FAVK053 Cinema of Central Europe: Hungary and Poland

Faculty of Arts
Autumn 2011
Extent and Intensity
2/0. 4 credit(s). Type of Completion: k (colloquium).
Teacher(s)
PhDr. Jaromír Blažejovský, Ph.D. (lecturer)
Guaranteed by
prof. PhDr. Jiří Voráč, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts
Timetable
Sat 1. 10. 13:20–16:35 C34, Sat 26. 11. 13:20–16:35 C34
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
Course objectives
The course is focused on two Central European national cinemas, close from aesthetic and historic points of view. We will study the work of auteurs, which showed great courage and artistic originality in reflection of tragic collective experience, used their own metaphorical systems or created autonomous fiction worlds: Zoltán Fábri, Miklós Jancsó, István Szabó, András Kovács, Péter Bacsó, Márta Mészárosová, Zoltán Huszárik, Gábor Bódy, Béla Tarr.
The Polish cinema was at the top of its social and artistic importance in the period of so called Polish school (1956-1963, Andrzej Munk, Jerzy Kawalerowicz, Wojciech J. Has) and in the period of the Cinema of Moral Anxiety (1976-1981, Krzysztof Zanussi, Krzysztof Kieslowski). The central figure of all periods is Andrej Wajda. We will also discuss authors whose career continued abroad (Roman Polański, Jerzy Skolimowski, Andrzej Żuławski).
At the end of the course students should be able to:
understand reflections of the Central Europe history in Hungarian and Polish cinema
interpret hidden and subversive meanings in watched films
recognize their aesthetic value.
Syllabus
  • Introduction to the Central European cinemas
  • Polish film school
  • Andrzej Wajda
  • The sixties and "the third cinema"
  • Cinema of Moral Anxiety
  • Solidarność and the Polish cinema after 1989
  • Hungarian cinema to the fifties
  • The sixties
  • Miklós Jancsó
  • Anti-stalinism and rock subculture
  • Hungarian cinema after 1989
Literature
    recommended literature
  • Visegrad cinema : points of contact from the new waves to the present. Edited by Petra Hanáková - K. B. Johnson. 1st pub. Praha: Casablanca, 2010, 196 s. ISBN 9788087292044. info
  • FALKOWSKA, Janina. Andrzej Wajda : history, politics, and nostalgia in Polish cinema. 1st pub. New York: Berghahn Books, 2007, viii, 340. ISBN 1845452259. info
  • MAZIERSKA, Ewa and Elżbieta OSTROWSKA. Women in Polish cinema. Edited by Joanna Szwajcowska. 1st pub. New York: Berghahn Books, 2006, x, 244. ISBN 1571819479. info
  • FORD, Charles and Robert M. HAMMOND. Polish film : a twentieth century history. Edited by Grażyna Kudy. Jefferson: McFarland & Company, 2005, xiv, 354. ISBN 0786413093. info
  • CUNNINGHAM, John. Hungarian cinema : from coffee house to multiplex. 1st pub. London: Wallflower Press, 2004, xii, 258. ISBN 1903364809. info
  • JORDANOVA, Dina. Cinema of the other Europe : the industry and artistry of East Central European film. 1st pub. London: Wallflower Press, 2003, x, 224. ISBN 1903364647. info
  • LIEHM, Mira and A. J. LIEHM. The most important art : eastern European film after 1945. 1s paperback print. Berkeley: University of California Press, 1980, 467 s. ISBN 0520041283. info
    not specified
  • HALTOF, Marek. Krzysztof Kieślowski a jeho filmy. Vyd. 1. Praha: Casablanca, 2008, 230 s. ISBN 9788090375673. info
  • COATES, Paul. The red and the white : the cinema of people's Poland. 1st pub. London: Wallflower Press, 2005, ix, 251. ISBN 1904764274. info
  • The cinema of Central Europe. Edited by Peter Hames. 1st pub. London: Wallflower Press, 2004, xv, 291. ISBN 1904764215. info
  • The films of Krzysztof Kieślowski : the liminal image. Edited by Joseph G. Kickasola. New York: Continuum, 2004, xix, 332. ISBN 082641558X. info
  • KIEŚLOWSKI, Krzysztof. Kieślowski on Kieślowski. Edited by Danusia Stok. 1st pub. London: Faber and Faber, 1995, xxiii, 268. ISBN 0571173284. info
Teaching methods
Lectures, class discussion, film screenings.
Assessment methods
The colloquium: an annotated filmography of 24 watched films for a group discussion.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course can also be completed outside the examination period.
The course is also listed under the following terms Autumn 2016.
  • Enrolment Statistics (Autumn 2011, recent)
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