GALČANOVÁ, Lucie, Barbora VACKOVÁ a Michaela KVAPILOVÁ BARTOŠOVÁ. Missing Bodies? The Visual Landscape of Home and Its Meanings to Solo-Living People. In ISA World Congress of Sociology: Facing an Unequal World: Challenges for Global Sociology. Yokohama, Japan. 2014.
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Základní údaje
Originální název Missing Bodies? The Visual Landscape of Home and Its Meanings to Solo-Living People.
Název česky Chybějící těla? Visuální krajina domova a jeho význam pro samostatně žijící lidi.
Autoři GALČANOVÁ, Lucie (203 Česká republika, garant, domácí), Barbora VACKOVÁ (203 Česká republika, domácí) a Michaela KVAPILOVÁ BARTOŠOVÁ (203 Česká republika, domácí).
Vydání ISA World Congress of Sociology: Facing an Unequal World: Challenges for Global Sociology. Yokohama, Japan. 2014.
Další údaje
Originální jazyk angličtina
Typ výsledku Prezentace na konferencích
Obor 50000 5. Social Sciences
Stát vydavatele Japonsko
Utajení není předmětem státního či obchodního tajemství
WWW ISA World Congress of Sociology
Kód RIV RIV/00216224:14230/14:00080597
Organizační jednotka Fakulta sociálních studií
Klíčová slova česky domov; domesticita; materialita; bydlení jednotlivců; narativy
Klíčová slova anglicky home; domesticity; materiality; solo-living; narrative
Příznaky Mezinárodní význam
Změnil Změnila: Mgr. Lucie Galčanová Batista, Ph.D., učo 41048. Změněno: 15. 10. 2015 11:01.
Anotace
Not only presence of other bodies, but also the absence of bodies of others has a significant effect on the contemporary experience of domesticity and belonging. In her classical study on home as a tyranny, anthropologist Mary Douglas (1991) addresses solo-living only once, mentioning that conflict between persons is just transformed into conflict of wants within one person. In that sense, the normativity of home in terms of routines created via the relations of its various members is produced by the single member who has to discipline him- or herself. Goffmanesque “backstage” of home becomes a highly important “onstage” via internalized social norms or aesthetics. In our research we focused on home-centred and home-generating practices performed by the occupants themselves, or between the occupants and the materiality of their dwellings and other non-human players (e.g. things, animals). In this paper, we will present the photo essay based both on 1) visual diaries, where photographs and texts were taken and written by participating dwellers focusing on mundane routines and everyday situations (of “doing nothing”) as well as on the moments of significant ruptures and changes, and 2) on visual material collected by participating researchers during the research events using go-along ethnography in the dwellings. Both are then interpreted in relation to other written or oral narratives produced within different phases of the research project aiming to understand how the meaning of home is constructed by solo-living men and women, which practices they use to create, maintain, experience and imagine their homes in space and time, and how they position themselves within wider social networks, family and society. We are seeking for more fluid, open and empirically grounded concept of home based not on essentialism and normativity, but rather on performativity and it’s becoming-into-being through active bodies, dynamic meanings and mundane aesthetics.
Návaznosti
GA13-32237S, projekt VaVNázev: Význam domova perspektivou samostatně žijících osob.
Investor: Grantová agentura ČR, Význam domova perspektivou samostatně žijících osob
VytisknoutZobrazeno: 20. 4. 2024 06:28