FAV057 A History of Cinema and Film Sound

Faculty of Arts
Autumn 2003
Extent and Intensity
2/0. 4 credit(s). Type of Completion: k (colloquium).
Teacher(s)
doc. Mgr. Petr Szczepanik, Ph.D. (lecturer)
Guaranteed by
prof. PhDr. Jiří Voráč, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts
Timetable
Tue 13:20–14:55 12
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
there are 9 fields of study the course is directly associated with, display
Course objectives
The course will treat the problem of coming of film sound in broader cultural and intermedial context, as a challenge for traditional conception of history of film style, technology and reception. Assessment: a written test. Literature: Altman, Rick - Abel, Richard (eds.): The Sounds of Early Cinema. Bloomington, IN: Indiana University Press 2001; Altman, Rick (ed.): Iris. The State of Sound Studies, no. 27. Paris - Iowa City 1999; Altman, Rick (ed.): Cinema/sound. New Haven, CT.: Yale French Studies 1980; Altman, Rick (ed.): Sound Theory, Sound Practice. New York: Routledge 1992; Chion, Michel: Audio-vision: Sound on Screen. Edited and translated by Claudia Gorbman. New York: Columbia University Press 1994; Chion, Michel: The Voice in Cinema. Edited and translated by Claudia Gorbman. New York: Columbia University Press 1999; Lastra, James: Sound Technology and the American Cinema: Perception, Representation, Modernity. New York: Columbia University Press 2000; Weis, Elisabeth - Belton, John (eds.): Film Sound: Theory and Practice. New York: Columbia University Press 1985.
Assessment methods (in Czech)
Zakoncení: písemný test.
Language of instruction
Czech
Further Comments
The course can also be completed outside the examination period.

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