Kursy „alt“ a předepsaná literatura

Mediální průmysl

HOLT, Jennifer, PERREN, Alisa (eds.). Media Industries. History, Theory, and Method. Chichester,
West Sussex; Malden, MA: Wiley-Blackwell 2009.

MAYER, Vicki, BANKS, Miranda J., CALDWELL, John T. (eds.). Production Studies. Cultural Studies of
Media Industries. New York – London: University of California Press 2009.

CALDWELL, John T. Production Culture. Industrial Reflexivity and Critical Practice in Film and
Television. Durham: Duke University Press 2008.

EPSTEIN, Edward Jay. The Big Picture. The New Logic of Money and Power in Hollywood. New York:
Random House 2005.


Mediální archeologie

ZIELINSKI, Siegfried. Audiovisions : Cinema and Television as Entr'actes in History. Translated by
Gloria Custance. Amsterdam: Amsterdam University Press, 1999.

KITTLER, Friedrich A. Gramophone, Film, Typewriter : Grammophon, Film, Typewriter (Orig.).
Translated by Geoffrey Winthrop-Young - Michael Wutz. Stanford, California: Stanford University
Press, 1999.

MARVIN, Carolyn. When Old Technologies Were New: Thinking About Electric Communication in the Late
Nineteenth Century. New York: Oxford University Press, 1990.


Pojmy z teorie herectví, star studies a výzkumu recepce

VINCENDEAU, Ginette. Stars and Stardom in French Cinema. London and New York: Continuum, 2000.

DYER, Richard. Stars. London: BFI, 1998.

McDONALD, Paul. The Star System. Hollywood’s Production of Popular Identities. London: Wallflower,
1998.


Základy kinematografické techniky

ENTICKNAP, Leo. Moving Image Technology. From Zoetrope to Digital. London: Wallflower
Press, 2005.

FOSSATI, Giovanna. From Grain to Pixel : the Archival Life of Film in Transition. Amsterdam:
Amsterdam University Press, 2009.


Seminář filmové kritiky

CIESLAR, Jiří. Kočky na Atalantě. Praha: Akademie múzických umění, 2003.


Kinematografie v okupované Evropě, 1939-1945

BEDNAŘÍK, Petr. Arizace české kinematografie. Praha: Nakladatelství Karolinum, 2003.

BENJAMIN G. Martin. The Nazi-Fascist New Order for European Culture. Cambridge and London: Harvard
University Press, 2016.

BRYANT, Chad. Praha v černém. Nacistická vláda a český nacionalismus. Praha: Argo 2012.

DVOŘÁKOVÁ, Tereza, KLIMEŠ, Ivan: Prag-Film AG 1941–1945. Im Spannungsfeld zwischen Protektorats-
und Reichskinemagografie. München: Edition text+kritik, 2008.

HAKE, Sabine. Popular Cinema of the Third Reich. Austin: University of Texas Press, 2001.

MOHN, Volker. Nacistická kulturní politika v Protektorátu. Koncepce, praxe a reakce české strany.
Praha: Prostor, 2018.

WINKEL, Roel Vande, WELCH David (eds.). Cinema and the Swastika. The International¨Expansion of
Third Reich Cinema. New York: Palgrave Macmillan, 2007.


Pomalá kinematografie

DE LUCA, Tiago – JORGE, Nuno Barradas (eds.). Slow Cinema. Edinburgh: Edinburgh University Press,
2016.

GALR, Rosalind – SCHOONOVER, Karl. Global Art Cinema : New Theories and Histories. Oxford: Oxford
University Press, 2010.

RANCIÈRE, Jacques. The politics of aesthetics : the distribution of the sensible. New York:
Continuum, 2006.


Autorství ve filmu

BORDWELL, David. Poetics of Cinema. New York: Routledge, 2008.

GERSTNER, David A. – STAIGER, Janet (eds.). Authorship and film. New York: Routledge, 2003.


Dějiny evropských filmových koprodukcí - možnosti výzkumu

BERGFELDER, Tim. International Adventures. German Popular Cinema and European Co-Productions in the
1960s. New York – Oxford: Berghahn Books, 2005.

SKOPAL, Pavel. Filmová kultura severního trojúhelníku : filmy, kina a diváci českých zemí, NDR a
Polska 1945-1970. Brno: Host, 2014.


Ozvláštňovat ve spirále: Hromnice, Vánoce a vyprávěcí schéma napříč mediálními platformami

KOKEŠ, Radomír D. Světy na pokračování. Rozbor možností seriálového vyprávění. Praha: Filip Tomáš –
Akropolis, 2016.

BORDWELL, David. Reinventing Hollywood. How 1940s Filmmakers Changed Movie Storytelling. Chicago –
London: The University of Chicago Press, 2017.

BORDWELL, David. The Way Hollywood Tells It : Story and Style in Modern Movies. Berkeley:
University of California Press, 2006.

BUCKLAND, Warren (ed.). Puzzle Films : Complex Storytelling in Contemporary Cinema. Malden, Mass.:
Wiley-Blackwell, 2009.

BUCKLAND, Warren (ed.). Hollywood Puzzle Films. London: Routledge - American Film Institute, 2014.

PARSHALL, Peter F. Altman and after : Multiple Narratives in Ffilm. Lanham: Scarecrow, 2012.

THANOULI, Eleftheria. Post-classical Cinema : an International Poetics of Film Narration. London:
Wallflower, 2009.


Kinematografie SSSR 1945-1991

BERNARD, Jan. Národní kinematografie Sovětského svazu [2-7881]. Praha: Čs. filmový ústav, 1989.


Německá kinematografie před rokem 1945

ELSAESSER, Thomas. Weimar Cinema and After : Germany's Historical Imaginary. London: Routledge,
2000.

KRACAUER, Siegfried. Dějiny německého filmu : od Caligariho k Hitlerovi : psychologické dějiny
německého filmu. Praha: Státní pedagogické nakladatelství, 1958.

KOEPNICK, Lutz P. The Dark Mirror : German Cinema between Hitler and Hollywood. Berkeley:
University of California Press, 2002.

KREIMEIER, Klaus. The Ufa Story : a History of Germany's Greatest Film Company, 1918-1945.
Berkeley: University of California Press, 1999.






Brněnká kina a jejich diváci - metody výzkumu lokální filmové historie

MALTBY, Richard, Daniël BILTEREYST, Philippe MEERS. Explorations in New Cinema History: Approaches
and Case Studies. Malden: Wiley-Blackwell. 2011.

SKOPAL, Pavel, Lucie ČESÁLKOVÁ. Filmové Brno. Dějiny lokální filmové kultury. Praha: Národní
filmový archiv, 2016.

AVEYARD Karina,  Albert MORAN (eds.). Watching Films : New Perspectives on Movie-going, Exhibition
and Reception. Bristol: Intellect, 2013.

BILTEREYST, Daniël, Richard MALTBY, Philippe MEERS (eds.). Cinema, Audiences and Modernity : New
Perspectives on European Cinema History. London: Routledge, 2012.

ROSS, Michael, Manfred GRAUER, Bernd FREISLEBEN (eds.).  Digital Tools in Media Studies : Analysis
and Research : an Overview. Bielefeld: Transcript, 2009.

KUHN, Annette. Dreaming of Fred and Ginger : Cinema and Cultural Memory. New York: New York
University Press, 2002


Národní velkofilmy v evropské němé kinematografii

MCELHANEY, Joe (ed.): A Companion to Fritz Lang. Chichester: Wiley-Blackwell, 2015.

BORDWELL, David. Filmguide to La Passion de Jeanne d’Arc. Bloomington: Indiana University Press,
1973.


Filmové herectví

WOJCIK, Pamela Robertson (ed.). Movie Acting, the Film Reader. Edited by Wojcik. New York:
Routledge, 2004.

NAREMORE, James. Acting in the Cinema. Berkeley, Los Angeles, London: University of California
Press, 1988.

BARON, Cynthia. Modern Acting. The Lost Chapter of American Film and Theatre. London: Palgrave
Macmillan, 2016.

DYER, Richard. Stars. London: BFI, 1998, 2016.

SHINGLER, Martin. Star Studies. A Critical Guide. London: BFI, 2012.

KLEVAN, Andrew. Film Performance. From Achievement to Appreciation. London, New York: Wallflower,
2005.

NAREMORE, James, Acting in the cinema. Berkeley, Los Angeles, London: University of California
Press, 1988.

MAYER, Vicki, BANKS, Miranda J., CALDWELL, John T. (eds.). Production Studies. Cultural Studies of
Media Industries. New York – London: University of California Press 2009.


Kinematografická technika, její dějiny a metody výzkumu

ENTICKNAP, Leo. Moving Image Technology. From Zoetrope to Digital. London: Wallflower Press, 2005.

FOSSATI, Giovanna. From Grain to Pixel : the Archival Life of Film in Transition. Amsterdam:
Amsterdam University Press, 2009.

BATISTOVÁ, Anna. Hoří, má panenko. Praha: Národní filmový archiv, 2012.

SALT, Barry. Film Style and Technology : History and Analysis. London: Starword, 1992.

SALT, Barry. Moving into Pictures : More on Film History, Style, and Analysis. London: Starword,
2006.


Základy redakční práce

FREY, Mattias, Cecilia SAYAD. Film Criticism in the Digital age. New Brunswick, New Jersey: Rutgers
University Press, 2015.

WILLIAMS, Gilda. How to Write about Contemporary Art. London: Thames & Hudson, 2014.

ČUŘÍK, Jaroslav a Rudolf BURGR. Nové trendy v médiích. Brno: Masarykova univerzita, 2012.