The course is only offered to the students of the study fields the course is directly associated with.
The capacity limit for the course is 10 student(s).
Current registration and enrollment status: enrolled: 7/10, only registered: 0/10
Fields of study the course is directly associated with
there are 25 fields of study the course is directly associated with, display
Course objectives
The course aims students to acquire basic dramaturgical analytical skills on the specific material of a genre of higher current affairs and documentary in both television (film) and radio.
Syllabus
Introduction to the course. Dramaturgy: origin, context and relationship to journalism.
Form and content: an aesthetic norm as a social phenomenon, the definition of genre.
The basic terminology - narration / postnarration, theme, structure.
Analysis - a musical work: the context (search), analysis (construction).
Ostension and space: performativity, shot and cut as a means of audio-visual construction of reality.
Reality and fiction: the respondent as a social actor (B. Nichols), fiction and documentary (N. Carroll).
Ethical problems of the use of fictitious elements in journalism and documentary.
Analysis - performative piece on a documentary basis (biography, travelogue, ...).
Summary: audio, video and performative.
Expression in media.
Institutions, product and production: a process story, synopsis, screenplay, copyright, production and postproduction.
Final discussion.
Literature
required literature
Philosophy of film and motion pictures :an anthology. Edited by Noël Carroll - Jinhee Choi. 1st pub. Malden: Blackwell Publishing, 2006. ix, 430 s. ISBN 1-4051-2027-4. info
NICHOLS, Bill. Introduction to documentary (Introduction to docementary). Blooming - Indianapolis: Indiana University Press, 2001. info
MUKAŘOVSKÝ, Jan. Estetická funkce, norma a hodnota jako sociální fakty : Fonction, norme et valeur esthétiques comme faits sociaux (Souběž.). Praha: Fr. Borový, 1936. info
recommended literature
FIELD, Syd. Jak napsat dobrý scénář :základy scenáristiky. Vyd. 1. V Praze: Rybka, 2007. 277 s. ;. ISBN 978-80-87067-65-9. info
PŁAŻEWSKI, Jerzy. Filmová řeč : Język filmu (Orig.). Translated by Zdeněk Smejkal. 1. vyd. Praha: Orbis, 1967. 461 s., př. info
BIRÓOVÁ, Yvette. Teorie filmové dramaturgie : o dramatičnosti filmu. Praha: Československý filmový ústav, 1975. info
BLÁHA, Ivo. Zvuková dramaturgie audiovizuálního díla. 2., dopl. vyd. V Praze: Akademie múzických umění, 2004. 145 s. ISBN 80-7331-010-4. info
MARŠÍK, Josef. Úvod do teorie rozhlasového programu. 1. vyd. Praha: Karolinum, 1995. 106 s. ISBN 80-7184-013-0. info
Teaching methods
Student prepare for each lesson analysis or position paper of a specified literature.
This course is in czech language.
Assessment methods
Students are evaluated in the ongoing development of homework and active participation in discussions.