PV113 Production of audiovisual artefacts

Faculty of Informatics
Spring 2010
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Alternate Types of Completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
MgA. Radovan Hakl (seminar tutor)
Mgr. Petr Bernát (assistant)
Mgr. Martin Kacvinský (assistant)
Supervisor
prof. Ing. Jiří Sochor, CSc.
Department of Computer Graphics and Design - Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Timetable
Wed 17:00–17:50 B011, Wed 18:00–19:50 D3
Prerequisites
SOUHLAS
The main thing is strong motivation for multimedia communication and movies -- and ability to work in team on such projects. A prerequisite is having basic knowledge about rules of (visual) communication, for documents gained e.g. (but not necessarily) in PB029 Electronic Document Preparation, and deatiled script of movie project to be realized.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
Fields of study the course is directly associated with
there are 36 fields of study the course is directly associated with, display
Course objectives
At the end of the course students should be able to: understand notions and roles in the procduction of multimedia publishing product or short movie; prepare the project, project stages, budget for target audience respecting the project goals; understand digital movie grammar and specifics; produce (in a team) movie or animation production of given script and to present it on Faculty's movie festival in the middle of last week of semester.
Syllabus
  • Synopsis - literary script -- detailed technical screenplay -- story board for WEB presentation. Plot preparation -- movie time aspects -- having audience in mind -- conotations and documentaries.
  • Movie production.
  • Cutting; size of shots -- camera dynamics -- speech -- titles -- commentaries -- music -- analysis of examples.
  • Building of story for multimedia -- textual anotation -- picture anotation. Editing -- contrast of music and pictures -- rhythm and cutting on music -- on and off-line cutting -- composition development -- examples.
  • Movie examples -- discussion -- analysis. The best of Academia film Olomouc, ARS Elektronika Linz -- comparison of genres and movie analysis.
  • Animated movie -- combined techniques -- time-driven shooting -- visual communication in movie.
  • Building of production teams, delegation, communication, editing, postproduction, movie festival preparation.
Literature
  • Karel Reisz: Umění střihové skladby, skripta FAMU.
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Discussions on excerpts of movie production and output, looking for a consensus in discussions of production teams, team building and preparation of final movie festival.
Assessment methods
Grading is based mainly on the movie projects presented at the festival organized within the course at the last week of semester. In addition, every student will prepare presentation about some topics related to the movie production. For details, check http://www.fi.muni.cz/~sojka/PV113/ and http://www.fi.muni.cz/lemma/
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
"We are all apprentices in a craft where no-one ever becomes a master."
-- Ernest Hemingway

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"Knowledge is of two kinds. We know a subject ourselves, or we know where we can find information out."
-- Boswell (Life vol.2, p.365, 18.4.1775)

"Everything should always be made as simple as possible, but not simpler."
-- Albert Einstein (quoted in DEK: Mathematical Writing)

"Dokumentární film musí být umění, ne jenom interview a k tomu nějaký klip. To dělá každý a je to spíše žurnalistika. Ale pravý dokumentární film se vyjadřuje montáží. Nemělo by jít o kopii skutečnosti, ale o transformaci kusu umění, které má lidskost, duchovno, kreativitu a jde za spravedlností."
-- Vojtěch Jasný (AFO Olomouc 2003)

"Work like you don't need the money. Love like you've never been hurt. Dance like nobody's watching."
-- Satchel Paigee

The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018.
  • Enrolment Statistics (Spring 2010, recent)
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