the production process
  • Success of the independent
  • System of support of independent cinema
  • Film clubs and festivals
  • Global film culture - multiplexes
  • DOGMA 95
  • Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2015
Extent and Intensity
1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Alena Taranzová
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Mon 10:50–12:25 N51
Prerequisites (in Czech)
US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 6 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present
  • American film
  • Changes in the production process
  • Success of the independent
  • System of support of independent cinema
  • Film clubs and festivals
  • Global film culture - multiplexes
  • DOGMA 95
  • Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2014
Extent and Intensity
1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Mon 12:30–14:05 N51
Prerequisites (in Czech)
US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 6 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present
  • American film
  • Changes in the production process
  • Success of the independent
  • System of support of independent cinema
  • Film clubs and festivals
  • Global film culture - multiplexes
  • DOGMA 95
  • Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2013
Extent and Intensity
1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Thu 9:10–10:45 N51
Prerequisites (in Czech)
US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 6 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present American film Changes in the production process Success of the independent System of support of independent cinema Film clubs and festivals Global film culture - multiplexes DOGMA 95 Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Film History II.

Faculty of Arts
Spring 2012
Extent and Intensity
1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), Mgr. Kristýna Celhofferová, Ph.D. (deputy)
Guaranteed by
Mgr. Kristýna Celhofferová, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Thu 9:10–10:45 N51
Prerequisites (in Czech)
US_49 Chapters from Film History I.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 6 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present American film Changes in the production process Success of the independent System of support of independent cinema Film clubs and festivals Global film culture - multiplexes DOGMA 95 Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2011
Extent and Intensity
1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), Mgr. Kristýna Celhofferová, Ph.D. (deputy)
Guaranteed by
Mgr. Kristýna Celhofferová, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová
Timetable
Thu 9:10–10:45 N41
Prerequisites (in Czech)
US_49 Chapters from Film History I.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 6 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present American film Changes in the production process Success of the independent System of support of independent cinema Film clubs and festivals Global film culture - multiplexes DOGMA 95 Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2010
Extent and Intensity
1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), Mgr. Kristýna Celhofferová, Ph.D. (deputy)
Guaranteed by
Mgr. Kristýna Celhofferová, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová
Timetable
Thu 10:00–11:35 zruseno D22
Prerequisites (in Czech)
US_49 Chapters from Film History I.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
there are 6 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present American film Changes in the production process Success of the independent System of support of independent cinema Film clubs and festivals Global film culture - multiplexes DOGMA 95 Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2009
Extent and Intensity
1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Václav Březina (lecturer), Mgr. Kristýna Celhofferová, Ph.D. (deputy)
Guaranteed by
Mgr. Kristýna Celhofferová, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová
Timetable
each odd Thursday 13:20–16:35 zruseno D22
Prerequisites (in Czech)
US_49 Chapters from Film History I.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
there are 6 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present American film Changes in the production process Success of the independent System of support of independent cinema Film clubs and festivals Global film culture - multiplexes DOGMA 95 Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
The course is taught annually.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2008
Extent and Intensity
1/1. 4 credit(s). Type of Completion: zk (examination).
Teacher(s)
Mgr. Václav Březina (lecturer), PhDr. Petr Macek, Ph.D. (deputy)
Guaranteed by
PhDr. Petr Macek, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová
Timetable
Thu 10:00–11:35 zruseno D22
Prerequisites (in Czech)
US_49 Chapters from Film History I.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
there are 6 fields of study the course is directly associated with, display
Course objectives (in Czech)
Přehledový kurz zmapuje historii světového a českého filmu především v oblasti hraného filmu, výběrově i v dokumentu a v animovaném filmu. Přednáška poskytne znalosti potřebné k orientaci v dějinách filmu, věnovat se budeme formálním a stylistickým trendům v dějinách kinematografie. Zabývat se budeme také proměnami témat a stylů v kontextu společensko-politických změn. (1895 1927) vynález kinematografu; počátky filmu; němý film; David Wark Griffith; německý filmový expresionismus; sovětská montáž; surrealismus * (1927 1945) nástup zvuku; klasický hollywoodský styl a žánry (gangsterka, muzikál, horor, komedie, western); francouzská škola poetického realismu; kinematografie ve službách státu nacistický film (Německo, Itálie), socialistický realismus (SSSR). česká kinematografie mezi lety 1930 1945 (Gustav Machatý, česká filmová avantgarda, slavínština, období Protektorátu Čechy a Morava cenzurní zásahy, otázka kolaborace); * (po roce 1945) film noir v USA a další žánry (muzikál, sci-fi, historický film); Orson Welles; Alfred Hitchcock; Ingmar Bergman; italský neorealismus a postneorealistická generace; etapa nových vln, japonský film (A.Kurosawa, J.Ozu, K.Mizoguči); nový Hollywood 70.let; americký nezávislý film; evropský postmoderní film (P.Greenaway, P. Almodóvar aj.), Manifest Dogma 95; Evropa versus Hollywood; Jiný Hollywood (S.Soderbergh, D.Fincher); David Lynch, David Cronenberg ad. první česká poválečná generace (V.Krška, J.Weiss, J.Krejčík, .Radok), druhá poválečná generace (Kadár + Klos, K.Kachyňa, V.Jasný, F.Vláčil); česká nová vlna (verismus a symbolismus); normalizační film; čeká kinematografie po r. 1989 (nová generace, nová témata a styly)
Assessment methods (in Czech)
Písemný test prověřující znalosti získané během kurzu.
Language of instruction
Czech
Further comments (probably available only in Czech)
The course is taught once in two years.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2007
Extent and Intensity
1/1. 4 credit(s). Type of Completion: zk (examination).
Teacher(s)
Mgr. Václav Březina (lecturer), PhDr. Petr Macek, Ph.D. (deputy)
Guaranteed by
PhDr. Petr Macek, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová
Timetable
Thu 10:00–11:35 zruseno D22
Prerequisites (in Czech)
US_49 Chapters from Film History I.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
there are 6 fields of study the course is directly associated with, display
Course objectives (in Czech)
Přehledový kurz zmapuje historii světového a českého filmu především v oblasti hraného filmu, výběrově i v dokumentu a v animovaném filmu. Přednáška poskytne znalosti potřebné k orientaci v dějinách filmu, věnovat se budeme formálním a stylistickým trendům v dějinách kinematografie. Zabývat se budeme také proměnami témat a stylů v kontextu společensko-politických změn. (1895 1927) vynález kinematografu; počátky filmu; němý film; David Wark Griffith; německý filmový expresionismus; sovětská montáž; surrealismus * (1927 1945) nástup zvuku; klasický hollywoodský styl a žánry (gangsterka, muzikál, horor, komedie, western); francouzská škola poetického realismu; kinematografie ve službách státu nacistický film (Německo, Itálie), socialistický realismus (SSSR). česká kinematografie mezi lety 1930 1945 (Gustav Machatý, česká filmová avantgarda, slavínština, období Protektorátu Čechy a Morava cenzurní zásahy, otázka kolaborace); * (po roce 1945) film noir v USA a další žánry (muzikál, sci-fi, historický film); Orson Welles; Alfred Hitchcock; Ingmar Bergman; italský neorealismus a postneorealistická generace; etapa nových vln, japonský film (A.Kurosawa, J.Ozu, K.Mizoguči); nový Hollywood 70.let; americký nezávislý film; evropský postmoderní film (P.Greenaway, P. Almodóvar aj.), Manifest Dogma 95; Evropa versus Hollywood; Jiný Hollywood (S.Soderbergh, D.Fincher); David Lynch, David Cronenberg ad. první česká poválečná generace (V.Krška, J.Weiss, J.Krejčík, .Radok), druhá poválečná generace (Kadár + Klos, K.Kachyňa, V.Jasný, F.Vláčil); česká nová vlna (verismus a symbolismus); normalizační film; čeká kinematografie po r. 1989 (nová generace, nová témata a styly)
Assessment methods (in Czech)
Písemný test prověřující znalosti získané během kurzu.
Language of instruction
Czech
Further comments (probably available only in Czech)
The course is taught once in two years.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2006
Extent and Intensity
1/1. 4 credit(s). Type of Completion: zk (examination).
Teacher(s)
Mgr. Markéta Dvořáčková (lecturer), PhDr. Petr Macek, Ph.D. (deputy)
Guaranteed by
PhDr. Petr Macek, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová
Timetable
Tue 8:20–9:55 zruseno D22
Prerequisites (in Czech)
US_49 Chapters from Film History I.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
there are 6 fields of study the course is directly associated with, display
Course objectives (in Czech)
Přehledový kurz zmapuje historii světového a českého filmu především v oblasti hraného filmu, výběrově i v dokumentu a v animovaném filmu. Přednáška poskytne znalosti potřebné k orientaci v dějinách filmu, věnovat se budeme formálním a stylistickým trendům v dějinách kinematografie. Zabývat se budeme také proměnami témat a stylů v kontextu společensko-politických změn. (1895 1927) vynález kinematografu; počátky filmu; němý film; David Wark Griffith; německý filmový expresionismus; sovětská montáž; surrealismus * (1927 1945) nástup zvuku; klasický hollywoodský styl a žánry (gangsterka, muzikál, horor, komedie, western); francouzská škola poetického realismu; kinematografie ve službách státu nacistický film (Německo, Itálie), socialistický realismus (SSSR). česká kinematografie mezi lety 1930 1945 (Gustav Machatý, česká filmová avantgarda, slavínština, období Protektorátu Čechy a Morava cenzurní zásahy, otázka kolaborace); * (po roce 1945) film noir v USA a další žánry (muzikál, sci-fi, historický film); Orson Welles; Alfred Hitchcock; Ingmar Bergman; italský neorealismus a postneorealistická generace; etapa nových vln, japonský film (A.Kurosawa, J.Ozu, K.Mizoguči); nový Hollywood 70.let; americký nezávislý film; evropský postmoderní film (P.Greenaway, P. Almodóvar aj.), Manifest Dogma 95; Evropa versus Hollywood; Jiný Hollywood (S.Soderbergh, D.Fincher); David Lynch, David Cronenberg ad. první česká poválečná generace (V.Krška, J.Weiss, J.Krejčík, .Radok), druhá poválečná generace (Kadár + Klos, K.Kachyňa, V.Jasný, F.Vláčil); česká nová vlna (verismus a symbolismus); normalizační film; čeká kinematografie po r. 1989 (nová generace, nová témata a styly)
Assessment methods (in Czech)
Písemný test prověřující znalosti získané během kurzu.
Language of instruction
Czech
Further comments (probably available only in Czech)
The course is taught once in two years.
The course is also listed under the following terms Spring 2005, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Film History II.

Faculty of Arts
Spring 2005
Extent and Intensity
1/1. 4 credit(s). Type of Completion: zk (examination).
Teacher(s)
Mgr. Dora Viceníková (lecturer)
Guaranteed by
PhDr. Petr Macek, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová
Prerequisites (in Czech)
US_49 Chapters from Film History I.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
Course objectives (in Czech)
Přehledový kurz zmapuje historii světového a českého filmu především v oblasti hraného filmu, výběrově i v dokumentu a v animovaném filmu. Přednáška poskytne znalosti potřebné k orientaci v dějinách filmu, věnovat se budeme formálním a stylistickým trendům v dějinách kinematografie. Zabývat se budeme také proměnami témat a stylů v kontextu společensko-politických změn. (1895 1927) vynález kinematografu; počátky filmu; němý film; David Wark Griffith; německý filmový expresionismus; sovětská montáž; surrealismus * (1927 1945) nástup zvuku; klasický hollywoodský styl a žánry (gangsterka, muzikál, horor, komedie, western); francouzská škola poetického realismu; kinematografie ve službách státu nacistický film (Německo, Itálie), socialistický realismus (SSSR). česká kinematografie mezi lety 1930 1945 (Gustav Machatý, česká filmová avantgarda, slavínština, období Protektorátu Čechy a Morava cenzurní zásahy, otázka kolaborace); * (po roce 1945) film noir v USA a další žánry (muzikál, sci-fi, historický film); Orson Welles; Alfred Hitchcock; Ingmar Bergman; italský neorealismus a postneorealistická generace; etapa nových vln, japonský film (A.Kurosawa, J.Ozu, K.Mizoguči); nový Hollywood 70.let; americký nezávislý film; evropský postmoderní film (P.Greenaway, P. Almodóvar aj.), Manifest Dogma 95; Evropa versus Hollywood; Jiný Hollywood (S.Soderbergh, D.Fincher); David Lynch, David Cronenberg ad. první česká poválečná generace (V.Krška, J.Weiss, J.Krejčík, .Radok), druhá poválečná generace (Kadár + Klos, K.Kachyňa, V.Jasný, F.Vláčil); česká nová vlna (verismus a symbolismus); normalizační film; čeká kinematografie po r. 1989 (nová generace, nová témata a styly)
Assessment methods (in Czech)
Písemný test prověřující znalosti získané během kurzu.
Language of instruction
Czech
Further comments (probably available only in Czech)
The course is taught once in two years.
The course is taught: every week.
The course is also listed under the following terms Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2024

The course is not taught in Spring 2024

Extent and Intensity
1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Ing. Alena Albíniová
Supplier department: Department of Musicology – Faculty of Arts
Prerequisites (in Czech)
US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 9 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present
  • American film
  • Changes in the production process
  • Success of the independent
  • System of support of independent cinema
  • Film clubs and festivals
  • Global film culture - multiplexes
  • DOGMA 95
  • Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
The course is taught annually.
The course is taught: every week.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2025

The course is not taught in Spring 2025

Extent and Intensity
1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Ing. Alena Albíniová
Supplier department: Department of Musicology – Faculty of Arts
Prerequisites (in Czech)
US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 9 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present
  • American film
  • Changes in the production process
  • Success of the independent
  • System of support of independent cinema
  • Film clubs and festivals
  • Global film culture - multiplexes
  • DOGMA 95
  • Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
The course is taught annually.
The course is taught: every week.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.

US_50 Chapters from Fim History II.

Faculty of Arts
Spring 2023

The course is not taught in Spring 2023

Extent and Intensity
1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts
Prerequisites (in Czech)
US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
there are 9 fields of study the course is directly associated with, display
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Syllabus
  • World and Czech cinematography from the 80s to present
  • American film
  • Changes in the production process
  • Success of the independent
  • System of support of independent cinema
  • Film clubs and festivals
  • Global film culture - multiplexes
  • DOGMA 95
  • Asian cinematography: China, Japan, South Korea
Literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
The course is taught annually.
The course is taught: every week.
The course is also listed under the following terms Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.
  • Enrolment Statistics (recent)