US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2022
- Extent and Intensity
- 1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
- Guaranteed by
- PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts - Timetable
- Tue 8:00–9:40 N51
- Prerequisites (in Czech)
- US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 9 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present
- American film
- Changes in the production process
- Success of the independent
- System of support of independent cinema
- Film clubs and festivals
- Global film culture - multiplexes
- DOGMA 95
- Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
The course is taught annually.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2021
- Extent and Intensity
- 1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
- Guaranteed by
- PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts - Timetable
- Tue 8:00–9:40 N51
- Prerequisites (in Czech)
- US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 9 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present
- American film
- Changes in the production process
- Success of the independent
- System of support of independent cinema
- Film clubs and festivals
- Global film culture - multiplexes
- DOGMA 95
- Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
The course is taught annually.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2020
- Extent and Intensity
- 1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
- Guaranteed by
- PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts - Timetable
- Tue 8:00–9:40 N51
- Prerequisites (in Czech)
- US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 9 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present
- American film
- Changes in the production process
- Success of the independent
- System of support of independent cinema
- Film clubs and festivals
- Global film culture - multiplexes
- DOGMA 95
- Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
The course is taught annually.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2019
- Extent and Intensity
- 1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
- Guaranteed by
- PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts - Timetable
- Tue 12:00–13:40 N51
- Prerequisites (in Czech)
- US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 9 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present
- American film
- Changes in the production process
- Success of the independent
- System of support of independent cinema
- Film clubs and festivals
- Global film culture - multiplexes
- DOGMA 95
- Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
The course is taught annually.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2018
- Extent and Intensity
- 1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
- Guaranteed by
- PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts - Timetable
- Mon 10:50–12:25 N51
- Prerequisites (in Czech)
- US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 1/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 9 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present
- American film
- Changes in the production process
- Success of the independent
- System of support of independent cinema
- Film clubs and festivals
- Global film culture - multiplexes
- DOGMA 95
- Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
The course is taught annually.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2017
- Extent and Intensity
- 1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
- Guaranteed by
- PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts - Timetable
- Mon 10:50–12:25 N51
- Prerequisites (in Czech)
- US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 6 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present
- American film
- Changes in the production process
- Success of the independent
- System of support of independent cinema
- Film clubs and festivals
- Global film culture - multiplexes
- DOGMA 95
- Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- The course is taught annually.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2016
- Extent and Intensity
- 1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
- Guaranteed by
- PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Alena Taranzová
Supplier department: Department of Musicology – Faculty of Arts - Timetable
- Mon 10:50–12:25 N51
- Prerequisites (in Czech)
- US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 6 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present
- American film
- Changes in the production process
- Success of the independent
- System of support of independent cinema
- Film clubs and festivals
- Global film culture - multiplexes
- DOGMA 95
- Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
The course is taught annually.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2015
- Extent and Intensity
- 1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
- Guaranteed by
- PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Alena Taranzová
Supplier department: Department of Musicology – Faculty of Arts - Timetable
- Mon 10:50–12:25 N51
- Prerequisites (in Czech)
- US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 6 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present
- American film
- Changes in the production process
- Success of the independent
- System of support of independent cinema
- Film clubs and festivals
- Global film culture - multiplexes
- DOGMA 95
- Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
The course is taught annually.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2014
- Extent and Intensity
- 1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
- Guaranteed by
- PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová
Supplier department: Department of Musicology – Faculty of Arts - Timetable
- Mon 12:30–14:05 N51
- Prerequisites (in Czech)
- US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 6 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present
- American film
- Changes in the production process
- Success of the independent
- System of support of independent cinema
- Film clubs and festivals
- Global film culture - multiplexes
- DOGMA 95
- Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
The course is taught annually.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2013
- Extent and Intensity
- 1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
- Guaranteed by
- PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová
Supplier department: Department of Musicology – Faculty of Arts - Timetable
- Thu 9:10–10:45 N51
- Prerequisites (in Czech)
- US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 6 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present American film Changes in the production process Success of the independent System of support of independent cinema Film clubs and festivals Global film culture - multiplexes DOGMA 95 Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
The course is taught annually.
US_50 Chapters from Film History II.
Faculty of ArtsSpring 2012
- Extent and Intensity
- 1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), Mgr. Kristýna Celhofferová, Ph.D. (deputy)
- Guaranteed by
- Mgr. Kristýna Celhofferová, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová
Supplier department: Department of Musicology – Faculty of Arts - Timetable
- Thu 9:10–10:45 N51
- Prerequisites (in Czech)
- US_49 Chapters from Film History I.
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 6 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present American film Changes in the production process Success of the independent System of support of independent cinema Film clubs and festivals Global film culture - multiplexes DOGMA 95 Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
The course is taught annually.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2011
- Extent and Intensity
- 1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), Mgr. Kristýna Celhofferová, Ph.D. (deputy)
- Guaranteed by
- Mgr. Kristýna Celhofferová, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová - Timetable
- Thu 9:10–10:45 N41
- Prerequisites (in Czech)
- US_49 Chapters from Film History I.
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 6 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present American film Changes in the production process Success of the independent System of support of independent cinema Film clubs and festivals Global film culture - multiplexes DOGMA 95 Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
The course is taught annually.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2010
- Extent and Intensity
- 1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), Mgr. Kristýna Celhofferová, Ph.D. (deputy)
- Guaranteed by
- Mgr. Kristýna Celhofferová, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová - Timetable
- Thu 10:00–11:35 zruseno D22
- Prerequisites (in Czech)
- US_49 Chapters from Film History I.
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 6 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present American film Changes in the production process Success of the independent System of support of independent cinema Film clubs and festivals Global film culture - multiplexes DOGMA 95 Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
The course is taught annually.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2009
- Extent and Intensity
- 1/1. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Václav Březina (lecturer), Mgr. Kristýna Celhofferová, Ph.D. (deputy)
- Guaranteed by
- Mgr. Kristýna Celhofferová, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová - Timetable
- each odd Thursday 13:20–16:35 zruseno D22
- Prerequisites (in Czech)
- US_49 Chapters from Film History I.
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 6 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present American film Changes in the production process Success of the independent System of support of independent cinema Film clubs and festivals Global film culture - multiplexes DOGMA 95 Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- The course is taught annually.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2008
- Extent and Intensity
- 1/1. 4 credit(s). Type of Completion: zk (examination).
- Teacher(s)
- Mgr. Václav Březina (lecturer), PhDr. Petr Macek, Ph.D. (deputy)
- Guaranteed by
- PhDr. Petr Macek, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová - Timetable
- Thu 10:00–11:35 zruseno D22
- Prerequisites (in Czech)
- US_49 Chapters from Film History I.
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 6 fields of study the course is directly associated with, display
- Course objectives (in Czech)
- Přehledový kurz zmapuje historii světového a českého filmu především v oblasti hraného filmu, výběrově i v dokumentu a v animovaném filmu. Přednáška poskytne znalosti potřebné k orientaci v dějinách filmu, věnovat se budeme formálním a stylistickým trendům v dějinách kinematografie. Zabývat se budeme také proměnami témat a stylů v kontextu společensko-politických změn. (1895 1927) vynález kinematografu; počátky filmu; němý film; David Wark Griffith; německý filmový expresionismus; sovětská montáž; surrealismus * (1927 1945) nástup zvuku; klasický hollywoodský styl a žánry (gangsterka, muzikál, horor, komedie, western); francouzská škola poetického realismu; kinematografie ve službách státu nacistický film (Německo, Itálie), socialistický realismus (SSSR). česká kinematografie mezi lety 1930 1945 (Gustav Machatý, česká filmová avantgarda, slavínština, období Protektorátu Čechy a Morava cenzurní zásahy, otázka kolaborace); * (po roce 1945) film noir v USA a další žánry (muzikál, sci-fi, historický film); Orson Welles; Alfred Hitchcock; Ingmar Bergman; italský neorealismus a postneorealistická generace; etapa nových vln, japonský film (A.Kurosawa, J.Ozu, K.Mizoguči); nový Hollywood 70.let; americký nezávislý film; evropský postmoderní film (P.Greenaway, P. Almodóvar aj.), Manifest Dogma 95; Evropa versus Hollywood; Jiný Hollywood (S.Soderbergh, D.Fincher); David Lynch, David Cronenberg ad. první česká poválečná generace (V.Krška, J.Weiss, J.Krejčík, .Radok), druhá poválečná generace (Kadár + Klos, K.Kachyňa, V.Jasný, F.Vláčil); česká nová vlna (verismus a symbolismus); normalizační film; čeká kinematografie po r. 1989 (nová generace, nová témata a styly)
- Assessment methods (in Czech)
- Písemný test prověřující znalosti získané během kurzu.
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- The course is taught once in two years.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2007
- Extent and Intensity
- 1/1. 4 credit(s). Type of Completion: zk (examination).
- Teacher(s)
- Mgr. Václav Březina (lecturer), PhDr. Petr Macek, Ph.D. (deputy)
- Guaranteed by
- PhDr. Petr Macek, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová - Timetable
- Thu 10:00–11:35 zruseno D22
- Prerequisites (in Czech)
- US_49 Chapters from Film History I.
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 6 fields of study the course is directly associated with, display
- Course objectives (in Czech)
- Přehledový kurz zmapuje historii světového a českého filmu především v oblasti hraného filmu, výběrově i v dokumentu a v animovaném filmu. Přednáška poskytne znalosti potřebné k orientaci v dějinách filmu, věnovat se budeme formálním a stylistickým trendům v dějinách kinematografie. Zabývat se budeme také proměnami témat a stylů v kontextu společensko-politických změn. (1895 1927) vynález kinematografu; počátky filmu; němý film; David Wark Griffith; německý filmový expresionismus; sovětská montáž; surrealismus * (1927 1945) nástup zvuku; klasický hollywoodský styl a žánry (gangsterka, muzikál, horor, komedie, western); francouzská škola poetického realismu; kinematografie ve službách státu nacistický film (Německo, Itálie), socialistický realismus (SSSR). česká kinematografie mezi lety 1930 1945 (Gustav Machatý, česká filmová avantgarda, slavínština, období Protektorátu Čechy a Morava cenzurní zásahy, otázka kolaborace); * (po roce 1945) film noir v USA a další žánry (muzikál, sci-fi, historický film); Orson Welles; Alfred Hitchcock; Ingmar Bergman; italský neorealismus a postneorealistická generace; etapa nových vln, japonský film (A.Kurosawa, J.Ozu, K.Mizoguči); nový Hollywood 70.let; americký nezávislý film; evropský postmoderní film (P.Greenaway, P. Almodóvar aj.), Manifest Dogma 95; Evropa versus Hollywood; Jiný Hollywood (S.Soderbergh, D.Fincher); David Lynch, David Cronenberg ad. první česká poválečná generace (V.Krška, J.Weiss, J.Krejčík, .Radok), druhá poválečná generace (Kadár + Klos, K.Kachyňa, V.Jasný, F.Vláčil); česká nová vlna (verismus a symbolismus); normalizační film; čeká kinematografie po r. 1989 (nová generace, nová témata a styly)
- Assessment methods (in Czech)
- Písemný test prověřující znalosti získané během kurzu.
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- The course is taught once in two years.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2006
- Extent and Intensity
- 1/1. 4 credit(s). Type of Completion: zk (examination).
- Teacher(s)
- Mgr. Markéta Dvořáčková (lecturer), PhDr. Petr Macek, Ph.D. (deputy)
- Guaranteed by
- PhDr. Petr Macek, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová - Timetable
- Tue 8:20–9:55 zruseno D22
- Prerequisites (in Czech)
- US_49 Chapters from Film History I.
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 6 fields of study the course is directly associated with, display
- Course objectives (in Czech)
- Přehledový kurz zmapuje historii světového a českého filmu především v oblasti hraného filmu, výběrově i v dokumentu a v animovaném filmu. Přednáška poskytne znalosti potřebné k orientaci v dějinách filmu, věnovat se budeme formálním a stylistickým trendům v dějinách kinematografie. Zabývat se budeme také proměnami témat a stylů v kontextu společensko-politických změn. (1895 1927) vynález kinematografu; počátky filmu; němý film; David Wark Griffith; německý filmový expresionismus; sovětská montáž; surrealismus * (1927 1945) nástup zvuku; klasický hollywoodský styl a žánry (gangsterka, muzikál, horor, komedie, western); francouzská škola poetického realismu; kinematografie ve službách státu nacistický film (Německo, Itálie), socialistický realismus (SSSR). česká kinematografie mezi lety 1930 1945 (Gustav Machatý, česká filmová avantgarda, slavínština, období Protektorátu Čechy a Morava cenzurní zásahy, otázka kolaborace); * (po roce 1945) film noir v USA a další žánry (muzikál, sci-fi, historický film); Orson Welles; Alfred Hitchcock; Ingmar Bergman; italský neorealismus a postneorealistická generace; etapa nových vln, japonský film (A.Kurosawa, J.Ozu, K.Mizoguči); nový Hollywood 70.let; americký nezávislý film; evropský postmoderní film (P.Greenaway, P. Almodóvar aj.), Manifest Dogma 95; Evropa versus Hollywood; Jiný Hollywood (S.Soderbergh, D.Fincher); David Lynch, David Cronenberg ad. první česká poválečná generace (V.Krška, J.Weiss, J.Krejčík, .Radok), druhá poválečná generace (Kadár + Klos, K.Kachyňa, V.Jasný, F.Vláčil); česká nová vlna (verismus a symbolismus); normalizační film; čeká kinematografie po r. 1989 (nová generace, nová témata a styly)
- Assessment methods (in Czech)
- Písemný test prověřující znalosti získané během kurzu.
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- The course is taught once in two years.
US_50 Chapters from Film History II.
Faculty of ArtsSpring 2005
- Extent and Intensity
- 1/1. 4 credit(s). Type of Completion: zk (examination).
- Teacher(s)
- Mgr. Dora Viceníková (lecturer)
- Guaranteed by
- PhDr. Petr Macek, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová - Prerequisites (in Czech)
- US_49 Chapters from Film History I.
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- Combined Art Studies (programme FF, B-HS)
- Combined Art Studies (programme FF, B-OT) (2)
- Course objectives (in Czech)
- Přehledový kurz zmapuje historii světového a českého filmu především v oblasti hraného filmu, výběrově i v dokumentu a v animovaném filmu. Přednáška poskytne znalosti potřebné k orientaci v dějinách filmu, věnovat se budeme formálním a stylistickým trendům v dějinách kinematografie. Zabývat se budeme také proměnami témat a stylů v kontextu společensko-politických změn. (1895 1927) vynález kinematografu; počátky filmu; němý film; David Wark Griffith; německý filmový expresionismus; sovětská montáž; surrealismus * (1927 1945) nástup zvuku; klasický hollywoodský styl a žánry (gangsterka, muzikál, horor, komedie, western); francouzská škola poetického realismu; kinematografie ve službách státu nacistický film (Německo, Itálie), socialistický realismus (SSSR). česká kinematografie mezi lety 1930 1945 (Gustav Machatý, česká filmová avantgarda, slavínština, období Protektorátu Čechy a Morava cenzurní zásahy, otázka kolaborace); * (po roce 1945) film noir v USA a další žánry (muzikál, sci-fi, historický film); Orson Welles; Alfred Hitchcock; Ingmar Bergman; italský neorealismus a postneorealistická generace; etapa nových vln, japonský film (A.Kurosawa, J.Ozu, K.Mizoguči); nový Hollywood 70.let; americký nezávislý film; evropský postmoderní film (P.Greenaway, P. Almodóvar aj.), Manifest Dogma 95; Evropa versus Hollywood; Jiný Hollywood (S.Soderbergh, D.Fincher); David Lynch, David Cronenberg ad. první česká poválečná generace (V.Krška, J.Weiss, J.Krejčík, .Radok), druhá poválečná generace (Kadár + Klos, K.Kachyňa, V.Jasný, F.Vláčil); česká nová vlna (verismus a symbolismus); normalizační film; čeká kinematografie po r. 1989 (nová generace, nová témata a styly)
- Assessment methods (in Czech)
- Písemný test prověřující znalosti získané během kurzu.
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- The course is taught once in two years.
The course is taught: every week.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2024
The course is not taught in Spring 2024
- Extent and Intensity
- 1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
- Guaranteed by
- PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Ing. Alena Albíniová
Supplier department: Department of Musicology – Faculty of Arts - Prerequisites (in Czech)
- US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 9 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present
- American film
- Changes in the production process
- Success of the independent
- System of support of independent cinema
- Film clubs and festivals
- Global film culture - multiplexes
- DOGMA 95
- Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- The course is taught annually.
The course is taught: every week.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2025
The course is not taught in Spring 2025
- Extent and Intensity
- 1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
- Guaranteed by
- PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Ing. Alena Albíniová
Supplier department: Department of Musicology – Faculty of Arts - Prerequisites (in Czech)
- US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 9 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present
- American film
- Changes in the production process
- Success of the independent
- System of support of independent cinema
- Film clubs and festivals
- Global film culture - multiplexes
- DOGMA 95
- Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- The course is taught annually.
The course is taught: every week.
US_50 Chapters from Fim History II.
Faculty of ArtsSpring 2023
The course is not taught in Spring 2023
- Extent and Intensity
- 1/1/0. 2 credit(s) (plus 2 credits for an exam). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
- Teacher(s)
- Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
- Guaranteed by
- PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts - Prerequisites (in Czech)
- US_49 Chapters from Film History I. && NOW ( US_50cv Chapters from Film History II. )
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 0/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130 - fields of study / plans the course is directly associated with
- there are 9 fields of study the course is directly associated with, display
- Course objectives
- This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
- Syllabus
- World and Czech cinematography from the 80s to present
- American film
- Changes in the production process
- Success of the independent
- System of support of independent cinema
- Film clubs and festivals
- Global film culture - multiplexes
- DOGMA 95
- Asian cinematography: China, Japan, South Korea
- Literature
- MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
- BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
- BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
- SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
- Teaching methods
- The course will consist of lectures.
- Assessment methods
- Written test
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- The course is taught annually.
The course is taught: every week.
- Enrolment Statistics (recent)