VÁZQUEZ TOURINO, Daniel. La historia de los perdedores en el teatro de Luis Enrique Gutiérrez Ortiz Monasterio (The Losers' History in Luis Enrique Gutiérrez Ortiz Monasterio's theatre plays). Études romanes de Brno. Brno: Masarykova univerzita, 2013, roč. 33, č. 2, p. 111-120. ISSN 1803-7399.
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Basic information
Original name La historia de los perdedores en el teatro de Luis Enrique Gutiérrez Ortiz Monasterio
Name in Czech Příběh poražených v dramatu Luise Enriqueho Gutiérreze Ortize Monasteria
Name (in English) The Losers' History in Luis Enrique Gutiérrez Ortiz Monasterio's theatre plays
Authors VÁZQUEZ TOURINO, Daniel (724 Spain, guarantor, belonging to the institution).
Edition Études romanes de Brno, Brno, Masarykova univerzita, 2013, 1803-7399.
Other information
Original language Spanish
Type of outcome Article in a journal
Field of Study Literature, mass media, audio-visual activities
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
WWW Digitální knihovna FF
RIV identification code RIV/00216224:14210/13:00065793
Organization unit Faculty of Arts
Keywords (in Czech) Luis Enrique Gutiérrez Ortiz Monasterio; Bicentenary; postdramatické divadlo; narrativní divadlo; historické drama; Guillén de Lampart; Victoriano Huertas; Mexican Theatre
Keywords in English Luis Enrique Gutiérrez Ortiz Monasterio; Bicentenary; postdramatic theatre; narrative theatre; historical drama; Guillén de Lampart; Victoriano Huertas; Mexican Theatre
Tags kontrola_RIV, rivok
Tags Reviewed
Changed by Changed by: doc. Mgr. Ivo Buzek, Ph.D., učo 103619. Changed: 22. 4. 2014 13:18.
Abstract
Este estudio presenta dos obras recientes del dramaturgo Luis Enrique Gutiérrez Ortiz Monasterio: Presidio y muerte de Don Guillén de Lampart and Cayendo con Victoriano. Ambas abordan importantes procesos de la historia mexicana conmemorados en 2010: la Independencia y la Revolución. El objetivo del artículo es mostrar la forma en la que, mediante aspectos del teatro postdramático y de la narración escénica, los dos protagonistas –el héroe (Lampart) y el villano (Huertas)– son presentados en una forma mucho menos maniquea de lo que es tradicional y, lo que es más importante, el artículo pretende mostrar la forma en que este teatro reivinidica que la importancia de la historia redica en la reflexión que provoca en el público de hoy.
Abstract (in English)
This paper introduces two recent plays by Mexican playwright Luis Enrique Gutiérrez Ortiz Monasterio: Presidio y muerte de Don Guillén de Lampart and Cayendo con Victoriano. Both of them deal with the significant processes of Mexican history which were widely commemorated during the year 2010: the independence from Spain and the Revolution. The aim of this article is to show how, thanks to certain postdramatic and narrative aspects of the texts, both main characters –a hero (Lampart) and a villain (Huertas)– are presented in a very less "black and white" way than traditionally, and, even more important, how this theatre claims that the importance of history resides in the reflexion that produces on today's audience.
Links
IAA9164301, research and development projectName: Encyklopedie srovnávací literárněvědné terminologie
Investor: Academy of Sciences of the Czech Republic, Encyclopedia of Comparative Literatury Terminology and Methodology
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