FAVz013 Cinema and Memory

Filozofická fakulta
podzim 2008
Rozsah
0/0/0. 5 kr. Doporučované ukončení: k. Jiná možná ukončení: zk.
Vyučující
Professor Annette Kuhn (přednášející)
Garance
doc. Mgr. Pavel Skopal, Ph.D.
Ústav filmu a audiovizuální kultury – Filozofická fakulta
Kontaktní osoba: doc. Mgr. Pavel Skopal, Ph.D.
Omezení zápisu do předmětu
Předmět je nabízen i studentům mimo mateřské obory.
Předmět si smí zapsat nejvýše 105 stud.
Momentální stav registrace a zápisu: zapsáno: 0/105, pouze zareg.: 0/105, pouze zareg. s předností (mateřské obory): 0/105
Mateřské obory/plány
předmět má 11 mateřských oborů, zobrazit
Cíle předmětu
Upon successful completion of the course, students will be able to critically evaluate the method of oral history. Students will have a broader and more solid understanding of key aspects of the way memories are kept and used by narrators. Students will be familiar with seminal researches in film studies that were based on oral history.
Osnova
  • - Cinema culture and femininity in the 1930s. - Cinemagoing in Britain in the 1930s: report of a questionnaire survey. - An Everyday Magic: Cinema and Cultural Memory. Cinema, Censorship and Sexuality, 1909-1925. London, Routledge. - Children, 'horrific' films, and censorship in 1930s Britain. Memory and Methodology
Literatura
  • Stacey, Jackie. 1994. Star Gazing: Hollywood Cinema and Female Spectatorship. London: Routledge.
  • Kuhn, 1996. Cinema culture and femininity in the 1930s. In Nationalising Femininity, edited by C. Gledhill and G. Swanson. Manchester: Manchester University Press.
  • Kuhn, A. (2002). An Everyday Magic: Cinema and Cultural Memory. London, I.B. Tauris.
Výukové metody
Lectures.
Metody hodnocení
100% presence at the lectures is required. Colloquium: written test
Vyučovací jazyk
Angličtina
Informace učitele
Professor Kuhn took Bachelor's and Master's degrees in Sociology at the University of Sheffield and a PhD on the history of film censorship at the University of London; and embarked on an academic career in 1989, joining the University of Glasgow as a Lecturer in Film and Television Studies in January of that year. She had previously worked as a writer, lecturer and editor, with posts in publishing and television production, and for some years was a lecturer on the (then) Polytechnic of Central London's pioneering part-time Postgraduate Diploma in Film Studies. At Glasgow she was promoted to Reader in Film and Television Studies in 1991, and in 1998 moved to Lancaster University, where she was promoted to Professor of Film Studies in 2000. In 2006 she took up the present appointment at Queen Mary. She have held Fellowships and Visiting Professorships at the Australian National University's Humanities Research Centre at Mount Holyoke College (as Fulbright Senior Research Scholar), and at Stockholm University; and in 2004 was elected a Fellow of the British Academy. For many years she has been a working co-editor of Screen and is currently on the editorial boards of Secuencias: revista de historia del cine; Journal of British Cinema and Television; Visual Studies; Memory Studies; and Transformations: the Journal of Inclusive Scholarship and Pedagogy. I Publications include: * Ratcatcher. London: British Film Institute, 2008. * (edited with Kirsten Emiko McAllister) Locating Memory: Photographic Acts. Oxford and New York: Berghahn Books, 2006. * (edited, with Catherine Grant) Screening World Cinema: a Screen Reader. London: Routledge, 2006 * Family Secrets: Acts of Memory and Imagination. revised edition. London: Verso, 2002. * An Everyday Magic: Cinema and Cultural Memory. London: I.B. Tauris, 2002. Published in the USA as Dreaming of Fred and Ginger: Cinema and Cultural Memory. New York: New York University Press, 2002. * (edited) Alien Zone II: the Spaces of Science Fiction Cinema. London: Verso, 1999. * (edited, with Jackie Stacey) Screen Histories: a Reader. Oxford: Oxford University Press, 1998. * (edited) Queen of the Bs: Ida Lupino Behind the Camera. Bradford-on-Avon: Flicks Books; New York: Praeger, 1995. * Women’s Pictures: Feminism and Cinema, second edition. London: Verso, 1994. * (edited) Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. London: Verso, 1990. * Cinema, Censorship and Sexuality. London: Routledge, 1988, 160pp. * The Power of the Image: Essays on Representation and Sexuality. London: Routledge and Kegan Paul, 1985
Další komentáře
Studijní materiály
Předmět je vyučován jednorázově.
Výuka probíhá blokově.
Výuka se koná ve dnech 18-20. listopadu 2008.
  • Statistika zápisu (nejnovější)
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