.«ŕ í m: s ■4 1 FREE COMPOSITION ý, "h A -í '«í Vfv-. í.> ,, -,. í* v- v -*. *r ~* >* ** .*>x,'; •'C '■^> > "*#" -■''W:íí::;M;^-':'->,v> 'f s,-;.-' -. v'-":1. ■■•-.v- ias HOí ■«Stí ^ / '.Sír FREE COMPOSITION (Der freie Satz) Volume III of New Musical Theories and Fantasies HEINRICH SCHENKER Supplement: Musical Examples Semper idem sed non eodem modo Translated and edited by Ernst Oster nun HUH LONGMAN New York and London Published in cooperation with the American Musicological Society FREE COMPOSITION (Der freie Satz) Longman Inc., New York Associated companies, branches, and representatives throughout the world. Copyright 1935 by Universal Edition A.G. © Revised edition copyright 1956 by Universal Edition A.G., Wien The English language edition has been authorized by Universal Edition A.G. Copyright © 1979 by Longman Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. Developmental Editor: Gordon T. R. Anderson Interior Design: Albert M. Cetta Cover Design: Dan Serrano Manufacturing and Production Supervisor: Louis Gaber Composition: Kingsport Press Printing: The Murray Printing Company Binding: The Book Press Library of Congress Cataloging in Publication Data Schenker, Heinrich, 1868-1935. Free composition (Der freie Satz) (Longman music series) "Published in cooperation with the American Musi-cological Society." "The text is based mainly on the second German edition (ed. Oswald Jonas, Vienna, 1956), but the first edition (Vienna, 1935) was also consulted." Includes bibliographical references. .1. Music—Theory. 2. Counterpoint. I. Oster, Ernst. II. Jonas, Oswald. III. Title. IV. Title: Der freie Satz. MT40.S29213 781 79-14797 Manufactured in the United States of America 987654321 Contents of Figures Bach, C.P.E. Arioso con Variazioni (1747)..........................122,3 "Für Kenner und Liebhaber" I, Sonata V................122,3 NB Generalbass III/l, § 17a,b.........................97,2NB Generalbass III/l, § 17c...........................103,3b Generalbass III/l, § 20............................113,5 Generalbass III/2, § 4g.............................95,a4 Generalbass III/2, § 7b.............................98,1 Generalbass III/2, § 14.............................96,2 Generalbass VI/1, § 10b...........................114,5c Generalbass VI/2, § 2.............................114,5f Generalbass VII/1, § 13............................111,d2 Generalbass VII/2, § 2d............................115,3c Generalbass IX/2, § la.............................98,3c Six Sonatas for the "Essay on the True Art of Playing Keyboard Instruments": Sonata II, Adagio......................109, e6 Bach, J.S. Aria variata.....................50,1; 82,5; 112,1; 125,4; 152,4 Brandenburg Concerto No. 5, 1st mvt...........102,7; 103,1; 119,17 Brandenburg Concerto No. 5, 2nd mvt..........41,3; 54,10; 60; 76,9 Brandenburg Concerto No. 5, 3rd mvt....................105,1 Chromatic Fantasy and Fugue.........................20,2 Concerto for Violin and Orchestra in E Major, 1st mvt.....95, a7; 119,16a English Suite in D Minor, Sarabande.....................144,1 Fantasia (Praeludium) in A Minor......................123, lc French Suite in E Major, Allemande..............76,4; 95,cl; 106,1; 109,dl; 123,5; 125,3 French Suite in E Major, Courante..................47,3; 87,1b French Suite in E Major, Sarabande..................54,15; 62,9 French Suite in E Major, Gavotte...................95,a8; 125,2 French Suite in E Major, Gigue.........................87,4 Fugue in C Minor, unfinished..........................99,1 Italian Concerto, 1st mvt..........................88,d; 158 Italian Concerto, 3rd mvt...................100,3g; 133,3; 133,4 Mass in B Minor, Gloria..............................76,8 Ouvertüre (Suite) in F Major, Menuet................82,5c; 138,1 Partita No. 1, 1st Menuet............................132,2 Passacaglia in C Minor..............................20,1 -Schemelli, "Auf, auf! Die rechte Zeit"...................100,4b -Schemelli, "Brich entzwei, mein armes Herze"..............134,4 -Schemelli, "Mein Jesu, was vor Seelen Weh"...............114,5d -Schemelli, "Gott, wie gross ist".......................103,2a IV Six Little Preludes, No. 2 in C Minor....................124,2b Sonata No. 3 for Violin Solo, Largo......................132,3 St. John Passion, no. 7, Chorale: "O grosse Lieb' ".........................115,3b St. John Passion, no. 27, Chorale: "Ach grosser König"........................125,1 St. John Passion, no. 67, Chorus: "Ruht wohl".............................100,3a St. Matthew Passion, no. 1, 1st Chorus ...................114,4 St Matthew Passion, no. 3, Chorale: "Herzliebster Jesu".........................83,3 St. Matthew Passion, no. 16, Chorale: "Ich bin's, ich sollte büssen". . . . 22,a; 49,3; 62,12; 81,1; 124,1a St. Matthew Passion, no. 58, Chorale: "Wie wunderbarlich".............114,1b; 114,5a; 115,3a St. Matthew Passion, no. 66, Recitative: "Erbarme' es Gott"......................103,2b Toccata in Ff Minor................................58,1 Twelve Little Preludes, No. 1 in C Major.................43, for b Twelve Little Preludes, No. 3 in C Minor..............82,4; 152,6 Twelve Little Preludes, No. 6 in D Minor.................114,2a WTC I, Prelude in C Major......49,1; 62,5; 95,e3; 115,1a; 118,1; 133,2 WTC I, Prelude in C Minor..........................95,e4 WTC I, Fugue in C Minor.......................102,5; 132,7 WTC I, Fugue in C# Major...........................133,1 WTC I, Fugue in C* Minor.....................103,3a; 149,8a WTC I, Fugue in D Minor........................53,5; 156,1 WTC I, Fugue in Eb Minor..........................109,e5 WTC I, Fugue in E Minor........................58,2; 91,2 Beethoven Bagatelle op. 119 no. 11............................100,3h Concerto for Piano and Orchestra op. 58, No. 4 in G Major, 1st mvt. 65,4 Concerto for Piano and Orchestra op. 58, No. 4 in G Major, 3rd mvt. . 151 Concerto for Violin and Orchestra op. 61, 3rd mvt.............114,7 Leonore Overture No. 3................62,2; 109, a2; 120,1; 149,7 Octet, op. 103, Andante...........................119,19a Piano Trio op. 1 no. 1, 3rd mvt........................128,7e Rondo a capriccio, op. 129. 102,2; HO.cl; 114,9; 120,2; 134,6; 142,1; 149,6 Sonata op. 2 no. 2, 1st mvt..........................100,5 Sonata op. 2 no. 2, 4th mvt.....................100,3d; 121,1 Sonata op. 2 no. 3, 1st mvt..........................154,2 Sonata op. 7, 4th mvt..........................121,2 Sonata op. 10 no. 1, 1st mvt......................154,3; 154,7 Sonata op. 10 no. 2, 1st mvt...........................101,4 Sonata op. 10 no. 2, 3rd mvt.....................62,11; 100,4a Sonata op. 10 no. 3, 2nd mvt...........................39,2 Sonata op. 10 no. 3, 3rd mvt..........................105,4 Sonata op. 10 no. 3, 4th mvt..........................155,2 Sonata op. 13, 2nd mvt..........................155,1 Sonata op. 14 no. 1, 1st mvt............................126 Sonata op. 14 no. 2, 1st mvt..........47,2; 114,6; 122,1; 132,1; 154,6 Sonata op. 22, 1st mvt..........................113,3d Sonata op. 22, 3rd mvt....................45; 82,2; 134,8 Sonata op. 22, 4th mvt......................140,3; 146,2 Sonata op. 26, 1st mvt. . 56,1c; 71,2; 85; 105,3; 110,a5; 119,18; 120,5 Sonata op. 26, 2nd mvt.....................110,e3; 128,6a Sonata op. 26, 3rd mvt............................40,6 Sonata op. 27 no. 2, 1st mvt..........7, a; 54,3; 56,1b; 76,7; 77; 149,4 Sonata op. 27 no. 2, 2nd mvt....................110,b3; 128,8d Sonata op. 27 no. 2, 3rd mvt..............40,4; 104,3; 140,1; 140,2 Sonata op. 28, 1st mvt.............61,a; 103,5b; 110,el; 148,4 Sonata op. 28, 4th mvt..........................124, lc Sonata op. 31 no. 1, 3rd mvt..........................98,3b Sonata op. 31 no. 2, 2nd mvt..........................108,2 Sonata op. 31 no. 2, 3rd mvt..........................104,1 Sonata op. 49 no. 2, 2nd mvt...........................91,3 Sonata op. 53, Rondo......................98,5; 119,19b Sonata op. 57, 1st mvt.....54,8; 114,8; 119,20; 129,1; 142,2; 154,4 Sonata op. 57, 2nd mvt.......................40,8; 129,2 Sonata op. 81a, 1st mvt...............62,4; 119,7; 124,4; 125,5 Sonata op. 81a, 3rd mvt..........................115,3d Sonata op. 90, 1st mvt..................98,4; 109,al; 146,1 Sonata op. 101, 1st mvt...........................95,b3 Sonata op. 101, 2nd mvt..........................123,2 Sonata op. 101, 3rd mvt..........................149,8b Sonata op. 106, 4th mvt..........................156,2 Sonata op. 109, 1st mvt.....................89,1; 90; 117,2 Sonata op. 109, 3rd mvt..........................101,3 Sonata op. Ill, 1st mvt...........................62,13 Sonata for Piano and Violin op. 24, 2nd mvt................100,6b Sonata for Piano and Violin op. 30 no. 2, 2nd mvt............128,2a Sonata for Piano and Violoncello op. 69, 1st mvt. . . . 109, e2; 128,5a; 135,2 String Quartet op. 59 no. 1, 1st mvt......................65,1 String Quartet op. 59 no. 2, 2nd mvt....................128,9a String Quartet op. 59 no. 2, 4th mvt.....................149,5 String Quartet op. 59 no. 3, 1st mvt.................148,2; 148,3 String Quartet op. 74.........................128,5b; 146,4 String Quartet op. 135, 2nd mvt.......................lll.al Symphony I, 2nd mvt..............................103,7 Symphony II, 1st mvt..............................100,2b Symphony II, 3rd mvt.............................114,2c Symphony III, 1st mvt. . . 62,3; 62,10; 100,4c; 102,3; 110,a2; 115,2; 124,1b Symphony III, 2nd mvt.. '............................109,c Symphony III, 3rd mvt..................63,1; 87,3c; 95, a3; 108,4 Symphony III, 4th mvt............ .....62,7; 62,8; 114,3; 134,7 Symphony V, 2nd mvt...............................41,2 Symphony V, 3rd mvt...........................41,1; 146,5 Symphony VI, 1st mvt.....................119,8; 124,7; 154,5 Symphony VII, 1st mvt..............................74,3 Symphony VII, 3rd mvt..........................37,b; 146,6 Symphony VII, 4th mvt.............................113,6 Symphony VIII, 1st mvt..............................150 Symphony IX, 3rd mvt..............................103,3c Symphony IX, 4th mvt., "Ode to Joy"...................109, e3 Variations, 13, on a Theme by Dittersdorf, Var. 1............123, lb Brahms A German Requiem...............................127,2 Intermezzo op. 76 no. 7.............................91,5 Intermezzo op. 117 no. 1............................146,3 Intermezzo op. 118 no. 1...........................110,d3 Intermezzo op. 119 no. 1............................87,3d Sonata for Piano and Violoncello op. 99, 1st mvt.............110,d2 Songs: "Auf dem Kirchhofe," op. 105 no. 4..................63,3 "Mädchenlied," op. 107 no. 5.....................152,2 "Wie bist du, meine Königin," op. 32 no. 9.............152,5 Symphony I, 1st mvt..............................121,3a Symphony I, 2nd mvt...........................88,a; 124,3 Symphony I, 3rd mvt.......................69,7; 138,4; 147,3 Symphony II, 1st mvt..............................147,2 Symphony III, 1st mvt...................Ill,d3; 119,16b; 146,7 Symphony III, 2nd mvt.............................128,9b Symphony IV, 1st mvt...............................81,2 Symphony IV, 2nd mvt.............................119,15 Variations on a Theme by Handel, op. 24, Fugue .... 87,1a; 110,dl; 134,5 Variations on a Theme by Paganini, op. 35, Var. 5.............59,3 Waltz op. 39 no. 1............................49,2; HO.bl Waltz op. 39 no. 2............................46,1; 106,2a Waltz op. 39 no. 3...............................114,1a Waltz op. 39 no. 4............................96,4; 128,7c Waltz op. 39 no. 9................................105,5 Chopin Ballade op. 23.....................64,2; 121,3b; 128,9c; 153,1 Ballade op. 47...............................64,3; 119,10 Bolero op. 19..............................Ill,a2; 113,1b Etude op. 10 no. 1............................130,4; 153,2 Etude op. 10 no. 2.................................42,1 Etude op. 10 no. 3........................65,5; 138,5; 153,3 Etude op. 10 no. 4.................................65,3 Etude op. 10 no. 5................................131,2 Etude op. 10 no. 8 . 7,b; 54,1; 54,5; 62,6; 73,4; 120,3; 128,7d; 143,1; 148,5 Etude op. 10 no. 10...............................140,5 Etude op. 10 no. 12 . ..............12,a; 73,1; 83,1; 114,10; 119,14 Etude op. 25 no. 1............................40,10; 53,4 Etude op. 25 no. 2...........................106,3b; 120,4 Etude op. 25 no. 5...............................Ill,b2 Etude op. 25 no. 11 ... . 76,3; 100,2a; 100,3c; 100,6a; 106,2b; 107; 128,6b Impromptu op. 36...............................128,5c Mazurka op. 17 no. 1..................76,5; 83,2; 103,3d; 119,11 Mazurka op. 17 no. 2..............................106,2c Mazurka op. 17 no. 3...............................30,a Mazurka op. 17 no. 4.......................63,2; 65,2; 114,5e Mazurka op. 24 no. 1............91,4; 119,21; 128,9d; 137,2; 145,2 Mazurka op. 24 no. 2.........................128,2c; 128,4 Mazurka op. 24 no. 3.....................40,7; 128,3a; 128,9e Mazurka op. 24 no. 4..........................59,4; 128,8b Mazurka op. 30 no. 1...............................65,8 Mazurka op. 30 no. 2..............................152,7 Mazurka op. 30 no. 3..............................128,2b Mazurka op. 30 no. 4............................53,3; 54,6 Mazurka op. 33 no. 1..............................128,11 Mazurka op. 33 no. 4.....................74,2; 1Í9.12; 128,3b Mazurka op. 41 no. 2................................75 Nocturne op. 9 no. 2.........................84; 88,b; 122,2 Nocturne op. 15 no. 1...............................40,5 Nocturne op. 15 no. 2.....................54,7; 54,11b; 117,1 Nocturne op. 27 no. 1..............................137,3 Polonaise op. 26 no. 1..... .............44,2; 80,2; 99,2; 113,3c Polonaise op. 40 no. 1..............40,1; 54,13; 56,2e; 112,3; 113,4 Polonaise op. 40 no. 2...............................54,2 Polonaise op. 71..................................98,2 Prelude op. 28 no. 2..............................110,a3 Prelude op. 28 no. 3................................76,2 Prelude op. 28 no. 6...............................148,6 Prelude op. 28 no. 14.............................100,3b Scherzo op. 31..................12,b; 57,2; 102,6; 119,13; 143,2 Sonata op. 35, 4th mvt..........................57,1; 145,1 Waltz op. 42....................................140,6 Waltz op. 64 no. 2...........................124,6b; 137,1 Clementi Preludes et Exercices......................40,3; 76,6; 136,1-5 Criiger Chorale: "Fröhlich soll mein Herze springen"..............115,1b VI Des Prez, Josquin................................54,12 Handel Cantate con strumenti, no. 16: Recitative...................56,1 Chaconne in G Major..............................87,3b Concerto grosso op. 6 no. 6...........................102,4 Concerto grosso op. 6 no. 7..........................110,a6 Six Fugues, No. 6 in C Minor..........................53,2 Suites de Pieces, 2nd collection: No. 1 in Bb Major, Prelude......................56,2g; 73,2 Suites de Pieces, 2nd collection: No. 1 in Bb Major, Aria con variazioni...............54,14; 103,6 Suite No. 2 in F Major, 1st Adagio...........54,4; 65,6; 95, a6; 118,2 Suite No. 2 in F Major, Allegro...................92,2; 93; 100,1 Suite No. 2 in F Major, Fugue..........................92,1 Suite No. 3 in D Minor, Prelude........................64,1 Messiah, "The People That Walked in Darkness"..............128,7b Hassler, Hans Leo Lustgarten, No. 1................................115,1c Lustgarten, No. 24.................................116 Haydn Andante con variazioni in F Minor...............48,1; 91,1; 147,1 Capriccio in G Major..............................102,1 "Chorale St. Antonii"...........................42,2; 138,3 Fantasy in C Major................................136,6 Piano Trio in E Major.............................109,el Sonata in Bb Major (Hob. 41)..........................119,2 Sonata in E Major (Hob. 31)..........................95, b5 Sonata in Eb Major (Hob. 49).........62,1; 65,7; 103,5a; 108,1; 114,5b Sonata in Eb Major (Hob. 52).............56,2h; 96,3; 101,1; 113,1a Sonata in G Major (Hob. 40)......................119,1; 123,3 String Quartet op. 76 no. 3, 2nd mvt., "Emperor Hymn". 39,3; 119,3; 120,6 String Quartet op. 76 no. 4...........................119,4 Symphony No. 92 in G Major ("Oxford"), 2nd mvt..............50,3 Symphony No. 94 in G Major ("Surprise"), 1st mvt............110,e2 Symphony No. 104 in D Major, 1st mvt..........95, d3; 95, e5; 110,al Symphony No. 104 in D Major, 2nd mvt..........73,3; 106,3a; 124,2a Symphony No. 104 in D Major, 4th mvt........... ......114,2b Mendelssohn Midsummer Night's Dream, Overture....................119,9 Midsummer Night's Dream, Wedding March.................89,4 VII Songs Without Words, No. 12 in F* Minor........106,3c; 108,3; 112,2 Songs Without Words, No. 30 in A Major..................149,1 Symphony in A Minor, 1st mvt.........................147,4 Mozart The Abduction from the Seraglio, Overture................100,3e Concerto for Piano and Orchestra, K. 488...................101,5 Fantasy in C Minor, K. 475......................101,2; 128,7a Fantasy in D Minor, K. 397......................82,3; 124,6a The Magic Flute................................109,d2 Piano Trio in E Major, K. 542........................128,8a Requiem......................................127,1 Rondo in A Minor, K. 511...........................155,4 Rondo in D Major, K. 485..................114,2d; 128,1; 155,3 Sonata in A Major, K. 331, 1st mvt., Theme....................72,3; 87,5; 95,b4; 132,6; 141; 157 Sonata in A Major, K. 331, 1st mvt., Variations..........123,1a; 140,4 Sonata in A Major, K. 331, 2nd mvt...............20,4; 35,1; 95, c3 Sonata in A Major, K. 331, 3rd mvt........... 35,2; 138,2; 139; 149,3 Sonata in A Minor, K. 310, 1st mvt......................95,c2 Sonata in A Minor, K. 310, 3rd mvt...................82,1; 97,2 Sonata in Bb Major, K. 333, 3rd mvt..................54,11a; 141 Sonata in C Major, K. 279, 1st mvt...............:......154,1 Sonata in C Major, K. 545, 1st mvt...............47,1; 88,c; 124,5a Sonata in C Major, K. 545, 2nd mvt.....................104,2b Sonata in D Major, K. 576, 3rd mvt.......................54,9 String Quartet in C Major, K. 465.......................99,3 String Quintet in C Major, K. 515.......................123,4 Symphony in C Major, K. 551, 2nd mvt...................144,2 Symphony in C Major, K. 551, 3rd mvt...................128,7f Symphony in D Major, K. 385, 1st mvt................119,5; 134,3 Symphony in D Major, K. 385, 2nd mvt.........124,5b; 128,2d; 148,1 Symphony in D Major, K. 385, 4th mvt...................119,6 Symphony in Eb Major, K. 543, 1st mvt.....................94 Symphony in G Minor, K. 550, 1st mvt....................89,3 Paganini Theme with Variations..............................40,9 Scarlatti, Domenico Sonata in C Major (L. 104, K. 159)...................95,b2; 97,3 Sonata in D Major (L. 212, K. 458).......................53,1 Sonata in G Major (L. 124, K. 260)......................132,4 Schubert Divertissement ä la Hongroise, op. 54.....................89,2 Impromptu op. 90 no. 3.......................100,3f; 110,b2 Piano Quintet ("Trout"), op. 114.......................109,b Sonata in A Minor, op. 42, 1st mvt.......................53,6 Sonata in C Minor, 4th mvt........................... 134,9 Songs: "Auf dem Flusse" (Winterreise, no. 7).................40,2 "Der Schiffer" (D. 694)..........................39,1 "Die Allmacht," op. 79 no. 2..................... . 98,3a "Die Stadt" (Schwanengesang, no. 11)................103,4 "Gretchen am Spinnrade" (D. 118).................111,bl "Wanderers Nachtlied," op. 4 no. 3..................37, a String Quartet in A Minor, 1st mvt........................86 String Quartet in A Minor, 2nd mvt....................128,10b Symphony in B Minor, 1st mvt............... 56,2f; 109,e4; 128,8c Symphony in B Minor, 2nd mvt.......................128,10a Valses nobles, op. 77 no. 1............................46,2 Valses nobles, op. 77 no. 5..........................106,2d Valses nobles, op. 77 no. 10.............................68 Waltz op. 9 no. 2..................................30,b Schumann Etudes symphoniques, op. 13..........................50,2 "In der Nacht," Fantasiestücke, op. 12....................80,1 Songs: "Aus meinen Tränen spriessen" (Dichterliebe, no. 2)........22, b "Im wunderschönen Monat Mai" (Dichterliebe, no. 1).....110,c2 "Wenn ich in deine Augen seh' " (Dichterliebe, no. 4)......152,1 String Quartet in A Major, op. 41 no. 3...................110,e4 Studies after Paganini, op. 3 no. 1.......................58,3 Strauss, Johann The Blue Danube, Waltz No. 1.......................43, for a The Blue Danube, Waltz No. 3........................152,3 Tales from the Vienna Woods, Waltz No. 1..................97,4 Strauss, Josef Dorfschwalben aus Österreich, op. 164, Waltz No. 1............20,3 Wolf, Hugo "Das Ständchen"................................100,6c VIII List of abbreviations used in the examples a. (fugal) answer ac.p.t. accented passing tone app. appoggiatura arpeg. arpeggiation asc.rg.tr. ascending register transfer Bgd. Background c.f. cantus firmus chrom. chromatic (note) cons. consonance cpt. counterpoint desc.rg.tr. descending register transfer diss. dissonance div. divider enl. enlargement Fgd. Foreground fund.str. fundamental structure inv. inversion Mgd. Middleground mtn.inr.vc. motion from an inner voice n.n. neighboring note n.n.hrm. neighboring-note harmony obl.rg. obligatory register pass.tones passing tones prep. preparation Prg- (linear) progression, preceded by size of interval spanned, eg. 3-prg. (third-progression) p.t. passing tone rep. repetition rg.-ov. reaching-over s. (fugal) subject unf. unfolding %v5>< V ,,Tt Figs. 1-7 Background: fundamental structure 5JF g A 3 3/------- 2 49-51 58 61 A /A Al 75 77 Chopin, Scherzo in Db Major, op. 31 m. 9 41 49 10Ö A A (arpeg.) 117 A (n.n.hrm.) 14 m (I6) -v i— /III^\ —v I (íí:í) (I«) — V I || I d«) - iv - v i (ii«) 4 a) d6) - v í || i — (inW) — v í (iii^iv- v i (116) O: *^ir^sg5 f^ II ./ ľ ^J^-W^ —*-l IV- V I H6 I II V I v-;', y" i y-g^i if -1 y. S p^f ľ w* i — d6) — v - I i — (mW) - v - i v i s«; w c; ~n- r-ľlľKWií'^ľlSMP 3E f I d6) — VI I (iiM —v I Ď) See lb, 2b, 3b. ■fr A I — (i6) II V I I —(p.t.)-IV7 VI I- (p.t.) lie V I = iv<5'6 IV' V I, I II V , I II = IV<5)6 _Q_ O «»■ ť» -o- 3T XX ^3t 3E -©- -^ ^- 3t -Ö- n: X£ m :z ZZL ZZ- ■&■ ■&■ ■&■ ■&■ ■IV7 V I, =1 IV ■V I, I- -II V I IV'5)-6 I iv v|-| I (IIs) 4-3 I II V I I II V I -18 a) * A 3 HE -©- (í) B----- A •3 (Í) O *. (Í) =W Ä 5©- 1 Figs. 19-20 -ú- ** o ^r"~"ľi "^ —■ (1) „—s (2) i iv8 v7 i II v i (See Fig. 19, a.) 1 J.S. Bach, Passacaglia in C Minor A A A S 4----------------- 3- 2 J.S. Bach, Chromatic Fantasy and Fugue A A 5 4 £ £________________Ä___________(£ í) Ä A AAA 111 3| | V Fugue 5 * 3 a 1 i iY^^y^-i/]^j-i fM* (conspt) v 1 ' 3 Josef Strauss, Dorfschwalben aus Österreich, op. 164, Waltz No. 1, mm. 9 flF. A 5 (See Fig. 19, b.) 4 Mozart, Sonata in A Major, K. 331, 2nd mvt. m. 4 7 A Figs. 21-23 a) A A ' - 3 « 21 m AAA 3 2 1 A A n /A A\ A b) 3_ g || ^ a' 1 J.S. Bach, Chorale: "Ich bin's, ich sollte büssen" (St. Matt. P., no. 16) a) l á IÍ 3 - A A A -o- 3E o o =o= I,rt^gi Schumann, "Aus meinen Tränen spriessen" (Dichterliebe, no. 2) 6; ä--------- "■"■ 3 2 1 *H^ Ž=ä f za 4-prg. efe A-—v A „A A A (2) 2 3 2 1 23 (=n.n.) ^ aj «55= £ ľ^ĽH J "^ «r -H) Ä xwrn 6J PS (=n.n.) -»-y # Ai-m 10-( )-8, (8-fr) I - II# -V || I V I (8 - to) v------ (8 - to) v----- Í 25 A A 5 4 a) 2ß Figs. 24-30 ž II (ž 4 á ô) í 4 J"^j i ^ iinor: r m*!5- «2 V I A A A ô; g 4 ž á II 22 A A A A A A S S 4 3 8 1 /= ai-------- b--------- a2----------------------\ \ ■ Exposition ------- Development — Recapitulation- / e { = Exp. ^P ř A A A K a) 8 7 6 5 -A A A A A 5 4 3 2 1 «m§m y °» o 6) fc^:|i*£yp«> i - = at— v*P- -*» a2- Dev.— Recap.— A A í 2 * w5 I II*- (= »1-------- A VtL -V I a2- ) 1= ai- V= Exp.— I V-ai- Exp.- (8- -H7) -V I b- a3 _ v Dev.- Recap.— ) A AA la a 8 .(»7 '6 5) 29 :bÄ^o- ^ ,^ ü_ ~^ Z ^' ^ (6 5) Chopin, Mazurka op. 17 no. 3 30 <*w y" te *3- -b.A_ UA A A 2 1 1 tny 3 E ±IE -Ö- V I Mgd. I - 16, 17- ■ (n.n.) 24, 25- 40, kvi' W5- 41- iP 56, 57- 64, 65- (n.n.) ■ 80 Fgd. I—b7 I-'IIV-V-I, (?) (n.n.hrm.) >i- b- , I-'IIV-V-I »2> -b VI1*5-(=E major: I— -B-(ai- (V D_ n*8-/v- i -1 b- »2) Figs. 30 fcont.J-32 Schubert, Waltz op. 9 no. 2 8-____ __>3- *I3 g 1 V [j^MJ^ :|| bS'-------tó) 1 ( *Z^ } v * Figs. 33-36 33 A A /A A\ A a\ 3___________8 If V3 a; 1 b) 6 A 4 A 3 líž A 4 A 3 Ž) _fi p^f -£ »___6 &* f l-(V-I) V (I - V) I (V-I) V- JŠF Íl (i - V) - I a) A A 3 2 A A b) a 2 34 * ^ J^s J n t*h: \ I A A A A 3 2 t C) S A 8 ŕ m -e- T^-n Mozart, Sonata in A Major, K. 331, 2nd mvt. 1st part m. 2 8 A 3 10 It 17 A 1st part A A 3 É 36 |A j^t t jjr^p f F7 f" r l|8 ■ -ni- (=8 -*)7 - 6 - 5) ■=ů -I =11 v - I) (ai- b- (=1 - II - V «8) I) Figs. 37-39 Schubert, "Wanderers Nachtlied," op. 4 no. 3 T 1 2 3 4 (i— n-v-i) Beethoven, Seventh Symphony, 3rd mvt., Presto (upbeat) 123 4, 1 23 4, 12 3 45 b) _---------—r ; ; __________-t. .. _______ sf __________..J ^" ^-------J (ascent) ____. (aipeg-^ 38 A A A O) (ascent) 3 t) (ascent)_____________5 C) (ascent)_____________^ rf; (ascent)___ i i- () in i" ----—- v ľ fl^-5Tio=8) ľ do - s) Schubert, "Der Schiffer" (D. 694) a.--- — """"--ŕ-M (ascent) 3 V3 / 1 A A 3 2 39 b {Fhrrt^^S ?-----«r (n.n.hrm.) b- _>' (V) I - »2> II V I 3- 8 -m**3—v Beethoven, Sonata op. 10 no. 3, 2nd mvt, 2 Figs. 39 [cont.J-40 'J^"L---------'------ZZ------_—W—I ftjjft r (É^f rx;:^^Jr---f (5 - e","" 5-6, w^ B). ^-P) = 1 IV S'6 *w£^y^- D (=a: III_ V I) Haydn, "Emperor Hymn" (Qt. op. 76 no. 3) (cf. Fig. 120,6) m. 3-4 11 12— 15- -16 (ascent) J» " Chopin, Polonaise op. 40 no. 1 (cf. Fig. 56,2e) m. 3 4 5 7 8 Í» 10 . A a II A A A 3______ 2 I' 3 8 1 A A 5.120,6) I ____^---------? [%Li a a i 2Ť1 Bgd. I iö*-"-- Mgd. I—-Fgd. (I — IV —III^- ] i Ai- (ai- n- v i) b- a2 Schubert, "Auf dem Flusse" (Winterreise, no. 7) m. 5 9 -- — (Trio) -B- A2 ) (afto -a2) (ai-b - a2) (re s - 5T (=D majori UVI) TÍ« -II — V - Fig. 40 fcontj Clementi, Preludes et Exercices, Prel. 2 Beethoven, Sonata op. 27 no. 2, 3rd mvt. m. 16 19 21 33 36 37 59 71 87 171 177 183 187 190 A A 37 42 43 3____2- (arpeg.) ík* w=^im=ú ■<«j&f r tp: t i[ O-II/TT- I Chopin, Nocturne op. 15 no. 1 A m (íl*) nGDUj' ■'Ii'-JU-i'-rJ sT 4 - ířT ""4 - &. ~4 - S, I 4-5, 4-5, 3 3 f Beethoven, Sonata op. 26, 3rd mvt. m. 8, 9 6 m. 8, 9 Iß, 17 18 _________<*. *_* » USů (-n») š ž í ►lá » jTTi ..iTafatfTl ,, iJTj Ü # §P B W -A, (n.n.hrm.) I Beethoven, Sonata op. 57, 2nd mvt. Paganini, Theme with Variations 9 Figs. 40 fcontj-il '>% ;*r * ^ /P** E (6) -II-V I Chopin, Etude op. 25 no. 1, mm. 1-8 10 J1'" rrr »u^ I (div.)- _(cf. Fig. 53,4) (antiparallels) 8-(8) - í ■ iv—(p.t.)- h- (8_ -(g)- 8-(8) - 8) (6- 6- 6) Í8 - 5-8) Mgd. I-(Fgd. I- ------------r-----------irt3 V () urt3 - vi - n - v) (ä) a,l (SU,, 2 (ä) g _------- t« 4 ,^-7-~8» «i, ^ i --------------B Mgd. I ( Fgd. (At- '(«1 Haydn, "Chorale St. Antonii" (Hob. II: 46*) JŠ - 7 - 6 - 5) (=i - iv - (ID - y) í -a2) II II V I V I Fig. 43 43 h$. &> r t*-"* J------^ II *^*.m ^ ö 3S J I LU r^» ;^ Cj-L/ U zj 10 -10, 6 - 6 6-6, 10-10 'IßB 1 =0 rn .m 4 ^ n ,rJ ^ ^ 6-6, 10-10 10 -10, 6 - - i (n.n.hrm.) . d) ____ 1 # S S S 3 r-m 4 r—i I -ej- Lr_j^= t/ czrw LT (=n.n.) mim ^ -ßLi i an i ^> í m t^ž Figs. 43 fcont.J-45 Examples: for a) Johann Strauss, The Blue Danube, Waltz No. 1 3 tv - I]____c_ n5^Ý>___ j) Mi- -II V I (=A major(V)' - I) -b- a2) forb) J.S. Bach, Twelve Little Preludes, No. 1 (BWV 924] A m. 1 r 1 6 '7- -17 18 n 22 É^ ^ (=1- IV V I) Chopin, Polonaise op. 26 no. 1, 1st part (see Figs. 80,2; 113,3c) m. 1 4 5 10 U 3 (n.n.-------------------------------) 2 12 AAA 3___a Beethoven, Sonata op. 22, 3rd mvt. (see Fig. 82,2) m. 1- -8 (-L_____L í) 45 m ib-^ Et ! zr ř Brahms, Waltz op. 39 no. 2 m. 1 7 8, A A 3 2 Figs. 46-47 Schubert, Valses nobles, op. 77 no. 1 . (ascent) I (II*) V- (ai- -1)- a2) Mozart, Sonata in C Major, K. 545, 1st mvt. (cf. Fig. 124,5a) (ai- - b_ Dev. - Recap.) Beethoven, Sonata op. 14 no. 2, 1st mvt. (cf. Fig. 122,1) m. 1—6 — 8, 14 Mgd. I (1)11) - Fgd. [(5) 6-6, 6 ---- 6-(6), 5-(6), 5-(6) (Exp. J.S. Bach, French Suite in E Major, Courante m. 8 9 12 13 25 26 28 Dev.— A (cf. Fig. 87,1 b) 6 5 -() V^_8-------1 *2) I VI III V Figs. 48-50 Haydn, Andante con variazioni in F Minor, Theme 1A A minor: e~ / Brahms, Waltz op. 39 no. 1 (cf. Fig. 110, bl) "..........-------X-—'' (5 . b6) J.S. Bach, WTC I, Prelude in C Major iL^"y; i- iv-^iiv- i 'in v i m a 21 24 34 :15 (obl.rg.) 3 J.S. Bach, Chorale (St. Matt. P., no. 16) IV7 y VM ť-1 ^m (cf. Fig. 22 a) (obl.rg.) J.S. Bach, Aria variata (BWV 989), Var. 6 50 (*) r r r Schumann, Études symphoniques, op. 13, Var. 4, mm. 7-8 (15-16) (e 6 Figs. 50 fcont.J-53 Haydn, Sym. No. 92 in G Major (Oxford), 2nd mvt., mm. 103 ff. 3 (PFmaj.V- -I) (PGmaj.V- 51 _I)(?Cma,v-----------d (?Cmr p ' r Lf 6 6 6 6 6 44444 (? Bb maj. V Scarlatti, Sonata in D Major (L. 212, K. 458), mm. 14-18 1 J5ffi332 53 Handel, Six Fugues, No. 6 in C Minor, mm. 6-8 2* , _----------------(5-prg.)-------------- |É CttrfTp n. t r r 7-(6) *"^ J^P (8- 7 - (6) 6 5 ' p Chopin, Mazurka op. 30 no. 4 m. 3 8- 8- 101 124 133 134 139 ej minor: n"3_____V (Ai- Chopin, Etude op. 25 no. 1 (cf. Fig. 40,10) 14 22 25 26 ^^•fch^. ^ (8- Ab major: I - -10 ' - 8) e ib?_iv71n) -V* J.S. Bach, WTC I, Fugue in D Minor (cf. Fig. 156,1) 5 (subject) Schubert, Sonata op. 42, 1st mvt., mm. 232-237 6 ~iijIľcu sr d minor: = I (answer) 8- (8- (v----------S»z_ -8 ) -8 -^3---------14---------1 = I IV II 7* TV (8 8) — |VI- -v, Chopin, Etude op. 10 no. 8 .. J i J J J i Chopin, Polonaise op. 40 no. 2, mm. 11 ff. 54 i J ' 10 10 10 10 10 10 5-6, 5-6, 5-6 I--------------------------- 10- 5- (6) "i?T-------- 5- (6) Jr 10 5 Mozart, Son. in Bb Major, K. 333, 3rd mvt. mm. 1-2 l'.Vr'l'ffl'ŕ Chopin, Nocturne op. 15 no. 2, mm. 3 ff. lib . -, j Bb major: I Josquin Des Prez 12 (!) - 6 ----- 5 (=V1) - II - V $m 3 (í'ŕ-ár i * ,1-pi J j .W-J4 i ] r j ľ r p rjp=^ i for: 2T M^ -f ľ f ľ TT Figs. 54 [cont.J-56 Chopin, Polonaise op. 40 no. 1, mm. 7-8 Handel, Aria con var., m. 3 m Éäl rr J.S. Bach, French Suite in E Major, Sarabande, mm. 16 ff. Ö E _(mtn.inr.vc.)- d— _ f I IT' ~ ~ fe V 5_6 6 - 7 - K 55 5 5 \a) b) 55 -©- -o- -oq -^ -^ V 5-6 6-7 - 5 5 Handel, Cantate con strumenti, no. 16: Recitative 1 5 5 Beethoven, Sonata op. 27 no. 2, 1st mvt. m. 5 10 12 15 6) A ,1 Ú ]____________ ] Ab major: IV • Chopin, Polonaise op. 40 no. 1 m. 5 A 3 ./cons. \ y V P * / 6-5-5 6 7 ] ».t ^Jt_ tifffl P~^> Schubert, Symphony in B Minor, 1st mvt., mm. 15-17 in») r—r -ii f ■ j"7jJ V I 8- s •-------9 * Í (Pt.) ¥ Handel, Prelude (Suites de pieces, 2nd collection, No. 1), mm. 59-60 9) Figs. 56 [cont.J-59 Haydn, Son. in Eb Major (Hob. 52), 1st mvt., mm. 20-21 (10) Chopin, Sonata op. 35, 4th mvt. \ a) m. 53 54 55 56 57 =Bb major: II- {co™) -T& Chopin, Scherzo in Db Major, op. 31 2 a) ú\\ trjj^^jb^jjo^i'if.yg_|iT"H'^ '? "i^r-rifirJ (=bb minor: I'll — m. 516 528 531 -«frfifti ■ uJSa -V) 532 535 536 540 *' \i )]fmJp ™^ľ- —jtf?y' >==j-— (cf. Fig. 102,6) J.S. Bach, Toccata in Ff Minor, 1st fugue, m. 30 J.S. Bach, WTC I, Fugue in E Minor, m. 12 2 ^^Pj^Pjm jfril^ťLLfLCg R) Schumann, Studies after Paganini, op. 3 no. 1, m. 34 3 '" f rJJrrrrf m (*) m É^fPdis 59 1 p.t. = ac.p.t. (=ebmin.:"VII (cf. Fig. Ill) Figs. 59 fcont.J-61 Brahms, Paganini Var., op. 35, Var. 5, m. 15 (=ac.p.t. ac.p.t.) ] ] Var. 5, m. 15 2 p.t = ac.p.t. 3 (p.t.) (=ac.p.t. ac.p.t.) ä ř P r r r f iTfrľfTrr* II V I II V I II V I----------- r í Chopin, Mazurka op. 24 no. 4 a) (pt.) &; fc=^ *% 32 (ac.p.t.) f5 6-5 3 If) f* I ,, J l^l^ f 4-3 4 9 10 11 ^w. i* r r r i p T ř^ř bb minor: V- T9 - 8 J. S. Bach, Brandenburg Concerto No. 5, 2nd mvt. m. 13 14 Harpsichord Beethoven, Sonata op. 28, 1st mvt. (cf. Figs. 103,5A; 110,el) a) m i 2 3 61 i f. (8)------ Si she iF^ Í9"' ■Il7- ^f 6 -& ^^ Figs. 61 fcont.J-62 mm. 21 ff. c) i----------- m §i í i m ď -&- Haydn, Sonata in Eb Major (Hob. 49), 1st mvt., Development m. 65 80 81 103 112 113 115 118 180 122 123 Beethoven, Leonore Overture No. 3, Adagio (cf. Fig. 120,1) m. * 8 9 10 14 15 18 20 8- 22 24 27 80 81 C major: V Fig. 62 [cont] Beethoven, Third Symphony, 1st mvt., Development m. 148 152 220 284 305 308 320 862 370 874 376 380 397 Dev.: a) b) c) d) h ,J Lŕ ^rcnčfr i MF bP 1 Dev.: a) si l/-^ héT"^ ,.8-7 (lm.n.— -Siel:—yrf^------------/cons.\-------•_ Ě ř —bn.n.) Beethoven, Sonata op. 81a, 1st mvt., Development m. 66 70 ........... 4 r 7-Eb major: V J.S. Bach, WTC I, Prelude in C Major, mm. 24 ff. 5 Chopin, Étude op. 10 no. 8 6 m. 40 (=raf)---------------(3-prg.)—^r^t Beethoven, Third Symphony, 4th mvt. ry m. 117 120 ' Violin I Beethoven, Third Symphony, 4th mvt., mm. 1-11 8 n ^s \Ä~\ i (third---------root) Eb major: V---------------*— Figs. 62 fcont.J-63 J.S. Bach, French Suite in E Major, Sarabande m. í 8 Mgd. Beethoven, Third Symphony, 1st mvt. m. 91 94 95 96 97 99 109 10 ^íilijÉfe t* 9ř Beethoven, Sonata op. 10 no. 2, 3rd mvt., Development m. 32 33 51 59 62 63 69 m Bb5 (=Bb major: I - BUli C1!» III - II V I) 3bÜ / bö ,5 5\ (• 3 i>3 3/ r!w^l ■7^*- 81 83 3HL (Recap.) FZ Mgd. V5- {- 8 - b- (=n.n.) J.S. Bach, Chorale: "Ich bin's, ich sollte büssen" (St. Matt. P., no. 16) 12 m. 11 12 ä Beethoven, Son. op. Ill, 1st mvt., m. 121 13 Jé Beethoven, Third Symphony, 3rd mvt., mm. 236 ff. F^ ff „-----------------------,------------------,„.».---------j,--------......,---------------------------- IV7. V I Chopin, Mazurka op. 17 no. 4 (cf. Fig. 65,2) n m. 1---------4 5---------------------------8 fr? (1) fHT fr f 2Z------ivLJ-------II- Eb major: I^Z------IV*"3 (Ab) Ab -ÁÍ- Brahms, "Auf dem Kirchhofe," op. 105 no. 4 m. 12 3 -V - VI Bb-BH-C c minor: I- Fig. 64 Handel, Suite No. 3 in D Minor, Prelude A 5 _____fa.n.) 1 __.j--- Beethoven, Quartet op. 59 no. 1, 1st mvt m. 85(87) 86(88) Fig. 65 89 Chopin, Mazurka op. 17 no. 4, mm. 6 ff. 2 # tt^J i b^ i ^J. ^"--——3- (8) "6 -7-6 ^7 _ J5^-"^ I--------------- —------------------------------------------------------------------------------------^=—-----------V7 Chopin, Etude op. 10 no. 4 3 m 4 PNI Beethoven, Piano Conc. No. 4, 1st mvt. m. 290 Chopin, Etude op. 10 no. 3 . .—~ . ___ m 17 18 4 '"ö^as 5 £É É Clarinet m. 17 .....18...... 19 20 C_____^—r £3^—f £ (arpeggiation) .. y---------------------------------------------------------------------- I H AAA 3 2 1 " O Handel, Suite No. 2 in F Major, 1st Adagio, m. 8 6/im-8 * M ^ tr I ^ P3 « iö51 XT ZZ 6 5 V---------------I J^T~J F (5) 6 ^#ftn n n raff"! 5------6 8. 10 ta ^ Ě ^ í Ě -7—1 S (3-prg.) -------(p.t.) - D Figs. 65 fcont.J-67 Haydn, Sonata in Eb Major (Hob. 49), 1st mvt., Development, mm. 109 ff. 7 a) , r—^ b) ____________ (!) # fc__-r F—r ig.__9p ^r r—r Chopin, Mazurka op. 30 no. 1, final measures 8 * J5 b) ^E^-T- 66.V:m(.j^ i v^_[r r A 3 ž í 67 m i := — -ß- {m (= i- £ 5 - S!) -------V - I) * 52 (=i - v- I) (N3 5 - 5 - 5 - S! ) (5-66 6-5) 5 6 6 6 6 5 Figs. 68-71 Schubert, Valses nobles, op. 77 no. 10 (cf. Fig. 66,16) 1 2 3\/ 4t ví (not!) 5 J ""v__■ (not!) 6 J=* *T— 3Z ^Z -I Brahms, First Symphony, 3rd mvt., final measures 7, Jrd mvt., hnal measures , H „. _»—»"" i t) __ / \ 7/1 --------v a> p. b) x------*■ ~^li± J) —T ^ M> f. hi 70 y r r B r' ^ ?iy ' i r-J ^n r^r;! «J ' ff- =: V----1 V--------1 V-----VI v i -~>,-==----^^J. Beethoven, Sonata op. 26, 1st mvt., Theme m. 21 22 23 „ m. 21 22 23 24 25__ 26 27 fc^'ty J r *y f tf r- 5- ( ) ------- 6/ Ab major: I-------------------------------\ (=Eb major: IV- II -V (l|V) - VI || II I) V - I Ab major Figs. 72-74 1 72 Mozart, Sonata in A Major, K. 331, 1st mvt., Theme m. 13 ^___ 17 18 la) $r -tav* v %-.kl I I ť t^j-í^ä ľ- - f^ii a!- (ai- -(div.). "J — II 3 -J .iiy-^,~ť^y] J 16 17 - 37 A A A^ 3 8 l) ~U -1)7- b- a2) Chopin, Etude op. 10 no. 8, Coda, mm. 75 IF. £ (=8 h 6 5^ "*5 4__3 2 1) I t :ö ZK (Coda) J- I i Ä ' ŕ f ŕ Qř^f ^ ^ r i (,4 _ (ž) 74 í^ ř 1 (=l>a J n bJ: (B -Aa) l|2) f ^^ =C major: kII SV~* I t Figs. 74 [contJ-75 Chopin, Mazurka op. 33 no. 4 b minor: I Beethoven, Seventh Symphony, 1st mvt., mm. 370 ff. / A A^-—----------'------J* \= 3 - 2 F2 3 Violin I J I | I „ 2 - rj | r- jot V*1S------------------------1) Chopin, Mazurka op. 41 no. 2 75! Fig. 76 Chopin, Etude op. 25 no. 11 (cf. Figs. 100,6a and 107) m. 22 23 40 55 57 69 A A A A S 4 3 2----------------------------- (5 \ 2) rJ o ,/J (n.n.) £ I l£P J (At- (IIl'l6)_Vi)3 - .(8 B - A2) Chopin, Mazurka op. 17 no. 1 A K -------- Chopin, Prelude op. 28 no. 3 8 10/11 || 14 A A A 2 2 3 18 20 A A (n.n.) 3 2 n % JľJ^i u Ai I í 4—TÍ VÜA2I rt -6 4-3 II -V I J.S. Bach, French Suite in E Major, Allemande m. 8 ---------------12 20 24 AAAA AAAA 8 7 6 5 (n.n.) 5 4 3 2 4 25-28 A 1 Mt=*E —iľ-j»------------------- = ú 8 JUL'T zz r (t i ^g iL Z7 -W J? (=1 - V - I) Clementi, Preludes et Exercices, Prel. 1 (=5 -~W Figs. 76 [cont.J-78 Beethoven, Sonata op. 27 no. 2, 1st mvt., mm. 5 ff. 7 — (n.n.) I J.S. Bach, Mass in B Minor, Gloria, mm. 1-9 (Trumpet I) 8 a; " J J ^ c# minor: I ( III J.S. Bach, Brandenburg Concerto No. 5, 2nd mvt. m. 1 10 20 28 30 31 32 34 37 38 9 10. fc k W=F U for: (=mordent) (n.n.) $(ZpliF iJ fŕZrJ rrJ •m i, rn »ŕira 6) Beethoven, Sonata op. 27 no. 2, 1st mvt., mm. 16-17 see b) 3 4 3 8 9 8 F---------"P------___ ------"f 3 4 3 77 ^Lř ' i-L^ 3 4 3 3 5 4 6 3 8 5 4 9 6 3 8 5 TT Í ď; c; t=s 78 3CE 3CE m: ^gr ^Ör TT TT TT 3 4 4 3 5 6 5- Figs. 79-80 2 * jj-^T^li k-J^r ■ k^j^ř 3 4 4 3 8 -___9 - 8 6 ď "6 - 5 irt," i ítt ^ 3 4.43 B \>& ^6 - 5 3-4 4-3 8 — (9 - 8 5 - '6 6-5 f *y~n■ ,3-4 ?4 - 3 b7 6 \7 8 Schumann, "In der Nacht," Fantasiestücke, op. 12 a ra. 86 6' 4" 6 6 "4 3 80 Chopin, Polonaise op. 26 no. 1 (see Fig. 44,2) Figs. 80 [contJ-81 J. S. Bach, Chorale: "Ich bin's, ich sollte büssen" (St. Matt. P., no. 16), m. 7 (11) 1 a) 1 Tenor st.w-r r i ^ b) C) (3-Pr8) ^ ja-i J771 • 'g 5-5 5-6-5 (5) Brahms, Fourth Symphony, 1st mvt., mm. 1-19 Violin II (desc.; r«.rr.) rv - n v i Fig. 82 Mozart, Sonata in A Minor, K. 310, 3rd mvt., mm. 127 ff. Beethoven, Sonata op. 22, 3rd mvt., 1st part »1 b Mozart, Fantasy in D Minor, K. 397 m. 20 34 85 43 20 27 38 84 35 42 43 J.S. Bach, Twelve Little Preludes, No. 3 (BWV 999) 4 m. la 15 17 22 32 34 (rg.-ov.) -------^■r"V-------- (cf. Fig. 152,6) Br *B: B - 7 - S Í3 d minoriViär:-------------=f 3 V^8- J.S. Bach, Aria variata (BWV 989), Theme, mm. 9-12 Figs. 82 [cont.J-83 J. S. Bach, Ouvertuře (Suite) in F Major (BWV 820), Menuet, mm. 7-18 (cf. Fig. 138,1a) ^^^^^^ (5-prg.) __ (5-prg.) c). _^. (5-P^g-) Chopin, Etude op. 10 no. 12 1 m. 28 833 - é ¥ K !■ ítjl Chopin, Mazurka op. 17 no. 1 J.S. Bach, Chorale: "Herzliebster Jesu" (St. Matt. P., no. 3), mm. 6-11 A 3 Figs. 84-87 Chopin, Nocturne op. 9 no. 2 (cf. Fig. 88 b) Beethoven, Sonata op. 26, 1st mvt., Theme m. 4 5 A 3- 8 9 16 17 25 26- (n.n.) 27 A 3 A A 2 1 85: (n.n.) 3 2 2 1) (!) J . ^ J) J J .irj>Tg —'------*— -^m------H—■=.-------■---------1___— id)—T>^ JO. (div.) f ^tt L r=í i- icons. VV, vVpt. JV) Schubert, Quartet in A Minor, 1st mvt., mm. 69 ff. tr___________ K fr é: CeUo ( = 1 ú.étf^. ** (8 - 7) V I a2 se y .,-(. Tr iv i f y i iJiyigi^ i>> iď'M ggijfci e- zr #r f Brahms, Handel Variations, op. 24, Fugue, mm. 7-8 87 Ö flJSfrjÁSTjM ^ ■w' i': t£ í ^ ^ ------II V I) J.S. Bach, French Suite in E Major, Courante t, m. 7 8 j) (not: F§) (=A major: I — app.: 8-6 A-(not: F*§) -v) é^ Octave-progressions »\1 (upper lOths) 2 J.S. Bach, WTC I, Prelude in C Major, mm. 1-19 A , „ 3 (upper lOths) J.S. Bach, WTC I, Prelude in C Minor, mm. 1-18 ] J ] ] ~W^7 J: E t=ŕ (upper lOths) ľS; —: ~ w m 0 - -sz= 3ŠT* a (leads) \. ' ^ s; 8± (leads) Figs. 95 fcont.J-97 Haydn, Symphony No. 104 in D Major, 1st mvt., Allegro, mm. 1-8 5 (=3-,---'---------....." (6-prg) " ~ - (6-< .art*5^ £) (upper lOths) 3 *m (ft) *. U"U -w»- -©- i (leads) - (=1 5^ Parallel sixths: 1 (leads) C.P.E. Bach, Generalbass III/2, § 14 (leads) (lower 6ths) Brahms, Waltz op. 39 no. 4, mm. 1-8 4 Haydn, Sonata in Eb Major (Hob. 52), 1st mvt., Development, mm. 53-54 o (leads) (lower 6ths) 6 G-------------------------------------C 97fť^ Mozart, Sonata in A Minor, „ _ „ „ , 3rd mvt., mm. 147 ff. C.P.E. Bach, (=8 7 6 5 4 3 2 1) Generalbass HI/1, § 17 a, b 2 I ^—. (leads) ~--------^ iSB D. Scarlatti, Sonata in C Major (L. 104, K. 159) 3 * m. 4 i (3-prg.) m. 2. I I -—■ (leads) —-----^ ŕti i , „ „ "**"--------------------------------------- I ' y________________ 1 6 5 6 5 (-6) í r (3-prg.) ř »S) v Figs. 97 [cont.}-9l \ J. Strauss, Tales from the Vienna Woods, Waltz No. 1, 4 j- i- «rn ± A- j. «iTj a. j*—a-. >> r \r ir|.nr I r l r \M g ^*- ft* f- (*> — r v- -f C.P.E. Bach, Generalbass III/2, § 7 b la) _ W (!) Chopin, Polonaise in Bb Major, op. 71, mm. 21 ff. 98y:4lJ^ 4Ü éE^ l&^-J t lit-I -a ! -S3 ) (6 6 6\ U 4 5/ (I- (4-prg.) f^f -IV ■■iv •I) Schubert, "Die Allmacht," op. 79 no. 2, mm. 5-9 Beethoven, Sonata op. 31 no. 1, 3rd mvt., mm. 1 ff. 3 a) (4-P£L__________________| b) ±=± C.P.E. Bach, Generalbass IX/2, § 1 a ::h Í3 *W 3 3-3,6 4^U áUi (5-prg.) (4-prg.) tó Beethoven, Sonata op. 90, 1st mvt. 4a ,m. 104- b) 108 0) 105- (5-prg.) -108 5H=i? § iL S :?■ K if 5w) Jr^: «)(b*) fr Beethoven, Sonata op. 53, Rondo, mm. 181-183 44^4 > c-£_cr t 8-8 6 (7) - 5 b5 3 (4-prg.) Fig. 99 J. S. Bach, Fugue in C Minor, unfinished (BWV 906) ■J ft J mm. 7-8 ___^_-__^«_M__ I (upper lOths). i=3b mm. 16-17 b) (leads) (4-prg.) ^S^> ä c) mm. 12-13 ■v9 ym. til f ř^F f1 (upper 3rds) 99 '(5-prg.) -(4-prg.)- (leads) M i) h j m TJ) (lower 6ths) J \>i U j E 1 -(5-prg.)' (lower 6thi) written 18 va Chopin, Polonaise op. 26 no. 1, Meno mosso m. 4 A 3 Mozart, String Quartet, K. 465, 1st mvt., Adagio Fig. 100 Handel, Suite No. 2 in F Major, Allegro (cf. Fig. 93) Chopin, Etude op. 25 no. 11 (cf. Fig. 100,6a) m. 2 6 m. 40 49/ 50 51 / 52 53 100 Beethoven, Second Symphony, 1st mvt., Coda, mm. 326-340 b) 8 J.S. Bach, Chorus: "Ruht wohl" (St John P., no. 67), mm. 1 ff. 3 aj -R] i j i,P i j ď31 í Chopin, Prelude op. 28 no. 14, mm. 10-11 6) _ << j 11 i^m^l/uu ir- r _^i (.v— d £& f- ¥ Chopin, Etude op. 25 no. 11 CU Lento Allegro /f\ con brio a minor: V Beethoven, Sonata op. 2 no. 2, 4th mvt. m. 57 65 71 75 a minor: I- (8- 10,8 -10, 8) "' (arpeg.) JlII (=1- [ ]- r -V*3- 1 -IV) Fig. 100 fcontj Mozart, Overture, Andante (The Abduction from the Seraglio) e)* i r—S=ň P—i _r—1 i ess 5 M = Vi1 ^ Schubert, Impromptu in G Major, op. 90 no. 3, mm. 155 (78) ff. ä jĽ3t>X f ^^n g=z 1»" — J c minor: I- II-JI2Ü____v F^h^lftK^^ G major: I - ■(EJV)----(tIV _ y_ J.S. Bach, Italian Concerto, 3rd mvt. q\ m. 85 _____ 86 Beethoven, Bagatelle op. 119 no. 11 h) m. 1------4 5 7 (=d minor: II--------------------------------V) Beethoven, Sonata op. 10 no. 2, 3rd mvt. (cf. Fig. 62,11) m. 32 02 63 69 -©- tr -o- (5-I - V- tr "O" *řfff (=F major: I. VI «2------II '• VI {*Wj J.S. Bach-Schemelli, "Auf, auf! Die rechte Zeit" (69 Songs, no. 11) m *-------------------^ 6 7 Beethoven, Third Symphony, 1st mvt. . m. ill 96 97 99 109 b) F: V- (=>fVII - V*3-I) ■»*-------------»T--------------------------■*' ^Tájjy^ (=a: I - II- "~ ~^V - I) (=Bb: I-------------------- ''I - lr - V - I) Beethoven, Sonata op. 2 no. 2, 1st mvt. m- A A rA.il "J * • ^ • ■ . - 122 130 148 156 161 202 214 So m W^ĚJ í TaMP f^m $ r 4—(3) I- (Exp. -V «s-- Dev. -(I) Recap.) ,5 - j*5---------^^------K H3 - p3 - 4 - 4 - 13 Chopin, Étude op. 25 no. 11 (cf. Figs. 76,3; 100,2« and 107) m. 23 40 46 48 SO 52 58 53 2 — (n.n.)______________________________________________________ Figs. 100 fcontJ-102 55 57 A 2 ':; ^0^^>^^J~^ £g~f Beethoven, Violin Sonata op. 24, 2nd mvt. 1 45 49 54 b) a minor: V-ä^- Hugo Wolf, "Das Ständchen" (Gedichte von Eichendorff) Q\ m. 7 21 33 45 Haydn, Sonata in Eb Major (Hob. 52), •j _ 3rd mvt., mm. 1-8 (83 ¥*f po- -©- 101Ä r~r i f- — 11^ - V- Mozart, Piano Concerto, K. 488, 1st mvt., mm. 5 ff. Haydn, Capriccio, mm. 1 ff. 1, 102 § J ljjLJjJH ŕííL^l * M I j I p r f r' f r ŕT r -(v) Fig. 102 fcontj Beethoven, Rondo a capriccio, op. 129 m. 142 A 3- 162 214 240 (n.n.) 252 A -3 2 (Rondo Theme) 4 ♦ m í Rondo ) /Rondo \ VTheme/ VTheme/ r II e r Beethoven, Third Symphony, 1st mvt. m. 99 Handel, Cone, grosso op. 6 no. 6, Allegro ma non troppo 4 $ 1; p Hr \ J.S. Bach, WTC I, Fugue in C Minor, mm. 5 ff. 5 (* e BE (mtn.inr.vc.) Chopin, Scherzo in Db Major, op. 31 c minor: vbS------t=l---------L_______________________" *» I ^ 460 482 490 496 516 531 535 540 A (*- -*) 592 624 632 . 708 /A\ AAA \3> 3 2 1 Db major: (=VI) I- J.S. Bach, Brandenburg Concerto No. 5, 1st mvt. ry m. (=5 É 31 4 3 2 1) 35 TT ' '.ľ *IIp 39 50 58 68 71 r J. S. Bach, Brandenburg Concerto No. 5, 1st mvt. m. 21 29 m. 21 23 25 (=5___ 4 3 2 1) (=5 Fig. 103 27 4 29 3 103 V * IV V U (PÜ5 - 5 - S) ¥ o d u c u ii • «*-> .... • __ • i» «n o oí\\___e ir J-S. Bach, Recit.: "Erbarm' es Gott" J.S. Bach-Schemelli, Gott, wie gross ist (69 Songs, no. 30), mm. 5 tt. (St Matt P no 66í m 10 -&1 m {TT , t cons. \ \ P-t. / J. S. Bach, WTC I, Fugue in C J Minor 3' a) (=3 2 l) sa rf C. P. E. Bach, Generalbass III/l, § 17 c w ., > W J '-^*------------- ÉÉ Beethoven, Ninth Symphony, 3rd mvt. C) m. 13 14 m JL TSZ -O- ; + » -O- í - w i: M gg^ A» o ü£: f, r r *___• 6-6, 4 #3 8 7 6 5 f (10) - 10 Chopin, Mazurka op. 17 no. 1, mm. 45—48 Y'b ly $jĚt ľ ftjf-- %£ f Schubert, "Die Stadt" (Schwanengesang, no. 11), mm. 7 ff. 3 2* 'n _ J). c minor: I-------- 7 •IV- r=f^F -II- Haydn, Sonata in Eb Major Beethoven, Sonata op. 28, 1st mvt. (Hob. 49), 1st mvt., Development m 40 44 61 m. 65 71 74 81 68 5 a) 3 6; ^ S tf== =«■ 70 tJ |lp J ^ H^HjT^I fN^j 5-6 D major: I _ (= IV- (5 T -*n3-v -V- I -i Figs. 103 [cont.J-105 Handel, Aria con variazioni (Suites de pieces, 2nd collection, No. 1) _ m. 5 6 r 1'ff»ffi V-------------------------------------------------------1 Beethoven, First Symphony, 2nd mvt., mm. 1 ff. 7 wm ^m r- ir Beethoven, Sonata op. 31 no. 2, 3rd mvt. 8 (A 9 (n.n.) 12 13 14 15/16 A A A\ 3________ 2 1) (ascent) in a L í/*j^ j*J Ef r d minor: I - (10 •^1> £f -----------pr 10 - 10 - 10 - 10) 6 - .5 . IV ( ) v—* -":{ fl ^—- --, , not: ^ (7) ' 6; Mozart, Sonata in C Major, K. 545, 2nd mvt., mm. 6 ff. m e^ Beethoven, Sonata op. 27 no. 2, 3rd mvt. m. 25 32 33 A (=5 4 gl sz ř ^ Já^^ 36 3 1) -i>'f flf* J -IV cj minor: VSi-(=g| minor: I r r r TJ 6 "ill 105 J.S. Bach, Brdbg. Conc. No. 5, 3rd mvt., mm. 3 ff. ■J* & 8, 10 - 10, 10-10, 6-6-6 Beethoven, Sonata op. 26, 1st mvt., Theme m. 1 2 3 3 ___ m 3=lwB v klrn iľ (I- 6, 10 - 10 ■ div.) Beethoven, Sonata op. 10 no. 3, 3rd mvt. m. 33 38 40 Figs. 105 [cont.J-l06 ,4^jd^r^. 'r r r J Brahms, Waltz op. 39 no. 9, mm. 19 ff. 5 ^5F r f-^r p^Mr r^r_r r Vb'Jlift PCľJL^7 f J.S. Bach, French Suite in E Major, AUemande •j m. 25 26 Brahms, Waltz op. 39 no. 2, mm. 1-5 2 a) A m. 25 26--------_________ 28 o «) i ß y r P f ^-JLx^r^ y r jr r " r r r Chopin, Étude op. 25 no. 11 m. 15 19 20 21 6) Chopin, Mazurka op. 17 no. 2, mm. 11-12 22 m n . 12 | J^f gr Urn jHc#. Hr =ff fltrtrt dM Ö m.4 Schubert, Valses nobles, op. 77 no. 5 m. 1 d) (=3______(n.n.) 11-16 A 3 20 24 32 A A\ 2 l) Haydn, Symphony No. 104 in D Major, 2nd mvt. mm. 102 ff. (3 _ (n.n.) 3 a) 3) C major: (= VI m. 102 Violin 7 fc-jfe^r »"if 105 109 jfeJtfr^P 32 -6* ľ I - f i» jt*jf Figs. 106 fcont.J-108 Chopin, Etude op. 25 no. 2, mm. 62 ff. Mendelssohn, Songs Without Words, No. 12 m. 2129 35 36 Chopin, Etude op. 25 no. 11 (cf. Figs. 76,3; 100,2a; 100,6) m. 23 _ 40 — 53 54 ŕ* (2 - (n.n.) ------ 55 t 57 107 V - I Haydn, Son. in Eb Major (Hob. 49), 1st mvt., Development I m. 80 84 110 108 m :^z (h to) S Beethoven, Sonata in D Minor, op. 31 no. 2, 2nd mvt., mm. 98 ff. 2 Mendelssohn, Songs Without Words, No. 12 m. 6 10 13 A 3 39 43 AAA -3 2 1 Beethoven, Third Symphony, 3rd mvt. m. 7 28 39 40 54 55 93 e=k f ééém Fig. 109 Beethoven, Sonata op. 90, 1st mvt, mm. 1-24 Beethoven, Leonore Overture No. 3, mm. 9 ff. j) a)2 <=3—______________üyü a)í A ,L (=3 109 -3 2 i) II v i) f- (=i - ^ JjLiľ iji^_Jl i: ^rnP - (n.n.hrm.) - I II V -r Schubert, Trout Quintet, op. 114, 1st mvt., mm. 84 ff. <=5___ * 3 2 1) Beethoven, Third Symphony, 2nd mvt., mm. 225 ff. (=1 IV- II V I) J.S. Bach, French Suite in E Major, Allemande m. 1 2 3 4 d) l (šU-= A Mozart, Aria of the Queen of the Night (The Magic Flute, no. 14) A A 3___________________________________2 d)2 / (coloratura) A _^ Haydn, Piano Trio in E Major, 2nd mvt. 6) 1 (in unison) SWS g ^r=ŕ i •_ (n.n. 3F= .(arpeg.)- J: _Si_____.1^ '»- ^ 7~^^----i?-tfcJ =i IV Fig. 109 [contj Beethoven, Cello Sonata op. 69, 1st mvt., mm. 1 ff. e) 2 . Cello Beethoven, Ninth Symphony, 4th mvt., "Ode to Joy" A ej 3 Fgd- a—z-----------------------------------2 II 3------- 2 —1 A 3- A A 2 1 «>«g WW &=!* ' orp.st n W+¥ mm ft* ŕrriffri p 2nd level cresc. p WJ^g S £=$£ zz=^ (n.n.) ^P ^ |J gPl^ é=p J2 ÄŽfflH í f"' 'P'1 'ľ-'1 T I ai)- (div.) V b). I a2> 1st level £ II "S A A 2 1 r) Ä B»= 77~ £=^ J.S. Bach, WTC/, Fugue in Eb Minor ej 5 Schubert, Symphony in B Minor, 1st mvt., mm. 1 ff. e;4 I I 23 't----6^ -6^- ffÜ "CTi ry i r uj 3=m Pä (=5 4 3 2 l) f j J J J & 3ř (TS) f- I (VI) II9 "-S r Figs. 109 [cont.J-110 C. P. E. Bach, Six Sonatas for the Essay on the True Art of Playing Keyboard Instruments: Sonata II, 2nd mvt., last m. a) rk b) #^ c) í&k d) novota k^:> (-») \>.g^fl ^ F major: I - (kVH) - V&3- 4^ iw minor Schubert, "Gretchen am Spinnrade" (D. 118) Chopin, Etude op. 25 no. 5, mm. 5 ff. 1 m. 11 12 13 2 1 -___________^1 ' 4=A * J * ■ ?b llíí^lf] -o- (=d minor: *1VII- V*3) e minor: IIP— ^rfrfr (^VII- -V*8 -V#8) (cf. Fig. 113,li) ta j V - £? 9-8 7-7 Figs. Ill [cont.J-U2 d)\ í ŕ^N# C. P. E. Bach, Generalbass VII/1, § 13 2 i ,j ftjgff r i } i j 41 f Ji^if i (=IV - I) (=IV I) (=1^ _ ŕ) (=IV - I) Brahms, Third Symphony, 1st mvt., mm. 66 ff. Violin J------J 3 fe* p -j. Viola »^—n'—t-^ r rr'ir>^ 32 «- (= r ^É zz: J.S. Bach, Aria variata (BWV 989) (cf. Fig. 152,4) Im. 5 8- 12- nay .£-TH.ť tí f O ^-O " a minor: 1----------- (=111)- F 3E Hľ r r t IV- ( ) -v Mendelssohn, Songs Without Words, No. 12 m. 21 (t) 35 2 Chopin, Polonaise op. 40 no. 1, mm. 25 ff. (Trio) 3 a) fc4 I'"' 1 'UU"' Sa ^^^ T¥ ^ m ĺ ►F1 í *—n^ 7" ^ttp (enlargement) Chopin, Polonaise op. 40 no. 1, mm. 1-2 b), V T j-.iJfliľ'W ^Éä P ^S f E^p^ re '-------!-------- SS ^ 9^ -^-------------— 11---------- fUlLi TOM yw? Figs. 113-114 Haydn, Son. in Eb Major (Hob. 52), 1st mvt., Development la) Chopin, Bolero, op. 19 Risoluto m. 12 14 16 18 20 33 37 113 'l, r. r r. l'W '' "r j» r ľ " " ^>^_^e^fa " 2 in major: (=g minor: in major: 3 aj i8 L5 vS». ( (n.n.) I (=t)9 ----- 8) )Í2- vlL( )!»_ (=F major: VÜ- ( )Í2) Chopin, Polonaise in A Major, op. 40 no. 1 m. «J/10 11 12 13/14 15 IG _ (Ž) 4 44 iyjg^S. íTH r WjĹ$rZ-^e A major: II' (=E major: V- I» -( )- M "t '-—Ír— r—-______ju___' C. P. E. Bach, Generalbass III/l, §20 a id=ŕ Itf Beethoven, Seventh Symphony, 4th mvt., m. 114 Flutes | 6 Cello + Cb. Brahms, Waltz op. 39 no. 3 m. 1 8____________ I 1st ending I í a) *. * J.S. Bach, Chorale: "Wie wunderbarlich" (St. Matt P., no. 58) 114 íás —,,U_!*,,L O *L 6; Soprano ^=i r- i Alto1 ' ' I ■)•■ V gt minor: I (=IV VII) -V J.S. Bach, Twelve Little Preludes, No. 6 (BWV 940) m. 4 2 a) (* _ n.„. - *) J ^ ilJ V— Fig. 114 [cont] Haydn, Symphony No. 104 in D Major, 4th mvt. OJ^ .-ro- m 119 155 181 187 193 Beethoven, Second Symphony, 3rd mvt., mm. 17 ff. -O- Wm rjíHm-ťmj 1 É ■d «» :ffg TT" řÍ3r K f>> (8- 10 - 8) (8- 10 - *Ž¥Wf "O" -I (Dev. (p.t.) -i Recap.) TJ. 10 - 8) (5 7-5) Mozart, Rondo in D Major, K. 4S5, mm. 79 ff. d) ^m, (!) (* - n.n. - *) Beethoven, Third Symphony, 4th mvt., mm. 156 ff. (*-3 ^ r S W- p í* A ±T*~^r—A ^k~t 'j r^ f J. S. Bach, St. Matthew Passion, 1st chorus 4 m. 3 4 (+- -*) #S iiöi *=£ tä /o' SraC«' chorale: "Wie wunderbarlich" H d Sonata in Eb M or (Hob 49) (St. Matt. P., no. 58) 1st mvt., Development (*- _*) m. 66 68 74 81 5a) n r-i nj m W/i i <*- -*>___^ , iäi '& fliJ^^ ^irf C.P.E. Bach, Generalbass VI/1 § 10 b c) <*"------------ -*> J. S. Bach-Schemelli, "Mein Jesu, was vor Seelen Weh" (69 Songs, no. 19) d) -*) mm. 6-8 a (=^15------------- V*3) Chopin, Mazurka op. 17 no. 4, mm. 42-43 P? *- -*) ĚS Mvii----------v*a) C.P.E. Bach, Generalbass VI/2, § 2 S Ö*F ö éé=é rJQ« Beethoven, Sonata op. 14 no. 2, 1st mvt., Development Q m. 78 79 80 81 83 84 86 6 5 ' ' Figs. 114 fcont.J-U5 Beethoven, Violin Concerto, op. 61, 3rd mvt., mm. 247 fif. 7 (*- / _*) Beethoven, Sonata op. 57, 1st mvt., Development m. 65 67 79 (*- -*) _ (*- 8 ^\> 'y-jy "| Beethoven, Rondo a capriccio, op. 129 q m. 356 360 ms Lir ^J3 i 2 X 3, --------IV V------------1 10 11 12 3X2, 2X3) ' '. . . . I J i I I i . . J ? , . .5 .......V,'lv,lifill,i'fli'l^i^li;llil:li|,|lill'illl|lill|,illlillll1 H. Riemann, "Anleitung zum Generalbass-Spielen," No. 11 S7\_______________Si. ^s ľiľiifiľ^irľi0r'jir'Ji^uľiľí'ir /TN /O zrŕ^zrzz p4ä zz -o- *=^gg »lo1« ZO. o f rj g 5E£ Z2 87 (t (t 6 87 5 (t 6 6 6 5 6 6 5 3 4 8 7 (t 5» 6 6 (t 6 B* 7 6 -e* s £ p4fclP Í Ö22 p- rf -p- p— W n p fe^ ^ JL \y & \y zr ví/ ■&-tn ř Et P^ -P 22 f P TT Vi/ Fig. 117 Chopin, Nocturne op. 15 no. 2 1 117 «y -(third-progression) ■ 3 ^ -^ r s f r: r r b) $ mm. U - 12: íátáE ÄÍ y _JL T. ? UÉ m% 1hd-+ m ^s ^ Figs. 117 fcont.J-119 Beethoven, Sonata op. 109, 1st mvt., mm. 9-10 and 12-13 Adagio espressivo 2 a) J.S. Bach, WTC I, Prelude in C Major ■1 m. 1 - 4 5 6 7 8 9 10 n 12 13 14 15 16 17 18 19 TV TT 118 -©- 3CEI -©- TU & '-&- -o- 3E -O- Handel, Suite No. 2 in F Major, 1st Adagio (A i---------1 r j.---------------------------------------- 119^'' ^1 ^^ J>^f^l ^ vwJ, v ^fp'^P) I r'-rT^f^f (=5 4 3 2 l) l«V.jt.«V «^ F7p v i- -i n v i Haydn, Sonata in Bb Major (Hob. 41), 1st mvt. m. 1 2 3 Fig. 119 fcontj i—Z—n r U ß^t^i **-£*■ ^m -i 9 r— 10 11 12 13 "Č---------1 ^w ř j-jiijjjji'^ij fU 21 22 PP feS Haydn, "Emperor Hymn" (Qt. op. 76 no. 3) (cf. Fig. 39,3; 120,6) 3 * .(ascent)—-7?- 5 — A 4 A 3 O V w * 0 *- m ' m esí ÉÉ 3: 22 »_^* (n.n.)_ f -I f H r v- á -I Haydn, String Quartet op. 76 no. 4, 4th mvt., mm. 20 ff. 1--------s----------1 i ir 4 * mz 1 I-------------1 i---------------1 r a ~i r -1 I-----------1 te^á^ r * ~ r * r- Mozart, Symphony in D Major, K. 385, 1st mvt, 5 aj VtJJ b) mm. 41 ÉF. ^ (6-arpeg.)—O ^\ . a ú vidin j ^n>t\ i ± i ri i ri * ~ i^rrff ľi-yľJľrvj i j? Ji-gj^ffffffff 6 "O—^j 4th mvt. 10 m. 1________ I-------------- ** ^ EKZEjECnZ^: ~ F*t y *•• :pirnfpiF?p -ö- -©- 10 10 10 9__________________ n r ~~\ r 10 10 10 13 # r.—ě» ^r * * P J.#** /f—r ^iifffffrrrif^rfrrrrW i Fig. 119 [cont] Beethoven, Sonata op. 81a, 1st mvt. m. 1 6 12 17 Adagio A 3 Le>-'bu -wohl 'b)______' (n.ii!f\3 ,-'" i ' b) _ Allegro A .. 3 í '^j^ffi1 Jj I y. l^i^U ^ý^éfifly '^iy V^/4^ en 3 m. 23/24 27/28 38 39/40 m JtJ ■ ^ ft 48/49 W.. 50 M (cf. mm. 1-2) (k 1]) 58 Vi-------1 62 :í± S o -Jj (k W yCTC Cf P j>JWJ" *rwj Beethoven, Sixth Symphony, 1st mvt. mm. 9 £F. a \ 8 ______ i------^-------1 mm. 275 ff. b) Violin I ■l I J-J< ^.1/33 J] ■w (enlargement) Violin II ^ St ir ccrJJ|E>~EiLŕ ), w-^ŕ-ii, r 5 (cons.p.t.) IV- -V 33 eresc. t r IV- r f Mendelssohn, Overture (Midsummer Night's Dream) mm. 8 ff. T___________ 9«) ' £h* mm. 62 ff. n mm. 78 ff. "^Wifňrrrrrrŕ r ft; ar ihJgX^j c^£f44 á ]J\\vW* M *o- r #? ô ^ ľf f mm. 138 ff. d) /SL- zt Ě m e) mm. 168 ff. ÖS £==:xe=:=^ «=25! Xfľ TT ^F^ -rty rxn. -&- Fig. 119 fcontj Chopin, Ballade in Ab Major, op. 47 m. 2 9 |ééé r~äj ' i-----------1 10 (fourth-progression). 11 12 34 b)1 35 m ^ n ir. v &Á J> j A *£l p^ -Y-r- tvj 'r^j |7yf 5£ü mm. 43 ff. *r <*> t r l> Jl^JrfJ^ iE L""1: mm. 54 ff. ' d) (!) f f >P,J- mm. 66 ff. (*) Í £ f^r r- r ft rF. Chopin, Mazurka op. 17 no. 1 m. 13 14 I----- (n.n.) a) 15 -i r-ür-i r b) 16 "1 I---------1 17 A B i J. ui.n.) A 4 A 3 ^jrfTlaŕTTirt jA-ry 24 A 1 í ^í-^Lř CL_Í^ľ s r i Chopin, Mazurka op. 33 no. 4, mm. 1 řF. 12 I—------1 (4-prg.) L, i J--J ......-.i----------1 -—CT"------1 r Chopin, Scherzo in Db Major, op. 31 Fig. 119 fcontj Chopin, Étude op. 10 no. 12 m. 1 - 2 11 14«; ^—_ b) í g m e) S mm. 33 ff. r i fr* J \% (10 V- (♦) I .;— ' itr^. »»-£% r IV- p (FpTTp (f-) >*- 3E "O" Brahms, Fourth Symphony, 2nd mvt. 15aj m. 1 tí asi! Horn 6jr m. 5 Vln. I, Clar. •J* 3* * b • • á 4# ^^ E major: kvi- (n.n.hrm.) mm. 8ff. * * * j>Tj> ^;. O ĺ}f^^ čt J. S. Bach, Violin Concerto in E Major, 1st mvt., m. 23 Brahms, Third Symphony, 1st mvt. 16a; ■ft #m:=*=C^s TL' i ■Ľ'j11 46 47 f,) Vie. a 2 í if * f *.? -ŕ -e- 1 Cb. I____i-----1 J. S. Bach, Brandenburg Concerto No. 5, 1st mvt. 17 Beethoven, Sonata op. 26, 1st mvt., Theme 18 -~ Figs. 119 [contJ-120 mmä ^ 2 ^iJV-V^ f f w f Beethoven, Octet op. 103, Andante 19a) r mm. 9 ff. r j> J.0b"y||i?|J- NhJTJ |j w^|J- ^Jfl^ [t>: ?trr * ">ut v vtrr err r VI< i \£k á- ^Jľ3] Bassoon I 1—=-s£- — Bassoon II Beethoven, Sonata op. 57, 1st mvt. ffi* Beethoven, Sonata op. 53, Rondo 5) mm. 403 ff. 1 11 II 17 23-33 3A6 )) mm. 403 ff. mm. 431 ff. 20 % J™)__ ^hťi^irrirri'^Hnr'Mrrirfi |b|ŕ ihr fin *. ■ b) W , » . i b AAA 5 4 3 O i* L_SL Chopin, Mazurka in C Minor, op. 24 no. 1 21 mm. 1-8 S O O I- III 21 mm. 1-8 ^______j^^^^ ^-—' ""„—==a^ mm. 17-20^ P^^^ """• 33 ff j? J' ,-^jT i arg i rj£fT iffTy i .^jT i »73 il.-l .--f* £_ ......._________________...... I___________-- ^3^ i> Chopin, Etude op. 25 no. 2, mm. Iff. k T ¥ T>~ I I ^j-ľn^i í TJ ■o- 'i TT II Beethoven, Sonata op. 26, 1st mvt., Var. 1, mm. 1-8 and 14 5 fcfc P Jä ^ all í f ^ ^ J) y m. 14 Ni *P & á P«" i LV-C-r ' r ÉĚ Haydn, "Emperor Hymn" (Qt. op. 76 no. 3) (cf. Figs. 39,3; 119,3) 1 2 3 4 12 12 13 14 b) m.l-2 8 10 11----- 12 * * * * * * j----P • • '»f '^>f-- í_____i._______^—r___________________ Beethoven, Sonata op. 2 no. 2, 4th mvt., mm. 139 ff. (=5 Figs. 121-122 121 3 2 1) i (*> 3E fct bo^ an f RfO^ í S ti^riA ., ^T^ . ^ « tfCľľl I6- ( (*) (+) TT )-II- & ^ Beethoven, Sonata op. 7, 4th mvt. m. 62 63 64 mm. 154 ff. 20) ^T-T^i W% 52 14 p-j-^ |/y=Ť? Q4j: d B^'^PiMf g£^J-fh ^5» , _____ - ft V r rir V (=V - I) Brahms, First Symphony, 1st mvt., mm. 11 ff. V Chopin, Ballade in C Minor, op. 23, mm. 58 ff. b) .____________________________i*- m ff JJ |J>M- -*) J^^g-—g ^'"tfe-g—^- y =' l'%^=f% ~a z& 77» 77 Ü »• S 77« b* Je «• Beethoven, Sonata op. 14 no. 2, 1st mvt. (cf. Fig. 47,2) Figs. 122 fcont.}-l23 Chopin, Nocturne op. 9 no. 2, mm. 4-5 (n.n.) 2 ^-m ~---------------^ <* C.P.E. Bach, Arioso con Variazioni (1747), Var. 7 (Nagels Archiv, no. 65) 3 ----- (*) " "Für Kenner und Liebhaber" I, Sonata 5, 1st mvt., m. 6 Mozart, Sonata in A Major, K. 331, 1st mvt., Var. 3 Beethoven, 13 Variations on a Theme by Dittersdorf, Var. 1 7*7 123 J.S. Bach, Fantasia (Praeludium) in A Minor (BWV 922) C) Beethoven, Sonata op. 101, 2nd mvt., mm. 58-59 2 4 3E J»—jv m (10- -10 6------------6) (6- 1 0 ~*~------* f g 6 10- •10) Figs. 123 [cont.}-124 Haydn, Sonata in G Major (Hob. 40), 1st mvt., mm. 1 ff. 3 Mozart, String Quintet, K. 515, 4th mvt., mm. 1 ff. (=5 4 3 -a «r^ J.S. Bach, French Suite in E Major, Allemande, mm. 5-8 5 tJ "i f J.S. Bach, Chorale: "Ich bin's, ich sollte büssen" (St. Matt. P., no. 16) 4 5 í») 134Ä Beethoven, Third Symphony, 1st mvt. ra. 23____ b) ď s«4*x sf* xy v_ f—r r "7 6 F ■«í ľ--F KB fe^"'"^ ■>i_^_._^_^____ Beethoven, Sonata op. 28, 4th mvt., mm. 75-77 **!# 1 1F Fig. 124 fcont.J Haydn, Symphony No. 104 in D Major, 2nd mvt., mm. 1-4 2«) (=8,-------: -a) tt 1 ,J) _ ,A m IP Ö= Ö (unf.) í NS p J. S. Bach, Six Little Preludes, No. 2 (BWV 934), mm. 21 ff. b) ^■iJrrrTfliVni^rftof,'^|i3^^ Brahms, First Symphony, 2nd mvt. 3 (ž) ........_ f^/T^p Beethoven, Sonata op. 81a, 1st mvt., Adagio (ri.n.) y Ů ž=z j- -I J-iJ crescr i j. *hM ^ ^s y r P^ " 'ŕJ > ^^? F- ^F Mozart, Sonata in C Major, K. 545, 1st mvt, Hg. ize [COTH.J Mozart, Fantasy in D Minor, K. 397, Allegretto, mm. 19 ff. i (5-prg.) fc*h* - ifl 4-t* i^pMN f^ŕľ ľft_Jf j '_ (»I) 11' f Y- r Chopin, Waltz op. 64 no. 2 m. 17 A = 3 25 29 W. 4Í 5É É 30 22 Jf^3pĚĚ:=K PIPP 32 F^Ci 'p: •^ •r (VI) ^-----77 tíiT J»" Mr- -IV r v- f I Beethoven, Sixth Symphony, 1st mvt. r (inversion) ^m i J lt^L-1-*^ (incomplete) m. 9 10 11 m. . 1 2-3 (incomplete) 4 1-2-3 (expansion) (complete) Figs. 124 /co»ť.>-125 m. 29 7 30 31 32 i l-----h------1 r 33 -----1 m. 41 42 m. 47 r a 48 m. 51 rf-f|rrnr iT^=r^f y± (enl.) J=rJ " I II (!) I I 1 I i—i i---------1 (complete) (!) (incomplete) (incomplete) mm. 492 ff. 1 r -i r tó (enl.) ^2 (8 mm.) Ě •m- -m- -6- (incomplete) í7\ *=■ n =nŕ (complete) #' #' y J.S. Bach, Chorale: "Ach, grosser König" (St. John P., no. 27) 1°^ m. 2 fej m. 6 125 I M ^ « J__lA. mr r i ^^^ ^L^ J ■■ ÉĚĚĚp J.S. Bach, French Suite in E Major, Gavotte, mm. 6-8 (cf. Fig. 95,a&) 2 *h J i J~J3 ail r* r r rm ^ fly.p ^ 5*i 1* rrff É Si ) / cons, t \p.t. / J.S. Bach, French Suite in E Major, Allemande, mm. 11-12 3 í m jp i j + rnp i j i UJ (t» r figs, liäa [com.j-i*i J. S. Bach, Aria variata (BWV 989), Var. 1, mm. 7-8 (BWV 989, G.A. vol. 36) 4 ^ ajs * é m * é w • é =Sz EEES '■*"r r T y' J o ^^ é i P^í Ě §^ i WP^ * PCffiK Beethoven, Sonata op. 81a, 1st mvt., mm. 205 fF. 5. 8 Beethoven, Sonata op. 14 no. 1, 1st mvt. m. 135 126 í tí JTJ^'Ö 147 m i not: ĽZľOZ J""j"i"1'5l i-. 19- í f r r^r Mozart, Requiem, No. 1 Adagio Basset horns & , (n) .,- i d) », : : . g* ĹAj r '^"Y? P^ 127< Bassoon I it J"-----jji flás= t í *r9* r é Figs. 127 [cont.J-128 b) m. 8 Re qui - em ae - ter ^^E j> J> iufr J> J-ng 5É Soprano Alto Re - - qui - em ae - qui - em ae - ter - T ^^ J Re ter - nam do - - nam do - na na Tenor Bass Vic, Cb., and Organ i___J= ü «NiiM j J r íj cJ" ■^ * r' Míf ? Í^É Re - qui - em ae - ter - • nam, ae ter - nam do - na__ e - is y b f Tfr v p YjiJ1 v | p v [T v (f y |j v I jr v |T v [ T Brahms, A German Requiem, 1st chorus, mm. 19 ff. 2 Ů m tra Soprano Alto 32 f 3CC Se - lig sind, die da Leid gen, denn í T^ # 22 32 S ä Leid_ tra —e- gen, denn sie Ä* ÍE é «- É i=M=^ Tenor Bass Leid. tra gen, m rr. f 32 Se- - lig sind, die da Leid tra gen, Mozart, Rondo in D Major, K. 485 (Facsimile Edition, U.E. no. 7004), mm. 14-16 Fig. 128 [cont] Beethoven, Violin Sonata op. 30 no. 2, 2nd mvt., mm. 33 ff. 2") pTrnt Chopin, Mazurka op. 30 no. 3, mm. 9 ff. b) 32 mm. 79 ff. risoluto Chopin, Mazurka op. 24 no. 2 C) m 5 m. 9 ------j>----------MMJ--------------------------- í Ü fir üi ÉĚĚÍ Ě r r u Mozart, Symphony in D Major, K. 385, 2nd mvt., mm. 1 ff. dl Violin I m \ 0' m. '? JT^ J» v I P Chopin, Mazurka op. 24 no. 3, mm. 10 ff. 3a) ■-- 3 dolciss per - den Chopin, Mazurka op. 33 no. 4, mm. 5 ff. (cf. Fig. 119,12) 6^ * >W E r jU^ liJ '^ j '^j j '^ J^P ^*3 Fig. 128 fcontj Chopin, Mazurka op. 24 no. 2, middle section 4 m. £ 7 8 m. 14 ■ ^ V -T7* ^ S & .Z. not: ._ m Ě mm ě fcb$ m & Beethoven, Cello Sonata op. 69, 1st mvt. 5a) m. 107 " Pno. ) tí ^ ^f# * m. 140 r i y'if -# 22 f IZZ «—z* (cf. Fig. 109, e2) Beethoven, String Quartet op. 74, 2nd mvt. fy\ m. 2 _^-------S~^_ m. 13 # Vln. I — • - ■ — ŽIZ Chopin, Impromptu op. 36, mm. 59 ff. '* ■ in tempo ■ď rf 4 í fe ^ BfP *&■ te r #4=^ .Wll'^t J T7 u ft -i- # 1»- ^ f» #- UjíiIúj m.____• f Beethoven, Sonata op. 26, 2nd mvt. *?■ g^ =ř Is P±4 m. 17 F^ N^ ŕ IV l j eg Chopin, Etude op. 25 no. 11 b)' /gjT (= 5 A 4 A 3 a i, Etude op. 25 no. 11 ^^^ fiTTffí J uffTfli^if i ir ffl^jf a minor: I - fe. f te^f -n #8 -o- Mozart, Fantasy in C Minor, K. 475, final measures &k L----------- Handel, "The People That Walked in Darkness" (Messiah) Fig. 128 fcontj Brahms, Waltz op. 39 no. 4, mm. 9 ff. 0) pT ?7r fT Chopin, Etude op. 10 no. 8, mm. 1 ff. d) Beethoven, Piano Trio op. 1 no. 1, 3rd mvt., mm. 1 ff. e) 1 ___ ~ 3 "O" # fe m i, í g U Ä í jEäSK r r r lr%ľry -& feJ^^L-l* g t 1 o» řffT Ní. ^ Ö i fz^XTT P ^ i í p tzzz zr 22 í 22 f= ¥ 22 compare: m. 58 r s tí: *F±* ■4- i U ^m i m. 76 .______________ Mozart, Symphony in C Major, K. 551, 3rd mvt. f K ^n M\^)\ht(\°vh Fl., Vln. I 1., Vln. I , I I J r r f r j. j.tŕ^» -1 r NÄÉH^fei I--------------1 Fl É íott? Herr p. =\rr p/ p- =\ü^T' š^ '/• '■ * * * * r u 12 3 4, 1 2 3 4, 2 3 4, 1 2 3 4, 3 4, 1 2 Fig. 128 [conti Mozart, Piano Trio, K. 542, 2nd mvt. SO) m. 5 ' Andante Chopin, Mazurka op. 24 no. 4 ff) mm. 65 ff. '&Ě----— ,i ú Andanl m. 21 m ^2. "fržrp i rrlľttŕpi \>M\ i rajgaj]^ m. 73 dolciss._____________________^ Jlí— fe a 89 , sotto A i j. sotto voce ____ — •_■ Schubert, Symphony in B Minor, 1st mvt., mm. 238 ff. Flutes Beethoven, (cf. mm. 20-21, 26-27, 230-231) Sonata op. 27 no. 2, 2nd mvt., mm. 22 ff. d). ___ ^,-----^(cf. mm. 20-21, 26-2" fZlf r Beethoven, Quartet op. 59 no. 2, 2nd mvt, 9«; i u -G- P Ah : é* j ? ¥=&■ m ■P-W 3Ž s ř i r cresc. í Brahms, Third Symphony, 2nd mvt., mm. 51 ff. I)) Violin I Chopin, Ballade in C Minor, op. 23, mm. 67 ff. Fig. 128 fcontj Chopin, Mazurka in G Minor, op. 24 no. 1, mm. 1 ff. (cf. Fig. 145,2) Chopin, Mazurka op. 24 no. 3, mm. 13 ff. £ WF* « f »----» ig If í m # £^fe P^ í BTB 7-^l> I | I 3EF ^iŕ fffl& fft í iPß ^1 J3z Schubert, Symphony in B Minor, 2nd mvt., mm. 44 ff. 10«) . uJ--------frj^ ~J. **=é w s 5** • l'III Clarinet I Bassoon I m Cb. í m * P ^ ^c Schubert, Quartet in A Minor, op. 29, 2nd mvt., mm. 12-13 b) .—. 3 _^— o TT ^ĚfÉ PP is: /> v^ ^ Chopin, Mazurka in G# Minor, op. 33 no. 1, mm. 7 ff. 11 sg m í Figs. 129-130 Beethoven, Sonata op. 57, 1st mvt., mm. 61-62 1 sfp 129^-^r-f s p Ní ■■p: bp; p y-Tfe 2nd mvt., mm. 86 if. a it, 3UÉÉ ^ ^Jj'^JJľM 1303 A L>- ,/"" p^a i i í í i=i *W f. ŕ iv v i f- r- r- Chopin, Etude op. 10 no. 1 4 A 3 tr ~&- "rr a; 6) I- VI- 44 45/46 47 -o- xr -e -I v i 49 A -3 72 A 2 A 1 (=1 - II V) (=lfé-----iv- II - v) Figs. 131-132 Chopin, Étude op. 10 no. 5 J 131 ď u i ■u ■' i r- i r- i -fZ^ -I - v Beethoven, Sonata op. 14 no. 2, 1st mvt. m. 47 56 57 1 132 J.S. Bach, Partita No. 1, 1st Menuet, final measures 2 £ ^^ * re Ěr I IV v 7 vM EH =D major: I J.S. Bach, Sonata No. 3 for Violin Solo, Largo m. 8_________ 10 UI Ofll __________ m. 8 10 4 W " £ľľp = 1 II"3 V (=gmin.:(=IV Scarlatti, Sonata in C Major (L. 124, K. 260), mm. 4-6 4 V - I) mm = i n»0 v I II*3 v * • * «=? SEÍ g 22=: = (. J J J) f Ö ^ f !X ^ i J: 5a; I----------k------1 b) I ] vw if1'1 ffi ■ i *ivk7 v i n® v Mozart, Sonata in A Major, K. 331, 1st mvt. 6 ml 4^ II t(4 - 3) II V I (cf. Fig. 157) Figs. 132 fcont.J-134 J. S. Bach, WTC I, Fugue in C Minor 7 m. 1 2^____ ^ ^7i (iv) n v in major: ^T""^™^^^ in minor: ^^|™^nf^^^T^^™1 i ( trh i i fTntjíl i iri i vi7- ii - v - i i vil,7-l,ii - v - i vi117 J. S. Bach, WTC I, Fugue in Cf Major A A (= 3______ 2 133 fhh JJJ Jf| W (=1 r ^ i rj^ ii 4-3 V r i ŕ J. S. Bach, WTC I, Prelude in C Major, mm. 20 ff. (S) J. S. Bach, Italian Concerto, 3rd mvt., m. 118 3 I) b^ír ""i— o I1,7 IV7. **»^ 1 o------o- -o- i^i=i i p=*p 9 - (8) ty ■ p-y-p- ■ n* (10 10) m. 102 i ^-r-^ri S s J i é* -r r-r" ŕ 32 i Tí») í (v)- ■J^ ^ ^j Mozart, Symphony in D Major, K. 385, 1st mvt. m. 6 11 12 13 134 -IV5 v5 =iv5(cons- \ — V5 =IIÖ v5 \Pt. / -IV<5)-6 y J. S. Bach-Schemelli, "Brich entzwei, mein armes Herze" (69 Songs, no. 24) 4 m. 6______________ 9 (n.n.) Brahms, Handel Variations, op. 24, Fugue 5 m. 25 25 27 29 Figs. 134 [cont.J-135 Beethoven, Rondo a capriccio, op. 129 m. 27G - 287 299 308 316 368 tu- J c u aiU * a A A Beethoven, Third Symphony, 4th mvt. 3 3 (iľlTj 8 m. 159 168 Beethoven, Sonata op. 22, 3rd mvt. m. 10 ______ 16 m -a-«---------- 4^ -«- £ÜW 7 . j i IQ M ^lEl 8 S f-JNj lýľr <^fPp i || vi-----------bii—v - i f- r—ľ 5-6 S Bb major: =111* (=V---------- (n.n.) - I) vi, n - v Schubert, Sonata in C Minor, 4th mvt. „ m. 93 118 145 157 169 201 213 ■W'i. ľ -PJ 1^,^11 i^^ C minor: I---------( MlV )( BS =vn ) - m v i) i3ss>= v-* * » '^.y*^^ -i- -v i Beethoven, Cello Sonata op. 69, 1st mvt., mm. 67 ff. 2 I \ A A 1=6 4 - 3 — A - 2 - i) y /J -h hnfc>-137 Haydn, Fantasy in C Major, mm. 88 ff. 6 Chopin, Waltz op. 64 no. 2, mm. 33 ff. 12 8 4 137 ( ) I ( ) I Chopin, Mazurka in C Minor, op. 24 no. 1, mm. 33 ff. 12 3 Chopin, Nocturne in C# Minor, op. 27 no. 1, mm. 29 ff. (Piu mosso) 12 3 4 1 2 3 3 SO jÖJE:- TT #1?^___L^ ( -)—i. 33C -e- zpz 32: MfrLUg ( 4- 2r é HI ( 4- £ r** Fig. 138 J. S. Bach, Ouvertüre (Suite) in F Major, Menuet (BWV 820) Mozart, Sonata in A Major, K. 331, 3rd mvt., Coda -2-----------2. 8, 5 6 2a) J J J J b) 4t J J1? P^l - ^ 'fCf 'fp'rr'« P / P PP f f dim. Brahms, First Symphony, 3rd mvt., mm. 1 ff. 1 2 3 4 5, Clarinet í* m s m í a* s ěě a •^ ff ^^ p ^ >^nJ- J3Ü3 Chopin, Etude op. 10 no. 3, mm. 1 ff. 1 2 5 4Ä (=3- 3 n.n. -i r 4 A -3 -Í) ■Hh ri- 5 S ^ö ra L f? ji r Mozart, Sonata in A Major, K. 331, 3rd mvt., mm. 25 ff. 139« fet /A A A A A^ U 3 2 || 3 2 1 i •r "r t ľ—r ii rig. 14U a) 1 140 É| b) 1 i*o m r r (3=Qľ p =jo: P m HZ m r r r «Vi ,r-------------- ■>______________ fe -ô-rr P 8/1 ^^ ^ 10 w=jm í -* ? y~y ^ i i s i ^ 1«=» ľ lt i c_r m iE P=PE Examples: Beethoven, Sonata op. 27 no. 2, 3rd mvt. m. 58 1" % JT) i "i f rP; 59 2 43 44 XI **- =5 t #-#-# Beethoven, Sonata op. 22, 4th mvt., mm. 72-73 Mozart, Sonata in A Major, K. 331, 1st mvt., Var. 5, mm. 7-8 m *'■! f P T P p "p Í?Ě?Í y/^r-ffr Chopin, Etude op. 10 no. 10, mm. 1-2 Chopin, Waltz op. 42, mm. 9-10 6 #i fc rf i Mozart, Sonata in A Major, K. 331, 1st mvt., Theme (cf. Figs. 87,5; 72,3) m. 1 2 3 4 Figs. 141-143 aL b) 141 w" ij j i ^rn r ^ \^h «n/tj o) Ě í Beethoven, Rondo a capriccio, op. 129, mm. 182 ff. y- 1 (n.n.) - \>Á ------(p.t) 142 55SÍ g 2Z2 P» -(n.n.)-------------- 3 4 for: 9Eg tzzz - ^----- {r Ů s A3 8 > S #^ 1»^"; í í S 7d^ fl £ -» 4á 4=1, © §5 #—(^ t fe i ľ: #—(•■ W »—»- r !" .,/i^v- Fig. 146 Beethoven, Sonata op. 90, 1st mvt., mm. 1 ff. 1 rp— ß— ^---- & r- J^Jlj I j > J-j fVf hfH ^ZJ ^7 f f y vy* N*r > Beethoven, Sonata op. 22, 4th mvt., mm. 1 ff. F -f ■rft^m tlif ř r M Brahms, Intermezzo op. 117 no. 1, mm. 1 ff. 3 Beethoven, Quartet op. 74, 4th mvt., mm. 1 ff. 4 ěé: 5¥ ^ r r r r ^ 1 í ^ s ^P^ Pfl ^ Ö ^^jí f^ M U ß f=^ f s^ž =a ■J> ^ í čt Beethoven, Fifth Symphony, 3rd mvt., mm. 1 ff. 12 3 4 a Jité ±2 El (expansion) I A P3^ '— "*-i vi/ fcfc f fT Vic. + cb. ## (upbeat) (upbeat) Beethoven, Seventh Symphony, 3rd mvt., mm. 1 ff. (cf. Fig. 37, b) 6a) ' (unbelt) ' 1 É J Ju J Figs. 146 [cont.J-l*7 b) mm. 61 ff. 2 3 4 (!) 1 2 3 4, 1 2 3 4, 1 2 3 4, 1 2 3 4 (!) 1 É JJ: ■_______(upbeat)________i i =st Oboe «L U Violin «^ (unheal * g FT •er Violin Oboe I l)P (upbeat) ĚĚĚ e M ?s s 5 ^ Cb. (!) P *—w f j? Brahms, Third Symphony, 1st mvt. i 61 * '" 1* ____ 7 L m' \ y . Violin I ->P—•—F—a , m ■ ^U^L « $1 ^ J J *—i ftj Violin II ^^-^_ r r > i > s*"^ ■ Pfe-- _•-----j------i------>---------r= ■^-ii:'—^ —i—* —*--------*------ :* J------r- -í—^IJ ' Haydn, Andante con variazioni in F Minor, Theme (cf. Fig. 48) ^ m. 1 .2 7 (!) ö re 2 3 s it É ÉP giE§ raES m 10 11 12 "1 I---------------------1 Sffldľď jí *F 147 B! ü ßa l.h. 3E3 ŠÉ 1 Brahms, Second Symphony, 1st mvt., mm. 1 ff. 12 3 4, 2 (upbeat) * Horn I Flute ^Z~0- 3 4, a :_ :r > a Élááá 1 2 Horn 1 4, 1 Flute f* ^ ä '/Hit J J É m Č p s S 22 ^5 vie. (!) + Cb. (!) -----1 (0 L Brahms, First Symphony, 3rd mvt., mm. 71 ff. 3 , F\utei MMM' MM M ~i i Ä mm řgJ^ 7 *, gg #i*i» ge ft^ffi Figs. 147 [cont.}-\4& t_ 2 Flutes, B Violins F s Pľ - Clarinet I - í 7 F ^f^F i« ■ Horns ^Tľfj^., > y y I» a m |* 77 £^ #*—#* g S? ±S V I» v í ^m *-?-* ? ^^ p f \r '• Mendelssohn, Symphony in A Minor, 1st mvt., mm. 1S1 ff. 4 J* Violin ítít m tffs^m ^m « Jv Ls^ ^--ff7 7 *^ff77 rrmmw d jt»m?i t=£ PX f 3± ^ & Flute í Violin I ")' M^ (0 . «p77 ^ ^ i« dr? Sř • pyy i^l^frKflffr MT3E s s s I Mozart, Symphony in D Major, K. 385, 2nd mvt., mm. 5 ff. (cf. Fig. 124,5fc) 1 2 3 4, 1 2 3 148< Ě 13 É m 77" ^¥ HÜ ř 4---------- (expansion) --------------------- (=1-----------2---------- 3---------4) (!) (upbeat) 1 3 4, 12 3 4 , 1______ 2 3 (expansion) — 4 (expansion), 1 Fig. 148 [cont.] Beethoven, Quartet op. 59 no. 3, 1st mvt., Allegro vivace, mm. 1 ff. 2 i < J * ( I S atr'P**^ ĚéÉ 3 4, 1 f 5É m p Ö 533 ľS» a=¥ -ô* >o- JO- jr /» / Ťf & -o- f 33Ľ TV -»*- -O- Beethoven, Quartet op. 59 no. 3, 1st mvt., mm. 150 ff. 6; 1______a 3 4 5 6, 1 -j—H i :s 3 P f -ro ■r Beethoven, Sonata op. 28, 1st mvt., mm. 52 ff. 12 3 4, 1 4 2 3 — (expansion)------------ (=1 2 - 4 (expansion) 3 4) *=4 -77^" fczr: á i r ry« Ä S n . r Ä i » -»*- Ö 2Z i ZS, iá Chopin, Étude op. 10 no. 8, mm. 1 ff. 1 2 3 4, 1 5 Chopin, Prelude op. 28 no. 6, mm. 9 ff. 6 1 2 3 fc=iF 'I----& f m C55:í JT í í ÍM 1* '/J« I b/J» > f *i- f= !PrEF ir r ^p Mendelssohn, Songs Without Words, No. 30, mm. 1 ff. 1 2 3 4 5 6 7 8, 2 3 149 tf ^ «r P ö sě^ ä (ii V------) I *IV V, II- V mm. 28 ff. 4, 1 \l Jjj^ifla^m^ ä / P Č 'j.ij^iUi J J J ^ r- -r f r f r r r r r r r r Beethoven, Sonata op. 27 no. 2, 1st mvt., mm. 1 ff. 4 12 3 4, 4, 1 I 1 f s »pfifir ¥ -B- -& ü n -•*♦ fd ľZZ -O- ^ ^* m ~rr 3E ~rr -©- o- «- -Ö- Ní É C • Beethoven, Quartet op. 59 no. 2, 4th mvt., mm. 1 ff. 12 3________4t 5 6 7 # J3^ J2* 8, 1 -o- 2 34567 8, 11 *fc 3 4, 1 cresc. j^M* ^a : g^=------- f----------cresc.— TP m TL m ■TV- S -»■ -ö- ^-^P^ fflĚ -f^PF7 f Fig. 149 [cont] Beethoven, Rondo a capriccio, op. 129, mm. 150 ff. 12 3 4, 1 6 3 4 , m É * Í Ü 1 m 3 4, 1 2 3 j_,\<*rú m ZJE É * *o* bc i g Ě Í i i \á (Rondo Theme) Beethoven, Leonore Overture No. 3, Allegro, mm. 45 ff. 1 2 3 4 Hé Sě :!i iE Jl j E .o. F=* £=^ J=^ Ě=P 4i s: ±s; A 3 -j»* ■ ■— 3 5 f^ ^ "O" J.S. Bach, WTC /, Fugue in C# Minor, mm. 1 ff. (cf. Fig. 103,3a) 1^ 2 3 = 12 3 4 , _J 8«) 3 «m 33= ■1 j ift» g T" " Ijtp -©- í ^fPf ? ~ü~ Beethoven, Sonata op. 101, 3rd mvt. b) m. 92 m Ír i'4jjTJij yy^m ^^ ^P m. 123 ^m # íK^ J 'JJT3 j *** ťr »» ^ ^ Figs. 150-152 Beethoven, Eighth Symphony, 1st mvt. m. 1 (? 12 i» 2 X (unf.) ^-Q.t" ľ^ľ -7Ti~ ^___á -o . i- ^ á. 150 / /> / 7Ľ ^ P fS^8- č^ £ í 221= -rear Beethoven, Piano Concerto No. 4, 3rd mvt., mm. 1 ff. Rondo Orch. S iW* s í & m ž ss í •> ^\f (ascent) m čt 151 *-^* pp f !j3t f d »y V TJ S S )■? J'V í E£ ÉĚ n f i=£ ÜI f p r i í IZľ y oí í ř ,*~''A »/» t*I r ^e±r G major: IV- Schumann, "Wenn ich in deine Augen seh'" (Dichterliebe, no. 4) m. 1 4 5 8 9 12 13 14 15 1 A 3 152 m i ř^ m 14 A 2 16 A 1 fpÜ ^-r 22 -f TT ľ I- .(=111*- vi^iM) n Brahms, "Mädchenlied," op. 107 no. 5 A 3- 2 >-----# (ä) - ž S * pt i ^5 -i^*------ b minor: I" II V I ^ J. Strauss, The Blue Danube, Waltz No. 3 A 3j^____________________________ 3 Fig. 152 [cont] A -a- A i ye,,; o ■ • ■4=* • ■ • ^ ■) J* —*-^L» ■ W T. W » » -^V» ii J.S. Bach, Aria variata (BWV 989) (cf. Fig. 82,5) Brahms, op. 32 no. 9 m. 6 11 12 14 IS A A A A 8 7 6 6 17 18 19 20 A A A A 4 3 2 1 m. 6 Piano Wie bist du, mei-ne Kö-ni- gin, m. 11 12 14 15 Piano 17 ^\ durch sanf-te Gü-te won-ne - voll! Du läch-le nur_ Lenz-düf-te weh'n durch meinGe-mü-te J i ^^ " # won-ne -voll, --____.-3^^^==^^^---------^^=E=^.j~h - H F H 1-^—r- |"^ff T '- "H " 18 19 20 S won-ne - S^3 5 voll! ir— v. IV Figs. 152 [cont.J-153 J. S. Bach, Twelve Little Preludes, No. 3 (BWV 999) m. 1 7 13 15 17 22 32 84 39 42 6 -(4-prg.). 43 Ů fcfc S f^L^JrJÁ^r ľ^ ss J: m m ej ^/ s T) i- -V! ba_ _lj3 I — (div.) Chopin, Mazurka op. 30 no. 2 rj m. 1 - 16, 17. - 24 (?) b minor: I (?) ff minor: ( (?) b minor: I -(?) ft minor: IV (divider) I Chopin, Ballade in G Minor, op. 23 m. 58 K 1 5 63 69 (n.n.) 94 124 126 138 190 194 ;M= _—" ( ^m * _sz 153 m ^ i_ K vi ( i (MnM v«3 i- Ai-Chopin, Etude op. 10 no. 1 (cf. Fig. 130,4) A A 3 3 I ( -B- (T) v -A., I- -VI- I - V - I Figs. 153 [cont.J-l54 Chopin, Etude op. 10 no. 3 3 a) tí (n.n.) » A 3 A A 3 1 -©- 32 XT 8-7 13 22 41 53 A 3- TT 63 A 3- A A 2 1 6) ^ (n.n.) (n.n.) (nn.) i (rg.-ov.) O Ji í -O. s i £=^v slj*«, ď '•■. " (O) o f . w#a #^>"—» 9—^ -(©)—&■ v=3 a f^r 8--------7 (=repetition) UŠpl JOE L ä f€F=^ HE O^v Fgd. (= I i(at- ivn/y i , fl II B - - V - - V8- -h Mozart, Sonata in C Major, K. 279, 1st mvt. A 3 154 16 üfc 17 A 2 21 25 - I) A2-(ai- 29 30 b- a2) 31 -(5-prg.)- ^ i r |/ (arpeg.)...... (div.) - ( ) V----------------------------------------------------------------------------------------- (=G major: VI* II - V - I I) Fig. 154 [cont] Beethoven, Sonata op. 2 no. 3, 1st mvt. m. 1 5 15 25 27 Beethoven, Sonata op. 10 no. 1, 1st mvt. (see Fig. 154,7) 30 'Hl (=G major: V- Fgd. (=Eb major: VI Beethoven, Sonata op. 57, 1st mvt. m. 1 17 23 .'«'. A S I - V - I) Fig. 154 [cont] Beethoven, Sixth Symphony, 1st mvt., Development (cf. Figs. 119,8 and 124,7) 5«) Beethoven, Sonata op. 14 no. 2, 1st mvt., Development (cf. Fig. 47,2) m. 64 68 74 78 84 86 90 91 92 93 99 101 104 105 106 107 115 118 122 A A 6 3 2 (Recap.) G major: I II V Figs. 154 [conlJ-155 Beethoven, Sonata op. 10 no. 1, 1st mvt., Development (see Fig. 154,3) m. 106 118 126 136 AAA 5 4 3 146 I Exp. iirs- y^ff. (p.t.) - Dev.- M- -Recap. Beethoven, Sonata op. 13, 2nd mvt. m. 1- 16 17- A 3- -28 29 A (n.n.) 3 37 (mixture) - 41 43 44 48 50 (n.n.) 1)3 A A 2 1 I m & \"H íl $^\&=7Jk $ w i- -."- * ml!\w»m r^riUj'^r^'/Jr^r TO tp=g 155 A,- B, Ao- C- ggj r^'lS* Coda =P= 17 P IE I - ( ( =VI-II 5-fo 1)3 ■ ) V-------- I v------ I) •1,3 b7 l|3 -(IjIV) II V I Fig. 155 [cont] Beethoven, Sonata op. 10 no. 3, 4th mvt. m. 9 15 A,- B,- Ao- C - m. 64 72 79 80 (n.n.) A 3 ^ s v -j ?=s I_______I $* i j)0 qpj^) tw I________1_J TJ Ao- I fi - 6 8 6 Ü7 ň 6 6 6 l|7 5 D- A4 Figs. 155 [cont.J-156 Mozart, Rondo in D Major, K. 485 m. 36 63 (*) 3 66 67 71 90 Ö- lJ^T- I oda) Mozart, Rondo in A Minor, K. 511 Coda (ai-b-a2) (aj-b-aa) (alS) (at-b-a2) J.S. Bach, WTC I, Fugue in D Minor (cf. Fig. 53,5) m. -t 5 6 A 1 5" 156 Beethoven, Sonata op. 106, 4th mvt. m. 15 52 85 2 (Largo) Fugue: 149 153 248 250 279 280.400 S *w IS! ľs: -r" S? ¥=$ W 19- Q? -©- £♦ l>5 ťfi «5 l|8 »3 (V) - I ( ) III « 1 V Mozart, Sonata in A Major, K. 331, 1st mvt.. Theme (4 3 3 A 5- 157 J.S. Bach, Italian Concerto, 1st mvt. m. 52 56 60 73 74 90 103 112 115 116 163 158 3 -o- ti5 (f» t)3 1)6 #3 \^ -O-