Hollywooďs Terror Films: Do They Reflect an American State of Mind? Siegfried Kracauer New German Critique, No. 89, Film and Exile. (Spring - Summer, 2003), pp. 105-111. Stable URL: http://links.jstor.org/sici?sici=0094-033X%28200321%2F22%290%3A89%3C105%3AHTFDTR%3E2.0.CO%3B2-1 New German Critique is currently published by New German Critique. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/ngc.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is an independent not-for-profit organization dedicated to and preserving a digital archive of scholarly journals. For more information regarding JSTOR, please contact support@jstor.org. http://www.jstor.org Mon Feb 5 08:02:35 2007