TIM_B_020 Visual Composition in Time II

Faculty of Arts
Spring 2024
Extent and Intensity
1/1/0. 4 credit(s). Type of Completion: zk (examination).
Teacher(s)
doc. MgA. Filip Cenek (lecturer), doc. PhDr. Martin Flašar, Ph.D. (deputy)
Guaranteed by
doc. MgA. Filip Cenek
Department of Musicology – Faculty of Arts
Contact Person: Bc. Jitka Leflíková
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Fri 10:00–11:40 218, except Fri 19. 4.
Prerequisites (in Czech)
TIM_B_019 Visual Composition in Time I
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 10 student(s).
Current registration and enrolment status: enrolled: 0/10, only registered: 0/10, only registered with preference (fields directly associated with the programme): 0/10
fields of study / plans the course is directly associated with
there are 12 fields of study the course is directly associated with, display
Course objectives
Composition of analogue and digital picture, manipulated photograph, creation and work with moving image, Basics of visual communication, language of film, design and colour iconography etc. The main objectives of the course are the ability to work with contemporary software, videopicture and videocomposition.
Learning outcomes
Seamless mastery of the primary procedures of moving image processing in a computer environment and an understanding of related issues (including technological ones: formats, compression, resolution, etc.). Creative use of compositing and compositing programs such as Adobe Premiere Pro, Adobe AfterEffects, Discreet Combustion, and Bauhaus Mirage.
Syllabus
  • A practical course dedicated to the creation and work with moving image in the computer, development of creativity of students. Basics of composition of temporalized image.
Literature
  • Epstein, Jean: Poetika obrazů. Herrmann & synové, Praha 1997
  • Čada, Ondřej: Digitální video krok za krokem. Grafika Publishing, Praha 2002
  • Manuály, uživatelská fóra a rozcestníky: Adobe (www.adobe.com), Discreet (www.discreet.com), Quicktime (www.apple.com/quicktime), portály digitalproducer.com, desktopvideo.about.com, dvcentral.org ad.
  • Antologie textů k~Úvodům. FAMU, Praha 2006
  • Block, Bruce: The Visual Story: Seeing the Structure of Film, TV, and New Media. FP, 2001
  • Ulver, Stanislav: Západní filmová avantgarda. ČFÚ, Praha 1991
  • Aumont, Jacques: Obraz. AMU, Praha 2006
  • Wodtke, Mark: Mind Over Media. McGraw-Hill, New York 1993
  • Beránek, Petr.: Digitální video v~praxi. UNIS, Praha 2001
  • Sitney, P. Adams: Une histoire du cinéma. Museé national d’art moderne, Paris 1976
  • Reiser, Martin & Zapp, Andrea (eds.): New Screen Media: Cinema/Art/Narrative. London 2002
  • Beyond Narrative. DVD-ROM, ZKM, Karlsruhe 2003
  • Vogel, Amos: Film as a Subversive Art. Random House, New York (on-line)
  • Manovich, Lev: The Language of New Media. MIT Press, 2001
  • Bellour, Raymond & Bandy, Mary Lea (eds.): Godard. Son + Image 1974–1991. New York 1992
  • Skripta FAMU (části, týkající se střihové skladby)
Teaching methods
lecture: 1 hour seminar: 2 hours (individual)
Assessment methods
Exam, written essay
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Information on the extent and intensity of the course: přednáška+individuální výuka.
The course is also listed under the following terms Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2025.
  • Enrolment Statistics (recent)
  • Permalink: https://is.muni.cz/course/phil/spring2024/TIM_B_020