FAV208 Typology of Film Art VIII

Faculty of Arts
Spring 2014
Extent and Intensity
2/0/0. 4 credit(s). Type of Completion: k (colloquium).
Teacher(s)
prof. Pavel Švanda (lecturer), PhDr. Jaromír Blažejovský, Ph.D. (deputy)
Mgr. Luděk Havel, Ph.D. (assistant)
Guaranteed by
PhDr. Jaromír Blažejovský, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts
Supplier department: Department of Film Studies and Audiovisual Culture – Faculty of Arts
Timetable
Tue 15:50–19:05 C34
Course Enrolment Limitations
The course is only offered to the students of the study fields the course is directly associated with.

The capacity limit for the course is 111 student(s).
Current registration and enrolment status: enrolled: 0/111, only registered: 0/111
fields of study / plans the course is directly associated with
there are 12 fields of study the course is directly associated with, display
Course objectives
The lectures which are closely connected to a seminar and film screenings introduce the so-called classics (both films and their creators) to the students.
The aim of the course is to:
cultivate the viewers' experiences;
develop their ability to reflect on films;
enhance their written and oral expression capabilities.
Thematically the course will be devoted to the films of Ingmar Bergman.
Syllabus
  • Ingmar Bergman: The Naked Night (Gycklarnas afton)
  • Ingmar Bergman: Persona
  • Ingmar Bergman: Hour of the Wolf (Vargtimmen)
  • Ingmar Bergman: Shame (Skammen)
  • Ingmar Bergman: The Passion of Anna (En passion)
  • Ingmar Bergman: Cries and Whispers (Viskningar och rop)
  • Ingmar Bergman: Scenes from a Marriage (Scener ur ett äktenskap)
  • Ingmar Bergman: The Serpent's Egg (Das Schlangenei)
  • Ingmar Bergman: Autumn Sonata(Höstsonaten)
  • Ingmar Bergman: From the Life of the Marionettes (Aus dem Leben der Marionetten)
  • Ingmar Bergman: Fanny and Alexander (Fanny och Alexander)
  • Ingmar Bergman: The Rite (Riten)
  • Ingmar Bergman: After the Rehearsal (Efter repetitionen) After the Rehearsal (Efter repetitionen)
Literature
  • KALIN, Jesse. Ingmar Bergman a jeho filmy. Vyd. 1. Praha: Casablanca, 2007, 282 s. ISBN 9788090375659. info
  • VACEK, Patrik. Když umírá filmová legenda: případ Bergman (a Antonioni) (When A Film Legend Dies: A Case of Bergman (And Antonioni)). Cinepur. Praha: Sdružení přátel Cinepuru, 2007, vol. 16, No 5, p. 13. ISSN 1213-516X. info
  • BERGMAN, Ingmar. Co chvilku křičí na jevišti světa ; Sarabanda. Edited by Ingmar Bergman, Translated by Zbyněk Černík. Vyd. 1. Praha: Concordia, 2005, 148 s. ISBN 8085997304. info
  • The making of Fanny & Alexander. Edited by Ingmar Bergman. 1st print. [S.l.]: Swedish film institute, 2004, 2 DVD-vide. ISBN 0780029461. info
  • BERGMAN, Ingmar. Dobrá vůle. Praha: Panda-Argo, 1993. ISBN 8085794241. info
  • MERHAUT, Václav. Tradice a současnost švédského filmu. Praha: Čs. filmový ústav, 1989. info
  • BERGMAN, Ingmar. Fanny a Alexandr. Translated by Zbyněk Černík. 1. vyd. Praha: Mladá fronta, 1988, 166 s. URL info
  • BERGMAN, Ingmar. Filmové povídky. Translated by Zbyněk Černík - Dagmar Hartlová - Jiří Osvald. Vyd. 1. Praha: Odeon, 1982, 416 s. URL info
Assessment methods
Screenings and seminar analysis. The colloquium: an essay.
Language of instruction
Czech
Further Comments
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2009.
  • Enrolment Statistics (recent)
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