FAV217 Typology of Film Art VI

Faculty of Arts
Spring 2013
Extent and Intensity
4/0/0. 4 credit(s). Type of Completion: k (colloquium).
Teacher(s)
prof. Pavel Švanda (lecturer), PhDr. Jaromír Blažejovský, Ph.D. (deputy)
Guaranteed by
PhDr. Jaromír Blažejovský, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts
Supplier department: Department of Film Studies and Audiovisual Culture – Faculty of Arts
Timetable
Tue 15:50–19:05 C34
Course Enrolment Limitations
The course is only offered to the students of the study fields the course is directly associated with.
fields of study / plans the course is directly associated with
there are 12 fields of study the course is directly associated with, display
Course objectives
The lectures which are closely connected to a seminar and film screenings introduce the so-called classics (both films and their creators) to the students.
The aim of the course is to:
cultivate the viewers' experiences;
develop their ability to reflect on films;
enhance their written and oral expression capabilities.
Thematically the course will be devoted to German cinema and its protagonists.
Syllabus
  • Comrades of 1918 (Westfront 1918), Georg Wilhelm Pabst, 1930
  • Fontane Effi Briest, Rainer Werner Fassbinder, 1974
  • Bolwieser, Rainer Werner Fassbinder, 1977
  • Lola, Rainer Werner Fassbinder, 1981
  • Veronika Voss (Die Sehnsucht der Veronika Voss), Rainer Werner Fassbinder, 1982
  • A Free Woman (Strohfeuer), Volker Schlöndorff, 1972
  • Coup de grâce (Der Fangschuss), Volker Schlöndorff, 1976
  • The Pedestrian (Der Fussgänger), Maximilian Schell, 1973
  • The Bridge (Die Brücke), Bernhard Wicki, 1959
  • Miracle of Malachias (Das Wunder des Malachias), Bernhard Wicki, 1961
  • The State of Things (Der Stand der Dinge), Wim Wenders, 1981
  • Wings of Desire (Der Himmel über Berlin – Les ailes du désir), Wim Wenders, 1987
Literature
  • KNIGHT, Julia. New German cinema : images of a generation. 1st pub. London: Wallflower, 2004, 124 s. ISBN 1903364280. info
  • The German cinema book. Edited by Tim Bergfelder - Erica Carter - Deniz Göktürk. 1st publ. London: BFI Publishing, 2002, xi, 291. ISBN 0851709451. info
  • Deterritorializing the new German cinema. Edited by John E. Davidson. Minneapolis: University of Minnesota Press, 1999, xi, 201 p. ISBN 081662982X. info
  • WENDERS, Wim. Dech andělů :výbor z kritik, esejů a rozhovorů. Edited by Milan Doinel. Vyd. 1. Praha: Aurora, 1996, 237 s. ISBN 80-85974-11-8. info
  • Framing the past : the historiography of German cinema and television. Edited by Bruce Arthur Murray - Christopher J. Wickham. Carbondale: Southern Illinois University Press, 1992, vii, 348. ISBN 0809317567. info
  • GRULICH, Jan. Rainer Werner Fassbinder. Praha: Čs. filmový ústav, 1987. info
Teaching methods
Screenings and seminar analysis.
Assessment methods
The colloquium: an essay.
Language of instruction
Czech
Further Comments
Study Materials
  • Enrolment Statistics (recent)
  • Permalink: https://is.muni.cz/course/phil/spring2013/FAV217