FAV042 Narrative Tendencies in Contemporary Czech Cinema

Faculty of Arts
Spring 2003
Extent and Intensity
2/0. 4 credit(s). Type of Completion: k (colloquium).
Teacher(s)
Mgr. Dora Viceníková (lecturer)
Guaranteed by
prof. PhDr. Jiří Voráč, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts
Timetable
Thu 9:10–9:55 12, Thu 10:00–10:45 12, Thu 10:50–11:35 12, Thu 11:40–12:25 12
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
there are 9 fields of study the course is directly associated with, display
Course objectives
Narration presents communicative process, where the auteur passes the narrative to the recipient. Purpose of this lecture is in a revealing of different ways of narration. We will focus on the production of generationally related creators - Jan Němec, Jan Svankmajer, Karel Vachek, Věra Chytilová - and we will take the production of younger filmmakers also into account. We will pay attention to the auteur film / in the sense of a self-revelation, a self/reflexion. The chapter about enters of auteur to the performance we will examine in film, literature, painting and photography. Assessment: essay. Literature: Bachtin, Michail M.(1975): Francois Rabelais a lidová kultura středověku a renesance. Praha: Odeon.; Bachtin, Michail M. (1980): Román jako dialog. Praha: Odeon.; Bordwell, David (1985): Narration in the Fiction Film. The University of Wisconsin Press.; Branigan, Edward (1984): Point of View in the Cinema. New York: Mouton Publishers.; Carriére, Jean-Claude (1995): Vyprávět příběh. Praha: NFA.; Černý, Václav (1993): Tvorba a osobnost. Praha: Odeon.; Deleuze, Gilles (2000): Film 1. Obraz - pohyb. Praha: Národní filmový archiv.; Freud, Sigmund (1990): O člověku a kultuře. Praha.; Gombrich, Hans G.(1985): Umění a iluze. Praha: Odeon.; Chatman, Seymour (2000): Dohodnuté termíny. Rétorika narativu ve fikci a filmu. Olomouc: Univerzita Palackého.; Jampolskij, Michail B. (1995): Dialog a struktura filmového prostoru. In: Sborník filmové teorie 2. Tartuská skola. Praha: Národní filmový archiv.; kol.(1996): Subjekt - autor - auditorium. Subjekt v priestoroch umenia. Bratislava: Sorosovo centrum súčasného umenia.; Propp, Vladimir J. (1999): Morfologie pohádky a jiné studie. Praha: H&H.; Přádná, S., Skapová, Z., Cieslar, J.(2002): Démanty vsednosti. Český a slovenský film 60.let.Praha: Prazská scéna.; Rimmon-Kenanová, Shlomith (2001): Poetika vyprávění. Brno: Host.; Stanzel, Franz K. (1988): Teorie vyprávění. Praha: Odeon. Films: To be specified.
Assessment methods (in Czech)
Kolokvium: esej.
Language of instruction
Czech
Further Comments
The course can also be completed outside the examination period.
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