Original Hermeneutic Unit: (ATLAS/ti needed):bible.zip (in zipped format)
Created: 1991/03/11 - 13:22:37. Modified: 1996/12/07 - 16:59:05.
You can "browse" the HU, using it as a kind of tutorial. Some of the memos and comments describe different aspects of working with ATLAS/ti.
Note:
1) Each subpane or window has a menu. You may activate it by clicking the right mouse button with the mouse cursor located in that window.
2) Try the sorting and filtering options for primary texts, quotations, codes and memos. By doing this, the information may be focused on relevant parts of the hermeneutic unit.
3) You should configure the system to make it convenient for you (fonts, colors etc.). These settings can be made permanent when leaving the session.
Tip: Look at the examples of named network views. (Open the network browser or click on the network symbol)
File name: rev-8.txt (media type: text)
Comment: We received this english translation of the bible
from Ron Ragsdale.
His URL is http://www.nsula.edu/~ragsdale
Thank you Ron.
By the way: The cryptic file name of this
primary text was renamed (menu item "rename") to
be more readable. Remember, you are not restricted to
DOS' meagre 11 characters plus one period!
(Under Windows 95 and Windows NT
those restrictions are unknown anyway).
36 quotations
Codes (26): Alchemie, Bad weather, Booth, Casualties, Chemical warfare, Earth, Fire, Gold, Golden Altar, Horror %1, Horror %2, Horror %3, Horror %4, Horror %5, Kabbala, Magic, Magic 3, Magic 7, Number magic, Poison, Seal, Secret, Sefiroth, Smoke, Water, Wormwood
Memos (4): Angel's music, Big Star, Killing Fields, Magic 7
Document body:
King James Version (Public Domain) Revelation 8 1. And when he had opened the seventh seal, there was silence in heaven about the space of half an hour. 2 And I saw the seven angels which stood before God; andto them were given seven trumpets. 3 And another angel came and stood at the altar, having a golden censer; and there was given unto him much incense, that he should offer [it] with the prayers of all saints upon the golden altar which was before the throne. 4 And the smoke of the incense, [which came] with the prayers of the saints, ascended up before God out of theangel's hand. 5 And the angel took the censer, and filled it with fire of the altar, and cast [it] into the earth: and there were voices, and thunderings, and lightnings, and an earthquake. 6 And the seven angels which had the seven trumpets prepared themselves to sound. 7. The first angel sounded, and there followed hail and fire mingled with blood, and they were cast upon the earth: and the third part of trees was burnt up, and all green grass was burnt up. 8 And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood; 9 And the third part of the creatures which were in thesea, and had life, died; and the third part of the ships were destroyed. 10 And the third angel sounded, and there fell a great star from heaven, burning as it were a lamp, and it fell upon the third part of the rivers, and upon the fountains of waters; 11 And the name of the star is called Wormwood: and the third part of the waters became wormwood; and many men died of the waters, because they were made bitter. 12 And the fourth angel sounded, and the third part of the sun was smitten, and the third part of the moon, and the third part of the stars; so as the third part of them was darkened, and the day shone not for a third part of it, and the night likewise. 13 And I beheld, and heard an angel flying through them idst of heaven, saying with a loud voice, Woe, woe, woe, to the inhabiters of the earth by reason of the other voices ofthe trumpet of the three angels, which are yet to sound!
File name: rev-9.txt (media type: text)
34 quotations
Codes (25): Abaddon, Brass, Casualties, Earth, Ecology?, Fire, Gold, Horror %1, Horror %2, Horror %3, Horror %4, Horror %5, Horse, Iron, Lion, Magic 3, Material, Metal, Missiles, Scorpion, Seal, Silver, Smoke, The key, Water
Memos (2): Big Star, Justification
Document body:
King James Version (Public Domain) Revelation 9 1. And the fifth angel sounded, and I saw a star fall from heaven unto the earth: and to him was given the key of the bottomless pit. 2 And he opened the bottomless pit; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit. 3 And there came out of the smoke locusts upon the earth: and unto them was given power, as the scorpions of the earth have power. 4 And it was commanded them that they should not hurt the grass of the earth, neither any green thing, neither any tree; but only those men which have not the seal of God in their foreheads. 5 And to them it was given that they should not kill them, but that they should be tormented five months: and their torment [was] as the torment of a scorpion, when he strike tha man. 6 And in those days shall men seek death, and shall not find it; and shall desire to die, and death shall flee from them. 7 And the shapes of the locusts [were] like unto horses prepared unto battle; and on their heads [were] as it were crowns like gold, and their faces [were] as the faces of men. 8 And they had hair as the hair of women, and their teeth were as [the teeth] of lions. 9 And they had breastplates, as it were breastplates ofiron; and the sound of their wings [was] as the sound of chariots of many horses running to battle. 10 And they had tails like unto scorpions, and there were stings in their tails: and their power [was] to hurt men five months. 11 And they had a king over them, [which is] the angel of the bottomless pit, whose name in the Hebrew tongue [is] Abaddon, but in the Greek tongue hath [his] name Apollyon. 12 One woe is past; [and], behold, there come two woes more hereafter. 13. And the sixth angel sounded, and I heard a voice from the four horns of the golden altar which is before God, 14 Saying to the sixth angel which had the trumpet, Loose the four angels which are bound in the great river Euphrates. 15 And the four angels were loosed, which were prepared for an hour, and a day, and a month, and a year, for to slay the third part of men. 16 And the number of the army of the horsemen [were] two hundred thousand thousand: and I heard the number of them. 17 And thus I saw the horses in the vision, and them that sat on them, having breastplates of fire, and of jacinth, and brimstone: and the heads of the horses [were] as the heads of lions; and out of their mouths issued fire and smoke and brimstone. 18 By these three was the third part of men killed, by the fire, and by the smoke, and by the brimstone, which issue dout of their mouths. 19 For their power is in their mouth, and in their tails: for their tails [were] like unto serpents, and had heads, and with them they do hurt. 20 And the rest of the men which were not killed by these plagues yet repented not of the works of their hands, that they should not worship devils, and idols of gold, and silver, and brass, and stone, and of wood: which neither can see, nor hear, nor walk: 21 Neither repented they of their murders, nor of their thefts.
File name: indian.txt (media type: text)
Comment: A short story by Ernest Hemingway which was used in a
semiotics seminar.
This primary text has nothing to do with
the topic of this HU. The text was included merely
as a "filler" to demonstrate primary text families.
Note: All quotations in this text were created by
"automatic coding", where search category "3"
was used to code all sentences including either
"three" or "third".
Remember, that you can create your own libraries
of search categories.
47 quotations
Codes (6): George, Horror %5, Magic 3, Nick, Smoke, Water
Memos (0):
Document body:
At the lake shore there was another rowboat drawn up. The two Indians stood waiting. Nick and his father got in the stern of the boat and the Indians shoved it off and one of them got in to row. Uncle George sat in the stern of the camp rowboat. The young Indian shoved the camp boat off and got in to row Uncle George. The two boats started off in the dark. Nick heard the oar-locks of the other boat quite a way ahead of them in the mist. The Indians rowed with quick choppy strokes. Nick lay back with his father's arm around him. It was cold on the water. The Indian who was rowing them was working very hard, but the other boat moved further ahead in the mist all the time. "Where are we going, Dad?" Nick asked. "Over to the Indian Camp. There is an Indian Lady very sick." "Oh," said Nick. Across the bay they found the other boat beached. Uncle George was smoking a cigar in the dark. The Young Indian pulled the boat way up to the beach. Uncle George gave both the Indians cigars. They walked up from the beach through a meadow that was soaking wet with dew, following the Indian who carried a lantern. Then they went into the woods and followed a trail that led to the logging road that ran back into the hills. It was much lighter on the logging road as the timber was cut away on both sides. The young Indian stopped and blew out his lantern and they all walked on along the road. They came around a bend and a dog came out barking. Ahead were the lights of the shanties where the Indian bark-peelers lived. More dogs rushed out at them. The two Indians sent them back to the shanties. In the shanty nearest the road there was a light in the window. An old woman stood in the doorway holdimg a lamp. Inside on a wooden bunk lay a young Indian woman. She had been trying to have her baby for two days. All the old women in the camp had been helping her. The men had moved off up to the road to sit in the dark and smoke out of range of the noise she made. She screamed just as Nick and the two Indians followed his father and Uncle George into the shanty. She lay in the lower bunk, very big under a quilt. Her head was turned to one side. In the upper bunk was her husband. He had cut fis foot very badly with an ax three days before. He was smoking a pipe. The room smelled very bad. Nick's father ordered some water to be put on the stove, and while it was heating he spoke to Nick. "This Lady is going to have a baby, Nick," he said. "I know," said Nick. "You don't know," said his father. "Listen to me. What she is going through is called being in labor. The baby wants to be born and she wants it to be born. All her muscles are trying to get the baby born. That is what is happening when she screams." "I see," Nick said. Just when the woman cried out. "Oh, Daddy, can't you give her something to make her stop screaming?" asked Nick. "No, I haven't any anaesthetic," his father said. "But her screams are not important. I don't hear them because they are not important." The husband in the upper bunk rolled over against te wall. The woman in the kitchen mentioned to the doctor that the water was hot. Nick's father went into the kitchen and pored about half of the water out of the big kettle into a big basin. Into the water left in the kettle he put several things he unwrapped from a handkerchief. "These must boil," he said, and began to scrub his hands in the basin of hot water with a cake of soap he had brought from the camp. Nick watched his father's hands scrubbing each other with the soap. While his father washed his hands very carefully and thoroughly, he talked. "You see, Nick, babies are supposed to be born heads first but sometimes they are not. When they're not they make a lot of trouble for everybody. Maybe I'll have to operate on this lady. We'll know in a little while." When he was satisfied with his hands he went in and went to work. "Pull back that quilt, will you, George?" he said. "I'd rather not touch it." Later when he atrted to operate Uncle George and three Indian men held the woman still. She bit Uncle George on the arm and Uncle George said, "Damn squaw bitch!" and the young Indian who had rowed Uncle George over laughed at him. Nick held the basin or his father. It all took a long time. His father picked up the baby and slapped it to make it breathe and handed it to the old woman. "See, it's a boy, Nick," he said. "How do you like being an interne?" Nick said, "All right". He was looking away so as not to see what his father was doing. "There. That gets it.," said his father and put something into the basin. Nick didn't look at it. "Now," his father said,"there's some stitches to pu in. You can wartch this or not, Nick, just as you like. I'm going to sew up the incision I made." Nick did not watch. His curiosity had been long for a long time. His father finished and stood up. Uncle George an the three Indian men stood up. Nick put the basin out in the kitchen. Uncle George looked at his arm. The young Indian smiled reminescently. I'll put soem peroxide on that, George," the doctor said. He bent over to the Indian woman. She was quit now and er eyes were closed. She looked very pale. She did not know waht had become of the baby or anything. "I'll be back in the morning," the doctor said standing up. "The nurse should be here from St.Ignace by noon and she'll bring everything we need." He was feeling exalted and talkative as football-players are in the dressing room after a game. "That's one for the medical journal George," he said. "Doing a Caesarian with a jack-knife and sewing it up with nine-foot, tapered gut leaders." Uncle George was standing against the wall, looking at his arm. "Oh, you're a great man, all right," he said. "Ought to have a look at the proud father. They're usually the worst sufferers in these little affairs," the doctor said. "I must say he took it all pretty quietly." He pulled back the blankets from the Indian's head. His hand came away wet. He mounted on the edge of the lower bunk with the lamp in one hand and looked in. The Indian lay with his face toward the wall. His throat had been cut from ear to ear. The blood had flowed down into a pool where his body sagged the bunk. His head rested on his left arm. The open razor lay, edge up, in the blankets. "Take Nick out of the shanty, George," the doctor said. There was no need of that. Nick, standing in the door of the kitchen, had a good view of the upper bunk when his father, the lamp in one hand, tipped the Indian's head back. It was just beginning to be daylight when they walked along the logging road back toward the lake. "I'm terribly sorry I brought you along, Nickie," said his father, all his post-operative exhilaration gone. "It was an awful mess to put yot through." "Do ladies always such a hard time hasving babies?" Nick asked. "No, that was very, very exceptional." "Why didi he kill himself, Daddy?" "I don't know , Nick. He couldn't stand things, I guess." "Do many men kill themselves, Daddy?" "Not very many, Nick." "Do many women?" "Hardly ever." "Don't they ever?" "Oh, yes. They do sometimes." "Daddy?" "Yes." "Where did Uncle George go?" "He'll turn up all right." "Is dying hard, Daddy?" "No, I think it's pretty easy, nick. It all depends." The were seated in the boat, Nick in the stern, his father rowing. The sun was coming up over the hills. A bass jumped, making a circle in the water. Nick trailed his hand in the water. It felt warm in the sharp chill of the morning. In the early morning on the lake sitting in the stern of the boat with his father rowing, he felt quite sure that he would never die.
File name: kabbala.bmp (media type: graphic)
Comment: I am the new kind of primary document: a bitmap grafic file.
5 quotations
Codes (1): Kabbala
Memos (0):
Document body:
All codes used: Abaddon {1-0} , Air {0-2}~, Alchemie {1-3}, Animal {0-3}, Bad weather {1-0}, Bible {0-1}, Black Magic {0-1}, Booth {1-0}, Brass {1-1}, Casualties {3-0}, Chemical warfare {1-0}, Dimension: Horror {0-5}~, Earth {4-1}, Ecology? {1-0}~, Fire {12-3}, George {15-0}~, Gold {4-3}, Golden Altar {1-0}, Horror %1 {7-1}~, Horror %2 {6-1}, Horror %3 {5-1}~, Horror %4 {10-1}, Horror %5 {7-1}~, Horse {3-1}, Iron {1-1}, Kabbala {2-3}~, Lion {2-1}, Magic {1-6}, Magic 3 {16-1}~, Magic 7 {3-1}, Material {1-2}, Metal {1-6}, Missiles {1-0}, Nick {29-0}~, Non-ideal gas {0-1}, Number magic {2-3}, Poison {1-0}, Red Magic {0-1}, Scorpion {2-1}, Seal {3-1}~, Secret {1-3}, Sefiroth {2-0}, Silver {1-1}, Smoke {6-1}, The four elements {0-8}~, The key {1-1}, Water {9-2}~, White Magic {0-1}, Wormwood {1-0}
The extremes and the medium of the 5-point scale are described in the commentaries to the specific codes (horror %1 etc).
The task: Every segment of the two texts was rated using the horror dimension.
Results: Look in the memo "statistical results". Here you find a crosstab made by ATLAS/ti and results from an SPSS job.
------------------------------------------------
There is a syntax rule in ATLAS/ti when codes are defined as variables:
1) Define as many codes as your variable has points (see example horror; max 10 points)
2) add %0 to %9 behind the code (at least 1 space)
"no horror at all"
NONE of the following mentioned in text segment: violence, destruction crime, murder, rape ...
There are hints in both directions, horrifying and not so (cf comments for codes "horror %1" and "horror %5" The % has a special interpretation. It is used by the SPSS job generation process to create an ordinal scale for this code
The text explicitly mentions "murder, crime, violence, rape, destruction". Text passages were collected by auto-coding
Angels prefer brass. But, is that enough for the ultimate Glen Miller sound?
A falling star seems to be a typical apocalyptic vision.
An attempt on quantitative coding. As this memo is a bit longer, open the memo editor with the button underneath the memo list or zoom this pane by moving the mouse cursor inside it and press the function key F8 The question: Is there a difference in usage of "horror" (seen as a dimension) in the two bible texts? To answer the question we proceded as follows: (1) Rate segments (quotations) in both texts (cf. comments to codes Horror %1 to %5) (2) Compare the frequencies for each text using functions "code-primary texts table" and "SPSS-Job" for external evaluation using SPSS. ------------------------------------------------- BTW: This memo is of the type "method". You may set the memo filter to "method", if you want to focus on this aspect
The quote "but only those men which have not the seal of God in their foreheads" justifies the horror?!? At least it is the only hint in both primary texts, as I can see. (cf. named network "hypertext ... ")
Beside being an indicator for the relevance of the magic 3 it is an an apocalyptic view - of the future?
Seven angels, this has a remarkably resemblance to
This memo might be a bit out of date, because the HU was modified after the creation of this memo. Zoom this window with F8 because the memo is quite large. Statistical results: "Horror as a dimension" The first part of this text is an output created by ATLAS/ti using the "codes primary texts table" If you want to replicate the results: (1) set the code filter to code family "horror" (2) in the code list, select from the print menu "codes primary texts table" The resulting table: HU: How does the Bible relate to Kabbala? File: [h:\atlas_ti\bib-e] Edited by: Andreas Date/Time: 14 Sep 1992 - 10:06:05 _____________________________________________________________________ Frequency table: codes by primary texts Code filter: Code family Horror PT filter: All _____________________________________________________________________ Codes P 1 P 2 Totals _____________________________________________________________________ Horror %1 4 3 7 Horror %2 1 5 6 Horror %3 1 4 5 Horror %4 5 4 9 Horror %5 1 5 6 _____________________________________________________________________ Totals: 12 21 33 2) The following is a result from processing an ATLAS/ti generated SPSS job with SPSS/PC CROSSTABS /TABLES= PT BY K25 /CELLS= COUNT ROW COLUMN /STATISTICS= CHISQ CC ETA . Memory allows for 3,815 cells with 2 dimensions for general CROSSTABS. ------------------------------------------------------------------------------- Page 6 ATLAS\ti HE: How does the Bible relate to Kabbala? 7/6/92 PT Primary text by K25 %Grauen K25 Page 1 of 1 Count ¦ Row Pct ¦ Col Pct ¦ Row ¦ 1¦ 2¦ 3¦ 4¦ 5¦ Total PT --------+------+------+------+------+------¦ 1 ¦ 4¦ 1¦ 1¦ 5¦ 1¦ 12 ¦ 33.3¦ 8.3¦ 8.3¦ 41.7¦ 8.3¦ 36.4 ¦ 57.1¦ 16.7¦ 20.0¦ 50.0¦ 20.0¦ +------+------+------+------+------¦ 2 ¦ 3¦ 5¦ 4¦ 5¦ 4¦ 21 ¦ 14.3¦ 23.8¦ 19.0¦ 23.8¦ 19.0¦ 63.6 ¦ 42.9¦ 83.3¦ 80.0¦ 50.0¦ 80.0¦ +----------------------------------+ Column 7 6 5 10 5 33 Total 21.2 18.2 15.2 30.3 15.2 100.0 ------------------------------------------------------------------------------- Page 7 ATLAS\ti HE: How does the Bible relate to Kabbala? 7/6/92 Chi-Square Value DF Significance -------------------- ----------- ---- ------------ Pearson 4.27279 4 .37034 Likelihood Ratio 4.42336 4 .35173 Mantel-Haenszel test for .26190 1 .60881 linear association Minimum Expected Frequency - 1.818 Cells with Expected Frequency < 5 - 9 OF 10 ( 90.0%) Approximate Statistic Value ASE1 T-value Significance -------------------- --------- -------- ------- ------------ Contingency Coefficient .33858 .37034 *1 ------------------------------------------------------------------------------- Page 8 ATLAS\ti HE: How does the Bible relate to Kabbala? 7/6/92 Eta : with PT dependent .35983 with K25 dependent .09047 *1 Pearson chi-square probability Number of Missing Observations: 79
Primary Docs(2): P 1: Revelation 8 , P 2: Revelation 9
Primary Docs(1): P 4: The sefiroth tree
Primary Docs(1): P 3: Indian Camp
Primary Docs(3): P 1: Revelation 8 , P 2: Revelation 9, P 3: Indian Camp
Codes(10): Black Magic , Earth, Gold, Magic, Magic 7, Seal, Secret, Sefiroth, The four elements, The key
Codes(8): Air , Alchemie, Earth, Fire, Gold, Non-ideal gas, The four elements, Water
Codes(5): Horror %1 , Horror %2, Horror %3, Horror %4, Horror %5
Codes(13): Alchemie , Black Magic, Kabbala, Magic, Magic 3, Magic 7, Number magic, Red Magic, Seal, Secret, Sefiroth, The key, White Magic
Codes(5): Magic , Magic 3, Magic 7, Number magic, Sefiroth
Memos(5): Angel's music , Big Star, Horror, Killing Fields, Magic 7
Memos(3): Angel's music , Horror, Magic 7
Network views are not only for representing concept structures. They may be used for displaying the nodes of a hypertext as a global map, thus reducing the "getting lost in hyper space" effect. Network views on text networks allow to specify different paths through the "texture". Note, that you can change the "verbosity" of the quotations by selecting the option from the Network Editor's Display menu.
Nodes (7): M:Justification {1/Co} - Andreas , Q:> 1:8 And the smoke of the incense, .. (19:21), Q:<>2:10 5 And to them it was given tha.. (25:29), Q:<>2:11 6 And in those days shall men .. (31:33), Q:> 3:2 "I'd rather not touch it." Lat.. (113:116), Q:< 2:26 but only those men which have .. (21:23), Q:< 1:29 12 And the fourth angel sounde.. (58:63)
Air, Earth, Water and Fire: The four main ingredients of alchemy
Nodes (5): C:Air {0-2}~ , C:Water {9-2}~, C:Earth {4-1}, C:Fire {12-3}, C:The four elements {0-8}~
Recognize this network view? Change the "quotation icon" to "text" and take a look at the ATLAS/ti for DOS manual's cover page....
Nodes (7): C:Earth {4-1} , C:Fire {12-3}, C:Water {9-2}~, C:Air {0-2}~, C:The four elements {0-8}~, Q:> 2:1 and there arose a smoke out of.. (9:13), Q:< 1:10 and there fell a great star fr.. (47:48)
A network used soleley for the purpose of presenting the memos graphically. You may edit each memo directly from the network editor via its context menu (move the mouse cursor over the memo node and right-click the mouse). A double click displays its contents immediately.
Nodes (7): M:Justification {1/Co} - Andreas , M:Statistical results {0/Me} - Andreas, M:Angel's music {1/Co} - ATLAS, M:Killing Fields {1/Co} - ATLAS, M:Big Star {2/Co} - ATLAS, M:Magic 7 {4/Co} - ATLAS, M:Horror {0/Me} - Andreas
This view shows the usage of different display options for code icons. You may either display the "tip of the iceberg" (the code's name) or the first line of the code's comment in addition. To switch between the two modes open the Display menu of the network editor and choose "Codes with Comment". "Number Magic" does not change, because it does not have a comment.
Nodes (6): C:Air {0-2}~ , C:Kabbala {2-3}~, C:Magic 3 {16-1}~, C:Number magic {2-3}, C:The four elements {0-8}~, M:Big Star {2/Co} - ATLAS
The different kinds of nodes are symbolized by different icons: codes, memos, primary text, quotations. Clicking on the icons reveals more information. Try clicking with the right mouse button or do a double click. If interested in more information about the used relation types: pop up the context menu of the link label or open the relation editor from the Network Editor's Links menu.
Nodes (10): C:Number magic {2-3} , C:Magic {1-6}, C:Magic 3 {16-1}~, C:Magic 7 {3-1}, M:Magic 7 {4/Co} - ATLAS, M:Killing Fields {1/Co} - ATLAS, M:Big Star {2/Co} - ATLAS, P:P 1: Revelation 8~, Q:1:31 and the third part of the moon.. (59:61), Q:1:32 And the fourth angel sounded, .. (58:59)
The "components" of a quantitative rating example depicted with ATLAS/ti. Codes with the "% plus value" notation are used as scaled variables in jobs created by the SPSS generator. Some results from a SPSS run are accessible via the "Statistical Results" memo.
Nodes (8): C:Horror %2 {6-1} , C:Horror %3 {5-1}~, C:Dimension: Horror {0-5}~, C:Horror %5 {7-1}~, C:Horror %1 {7-1}~, C:Horror %4 {10-1}, M:Horror {0/Me} - Andreas, M:Statistical results {0/Me} - Andreas
A simple taxonomy of the metals mentioned in the texts
Nodes (5): C:Silver {1-1} , C:Brass {1-1}, C:Metal {1-6}, C:Gold {4-3}, C:Material {1-2}
This network view illustrates how text segments
can be retrieved not only via the codes which are
directly referring to quotations, but also through
transitively linked codes.
Magic selected in the QueryTool and using the SUB
operator from the set of semantic operators would yield
all quotations visible in this view. In fact, it will retrieve
a lot more which have not been included in this view.
Of course you can always change the colors to look
more serious!-)
Nodes (9): C:Magic {1-6} , C:Number magic {2-3}, C:Magic 3 {16-1}~, C:Magic 7 {3-1}, Q:< 1:29 12 And the fourth angel sounde.. (58:63), Q:1:3 2 And I saw the seven angels w.. (9:11), Q:1:32 And the fourth angel sounded, .. (58:59), Q:1:13 and the third part of the sun .. (58:63), Q:1:4 And the seven angels which had.. (29:30)
Created by manual placement of all nodes that seem useful for a terminology of how bible and kabbala terms may relate to each other. (Not to be taken too seriously...)
Nodes (16): C:Fire {12-3} , C:Magic 7 {3-1}, C:Bible {0-1}, C:Earth {4-1}, C:Number magic {2-3}, C:Kabbala {2-3}~, C:Secret {1-3}, C:Alchemie {1-3}, C:Water {9-2}~, C:The key {1-1}, C:Gold {4-3}, C:Air {0-2}~, C:The four elements {0-8}~, C:Magic {1-6}, C:Magic 3 {16-1}~, Q:~ 4:1 Sefiroth Tree (72:169)