TIM_M_001 From Electronic Music to Live Coding Performance I

Faculty of Arts
Autumn 2019
Extent and Intensity
1/1/0. 6 credit(s). Type of Completion: zk (examination).
doc. Mgr. Jozef Cseres, PhD. (lecturer)
PhDr. Martin Flašar, Ph.D. (lecturer)
Guaranteed by
doc. Mgr. Jozef Cseres, PhD.
Department of Musicology - Faculty of Arts
Supplier department: Department of Musicology - Faculty of Arts
Thu 8:00–9:40 N21
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 150 student(s).
Current registration and enrolment status: enrolled: 25/150, only registered: 0/150, only registered with preference (fields directly associated with the programme): 0/150
Fields of study the course is directly associated with
Course objectives
This course should contribute to a broader understanding the development of electroacoustic music in the world as well as in the home conditions. Students will be acquainted with basic aesthetic and technical problems of EM.
Learning outcomes
Students will be able to identify, classify and interpret various forms of technologically produced music in the 2nd half of the 20th century with overlapping to the present times.
  • - EM - definition, classification, typology
  • - Ferruccio Busoni and Italian Futurism
  • - Musique concréte
  • - EM in France - E. Varèse, I. Xenakis, P. Boulez
  • - EM in Germany - K. Stockhausen
  • - EM in the U.S.A.
  • - Computer Music
  • - EM in Czechoslovakia
  • - Nonartificial EAH
  • - Interactive performance
  • - Improvisation, hardware hacking
    required literature
  • SCHAEFFER, Pierre. Konkrétní hudba. Přeložil František Tvrdý. Praha: Editio Supraphon, 1971.
  • FLAŠAR, Martin. Poeme électronique. 1958. Le Corbusier - E. Varese - I. Xenakis. Vyd. 1. Brno: Masarykova univerzita, 2012. 162 s. Spisy FF MU v Brně ; č. 409. ISBN 978-80-210-5945-0.
  • DOHNALOVÁ, Lenka. Estetické modely evropské elektroakustické hudby a elektroakustická hudba v ČR. Praha: Univerzita Karlova, 2001. 234 s. +. ISBN 80-7290-047-1.
  • HOLMES, Thom. Electronic and experimental music : technology, music, and culture. 3rd ed. New York: Routledge, 2008. xviii, 462. ISBN 9780415957823.
  • FLAŠAR, Martin, Daniel MATEJ a Michal RATAJ. Electronic music today: Where are we going and what are we doing? 1. vyd. Brno: Janáčkova akademie múzických umění v Brně, 2014. 126 s. ISBN 978-80-7460-071-5.
  • LÉBL, Vladimír. Elektronická hudba. 1. vyd. Praha: Státní hudební vydavatelství, 1966. 97 s.
  • FLAŠAR, Martin. Elektroakustická hudba [online]. 1 vyd. Brno: Masarykova univerzita, 2015 [cit. 2018-01-23]. Elportál. Dostupné z: . ISBN 978-80-210-7944-1, 978-80-210-7945-8 (epub). ISSN 1802-128X.
  • FORRÓ, Daniel. Svět MIDI. Vyd. 1. Praha: Grada, 1997. 375 s. ISBN 8071694126.
Teaching methods
Assessment methods
Written test.
Language of instruction
Further Comments
Study Materials
The course is taught annually.

  • Enrolment Statistics (recent)
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