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MOBILIZING DISSENT: THE POSSIBLE ARCHITECTURE OF THE GOVERNED
A'SiSantic ship loaded with Russian monasteries church spires, and Kremlin-like fortresses is 'beached" at the edge of a generic blocK-city. The oarsmen who propel the ship are unaware that thetr \essel is no longer mobile. The ship of fools was a common trope in the Soviet art or the Giasnost years.
Figure 5;T (Below). Iskander Galimov in collaboration with Michail Fadeyev, Russian Centre in Bologna, Italy, 1989.
I!     - -
Citizenship
Ines Weizman
It also acquired several architectural articulations. In 1989. Iskander Galimov and his collaborator Michael Fadeyev submitted a red-toned gouache painting on this theme together with a set of detailed architectural plans, sections and structural calculations as their entry to an ideas competition for a Russian Centre in Bologna (Figure 5.1). The proposal won first prize. Yet. while the competition jurors described it as a 'venturous architectural idea' - presumably enjoying the unusual format of the submission, the intricacy of the painting, its surrealist humour, and the familiar icons of Russian architecture - they missed the critical dimensions of
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