VÁZQUEZ TOURINO, Daniel. Frustración magnífica y drama puro: el teatro de Legom (Frustration magnificent and pure drama: Theatre of Legom). Latin American Theatre Review. LAWRENCE: University of Kansas, Dept. of Spanish and Portuguese and the Center of Latin American Studies, vol. 47, No 2, p. 63-80. ISSN 0023-8813. 2014.
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Basic information
Original name Frustración magnífica y drama puro: el teatro de Legom
Name (in English) Frustration magnificent and pure drama: Theatre of Legom
Authors VÁZQUEZ TOURINO, Daniel (724 Spain, guarantor, belonging to the institution).
Edition Latin American Theatre Review, LAWRENCE, University of Kansas, Dept. of Spanish and Portuguese and the Center of Latin American Studies, 2014, 0023-8813.
Other information
Original language Spanish
Type of outcome Article in a journal
Field of Study Literature, mass media, audio-visual activities
Country of publisher United States of America
Confidentiality degree is not subject to a state or trade secret
WWW URL
RIV identification code RIV/00216224:14210/14:00076262
Organization unit Faculty of Arts
UT WoS 000339467400004
Keywords (in Czech) Legom; Luis Enrique Gutiérrez Ortiz Monasterio; Bauman; globalización; narraturgia; teatro mexicano
Keywords in English Legom; Luis Enrique Gutiérrez Ortiz Monasterio; Bauman; globalización; narraturgia; teatro mexicano
Tags Contemporary Theater, kontrola_RIV, Latin American Theatre, Legom, Mexican Theater, personaje teatral, rivok
Tags International impact, Reviewed
Changed by Changed by: Mgr. Vendula Hromádková, učo 108933. Changed: 19/2/2015 14:15.
Abstract
Los personajes que pueblan las obras de Legom (Luis Enrique Gutiérrez Ortiz Monasterio) pertenecen a una familia de seres ficitios que son incapaces de adaptarse a una sociedad disfuncional. Este fenómeno enlaza con el concepto del "pelado" de las películas de Cantinflas y con la "utopía del cazador" descrita por Zygmunt Bauman como un sistema posmoderno que excluye y aliena. La tensión entre lo local y lo global es un aspecto fundamental en los personajes creados por Legom. Aunque muchos críticos se refieren a este teatro como "narraturgia", lo cierto es que un análisis más detallado muestra la estrategia de eliminar todo lo extradramático en la creación de los personajes.
Abstract (in English)
The characters that populate the plays of Legom (Luis Enrique Gutierrez Ortiz Monasterio) pertain to a family of literary beings who are unable to adapt to a dysfunctional society. This phenomenon links to the concept of the "pelado" featured in Cantinflas films and to the "utopia of the hunter" described by Zygmunt Bauman as a postmodern, hegemonic system that excludes and alienates. The tension between local and. global is a fundamental aspect in the characters created by Legom. While the use of uniquely Mexican vulgarities establishes the "mexicanness" of his characters, their ideals and aspirations, albeit twisted and often misunderstood, are unmistakably transnational. Critics tend to use the term narraturgia to describe Legom's dramatic production, yet closer analysis suggests that the playwright indeed strives to exclude the extra-dramatic in the creation and development of his characters.
Links
ROZV/24/FF/URJL1/2014, interní kód MUName: Stimulace VaV výkonu Filozofické fakulty - Vázquez
Investor: Ministry of Education, Youth and Sports of the CR
PrintDisplayed: 19/4/2024 02:33