3 THE GREATS OF PAUL SIMON Quietly; not too slow ( J = ca. 96 ) C2(no3) Arranged by ROBERT STERLING PIANO f -- * ■ ■ — - -g-' "z—M- f --f— p---- — r t ffi ''4— 2> IM --G — ■-=k 8vb- ••SCARBOROUGH FAIR /CANTICLE jPSOPRANO&ALTO Are you go-Lng „ TENOR A BASS UNISON Fair; —*-at- to Scar - bor - ough in C2(no 3) _«_ C2(no3)/B C2(no3)/ßb C(no3)/A Abmaj7(j}ll) Gsus C2(no3) raJ~ 1 1ZZ2 1 rit. pars - ley, U 'If rose sage,- mar - y and I 1 Up C2(no3)Cm Bmaj7(b5) Cm(4)/ßb Cm/ßb Cm7/G Eb2 F/Eb Bb/Eb 1 MF - "'j J i P E Performance time; approx. 8:30 * Also available: Instrumental Score and Parts for synthesizer, guitar, drums, bass (LB-320). Accompaniment/ Full-Performance Cassette (MC-148), omit repeats when using AccJPerf. Cassette. ♦♦Copyright © 1966 Paul Simon Music Used by Permission. A-1945 4 i Faster;steady rock tempo {J - ca. 132} 13 jfip—=/[J4] thyme. Faster; steady rock tempo (J = ca. 132) * F2 rm it Bt» 18 * YOU CAN CALL ME AL m if funis.) m if I can be your long lost— pal. 18 If you'll be my bod-y-guard_ F C I: C F C É 0 ■h vi' i 21 Ji- [j n j-] i and Bet-ty, when you call me, you can funis.)^ in *3= "J I can call you Bct-ty, I- 1- C 21 FC V I- Bb F C 3=* * Copyright © 1986 Paul Simon Music Used by Permission. A-1945 A-1945 . 33 34 na_na na na na. m 33 34 Gm7 F/C C Csus F C Bb P F C F C Bb m at* W 1 \ 37 v (optional repeat) mffunis.) m if I can be your long lost- pal. m 37 38 If you'll be my bod-y-guard F C J°l"- repeat) Bb y-«r 1 I can call you Bet-ty, A-194S 43 Bct-ty, when you call me you can call funis.) £=FF=£ nie Al.. 3=£ mi 43 i- c F C W EE 46 funis.) f Call mc Al. ~e-~ « 2 F C F C F C F a 23z 7 i I» ig a .49 ^0 Slower; 's feel ( J^= J ( J = ca. 92) f 49 Slower; 8* feci ( «Q = J ( J = ca. 92) N.C. n^i Bbmaj7 F/A Gm7(4) "if Edp3 Bb/C -r- mm _k_22_ -?-- A-1945 . 52 54 •59th STREET BRIDGE SONG ("FEELIN' GROOVY") m/funk) Slow down,. you T 52 Dbmaj-7 Ab2/C Btm7(4) *-\&z *5 Dbm7/Eb 54 Dbmaj7 Ab2/C if*: í/ É1É i x 58 3= kick-in'down the cob - blc-stoncs,-mf funis.) look-in' for fun and r—p- ft \iS it 58 Dbmaj7 Ab2/C Dbni7(4) Ab2 Dbmaj7 Ab2/C 1 I É • Copyright © 1966 Paul Simon Music Us«i by Permission. A-1945 9 61 re feel - in* -0.- 7—tt=s groov- y,_ feel - in' # Dbmaj7 Ab2/C v 64 66 3i groov-y.. ?>:hli> k & funis.) 64 Dbmaj7 Ab2/C El>7 sus 66 Hel -lo, lamp-post, Dbmaj7 Ab2/C Si -0-0- 67 1 67 what-cha know-in'? Btm7(9) Ab2 I've come to watch your flow - ers grow - in'. Dbmaj7 Fm9 Bbm7(4) Ab2 A-1945 10 a 2 70 (urn's.) I Ain't cha got no rhymes for me?_ Doot-n-doo doo doo —^ rrrf f 70 UP Dbmaj7 Ab2/C Bbm7(4) Ab2 Dbmaj7 Ab2/C i «-* J V i'J 7 } 73 XT feel-in' feel - in' groov-y,_ A i r 73 Eb7s Dbmaj7 Ab2/C Fm9 m 3 *— 78 Faster; gospel shuffle (J73=J^S) ( J = ca. 128) 76 Ebmaj7 Bb2/D Bb9SUs gvtr 'i <0 r-J-i w o 78 Faster; gospel shu 3 r life T T IF: 8vb A-1945 1 ] 79 ' LOVES ME LIKE A ROCK MALE SOLO: with some freedom BE ■é-i-^ Eg When I was a lit-tle boy,- '» Et Ab Eb Ab —*-«-#-—- Eb A A 82 (optional repeat) and the dev-il would call my name, man, m •f When I_ Grown _ was just a boy. to be a man. When 1_ was just a Grown- to be a T 82 (optional repeat) Ab Eb Ab6 Eb Ab f if A-1945 •Copyright © 1973 Paul Simon Music Used by Permission. 12 85 I'd say, "Now who do, who do you think you're fool - boy. man. WhoL WhoL -] m \ — ~t-=r -£- -/- 85 Eb Ab7 BE 33 4:- 3-* 88 n, ■> j. -___~- > m ran in'?: I'm a con - se-crat-ed boy. I'm a con - sum-mat-ed man. (S. unis.J V'\, i When I._was just • a boy. Grown_ to be a man. When I_was just a Grown_ to be a '5 88 Eb Ab Eb Ab6 Eb Ab -0A— T 2 =f: ■J r JU j —»-"-»-. ~ 3 ^ * A-1945 91 in 13 X X f - I'm a sing - er in the Sun-day choir.. I can snatch a lit-tie pu ri - ty.. Oh,_ my ma-ma 1 boy., man., Ooo -e- —e— > Woh. 9.1 Eb Ab/Eb Eb7 Ab7 i>»-r- 94 |JM, , j | x Hi ^nd f/irf/'/Jg, p. 15) -K--y-——— 1. I*' 9 P 9 f ^-£-«U-J- J J- * 1 $ z Ur Cj .1 loves me, she loves_me. [She get down on her knees and hug. 1 mm 13^ She love}_ me, She love*, me. She »et down on her knees and hug- A-1945 14 100 She rock melike the rock of a - ges, she love- me,. woh ooo. F 15 103 to[82,p. JI When I was grown to be a to 82 ,P.J1 1 I/- 7 She love me, love rne, love me, love me__ * *- -i m ■ ---H -^-Ht-^— H -\ 103 /o|g2l,p. ÍT ^-r E XT 106 get down on her knees and hug_ me! Oh, she rf Oh, she *5 get down on her knees and hug_ me!. A-1945 16 109 love l-3-1 m me like a rock. i-3-, mffunis.) J J 1 J U>.J She rock me like the r r r r love tí1- '-3-1 me like a rock. Ooo. wo h m f f en r sc 109 Ab E b/G Fm7 E b -i-1 Eb7(fi9) Ab ZS I-J-1 1 112 ritard. 114| A little slower; even 8ths - end solo (J = ca.92) IP rock of a - ges. She love_ me.. ritard. m ZI rock of a - ges. She love._ me. i. +-P~ 1 112 Db6 Ab Eb 114| A little slower; even 8ths Cm (J = ca.92) 3= i *—* ritard. "V—r J J J A-194S 17 poco nr. a tempo IP -8 Hel - lo, darkness, my old friend nv —i ^- I've come to talk with you a- 122 (unii.) >-* gain, FT Be-cause a vi-sion soft-ly creep - ing— 5=t J 122 Cm2 EE Cm/Bb Ab2 Eb2 1 m ^—«i— 3f—ar A-1945 'Copyright © 1964 Paul Simon Music Used by Permission. 18 ) a125 A—1- left its seeds while I was sleep m ing— m n Eb/G Iibni3j7 Hbjnaj7/C Ab2 Eb2 5*—5»—J*—* And the Eb/G ^- ^—# 3E t s 128 • • __ funis.) r==— - - vi-sion_ that was plant-cd in my brain. still re - mains with-in the --^ -?»- -f£-' funis.)____ .128 Ab2 Kb Ab/fib Eb2 Cm9 IT i W T r 132 funis.) BE s 3 ~2Z ^—* sound. of si-lence,. with-in the T 132 with-in the sound Bbsus Db2 »b2/D of si-lence,-Cm2 P-P- Cm2/Eb m A-1945 19 140 m ritaril. funis.) P 1/ sound. £t_rr^"?r 140 with-in the sound. Dt>sus Dt2 3Eg -jr^ Of of si-lenc JO. si-lcncc. - • Cm2 1 J3C ritard. 144 Slower ( J = ca. 76) f 144 Slower ( J = ca. 76) Bt> Btmaj7 Lb/lib "2T Bbmaj7 8>b A-1945 20 * BRIDGE OVER 147 TROUBLED WATER funis.) 148 m 3E (urn's.) When you're wea-ry, feel - in' *5 147 Eb/ßb 148 Bb Bbmaj7 Eb 3 #1 4 -- y;b" Jlv fife 3=* —v- -1— i j- small, _ . o ^frr^- Wh * —i-- i-0 en tea -a rs ai - e » ii i: a * 1 your ey ~-r—r es,_ —...—\ p., i— urn I--* - , vM?-J■ ■ J i-1«U7 (*■- —^-\d s 0 0* #1:........4-1-.........Sdd 1 (*" 0 153 3^ funis.) f I will dry them. all. WohiÄ I'm on your side. it r 153 2# Bb iz2 a Bb F7/A Gm7 F ^—i—0 * Copyright © 1969 Paul Simon Music Used by Permission. A-1945 159 (S. div.) funis.) And friends just can'l J be found, Like a (unis.) bridge j2_ o - ver 3E r 1S9 ub/D b b Dm7(bS) Eb C/E F üb Dm7(b5) Eb F/Eb C7/E -o *-3F 3 163 1R -7 23 V 5= P trou-blcd wa-tcr ] will lay mc_ down.. 163 Gm/F Bb/F -0- Gm Eb F V6 Bb Bbmaj7 7" A-1945 IS :1 = ==f ^ 172 } mf :--( - f- - - i—- > r^q --fc-r------* —« '-_^L__.J_JZ| 5 Your time has conic mf '=£= to shine. AH your *—P- 172 r.b/Bb Ab/nb F.b/Bb pb Bbmaj7 F.b/Bb 3 is A-1945 drcamsarc on_ their way.. Sec how they shine. woh. 175 — J! i 7T» 1 p F7/A Om7 F J177 F/A / *~w~ IFF* (S. div.) 178 F6 Cm/F F6 Cni/F «b Cm/Bb Bb ^5 Dm7(b5) 5 » IR4 1R1 l fS. dir. J r ' ? : 1 rnn hied w:i • ter. I will ease your._ mind. Like a 9:ip f::^rl'^]-> r ---- y-- +— M Cm ! lb 1 Dsns D/(|t dm F/A lib Dm7(l>M -t_jy_ ------M- ^ 1H7 v funis.) hi idi'.e : 5>~ lb o - vcr trim - hied water, *■--- m I will ease your_ fun i*,) hi l:bninj7 ('7'! Rb/f Rkm/F Bb/F Cm? C in Ffc F i J] T5' hi ft irtr. 1)1 in<1, dim 9V' [190 J ub r , case your. _ mind___ 7* S...5 »: > > r l^uni/ I I? lib lib Bbmaj7 tlim. 0 t ■ I?,;" ? £ C7 |r>i dim. A-1945 193 funis.) case your_ mind. ooo_ case your T mm '—>—1 r—i N7- r-TT- --:_:<*— 193 lib Cm Bb Bbmnj7 F.b/Bb 75 ^ 3 5^ 1 196 | ( J = ca. 96) 4* 20! 7» HIP Arc yen go-ing to Scar - bor - ongh -JbW= k=-r.: 1201 I nb:fn.)T) nWm>.lVA Bb2(mi3j/Ab nKn»3)/G C.bmaj7 Fsus I 5Si f A-1945 20A r$F&*r-- 1 —¥- (i \ £ ~* -4;.------=j ^-1 -Um rJ Fair:_____ 3= pars - ley sage.. rose i 204 Bbm Amaj7(b5) Bbm4/Ab Bbm/Ab Bbm9/F -s>- T7- L^ (1 208 rrfwrf. ... s ' J o tempo r nm - y and thymf. _a •_ mi F>2(t|)!) 20« Db2 rb/nb Ab/Db Fb2 ■ m r __ _ j Htard. ^ o tempo ^-7 «Sä. ^5 ' 3?' A-1^45