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@article{1199941,
author = {Sedláček, Tibor},
article_location = {Brno},
article_number = {1},
keywords = {Urkesh; Hurrians; seal impressions; seals; glyptic; mythology; Etana; Isimud/Usmu; Kumarbi; Akkadian influences; Mesopotamia},
language = {eng},
issn = {1210-3640},
journal = {Religio : revue pro religionistiku},
title = {The Mythological Background of Three Seal Impressions Found in Urkesh},
url = {http://hdl.handle.net/11222.digilib/130354},
volume = {22},
year = {2014}
}
TY - JOUR
ID - 1199941
AU - Sedláček, Tibor
PY - 2014
TI - The Mythological Background of Three Seal Impressions Found in Urkesh
JF - Religio : revue pro religionistiku
VL - 22
IS - 1
SP - 29-53
EP - 29-53
PB - Česká společnost pro religionistiku
SN - 12103640
KW - Urkesh
KW - Hurrians
KW - seal impressions
KW - seals
KW - glyptic
KW - mythology
KW - Etana
KW - Isimud/Usmu
KW - Kumarbi
KW - Akkadian influences
KW - Mesopotamia
UR - http://hdl.handle.net/11222.digilib/130354
L2 - http://hdl.handle.net/11222.digilib/130354
N2 - This article interprets the iconographic motifs on three seal impressions discovered at the north Syrian Tell Mozan site, which are dated to the last third of third millennium B.C. In ancient times, the city was known as Urkesh and the population of Hurrians played an important role there. The motif on the first seal impression is that of a herd and a dog gazing at a bird. The seal impression is damaged, but it is likely that the bird bore a human figure, which allows us to associate this scene with the Legend of Etana. The motif on the second impression is a double-faced god, most likely Isimud/Usmu. These two motifs show numerous thematic and stylistic Akkadian elements, which demonstrate southern Mesopotamian influences on the culture of Urkesh. The third motif is an anthropomorphic figure in the mountains. Even here some comparisons can be considered but no close textual parallel has been found. All three impressions are analyzed and interpreted through a comparison with parallel themes in mythological texts and in Akkadian glyptic. A mythological background seems very likely in the case of the first and second motifs but cannot be ascertained regarding the third one. The provenance of the first two motifs is uncertain and there is no conclusive proof of Urkesh origin. The seals could come from the Akkadian cultural environment, but it is possible that their content was known in the Hurrian city because of the spread of scribal tradition. There are fewer common features between the third motif and Akkadian glyptic, which makes its origin in Urkesh more probable.
ER -
SEDLÁČEK, Tibor. The Mythological Background of Three Seal Impressions Found in Urkesh. \textit{Religio : revue pro religionistiku}. Brno: Česká společnost pro religionistiku, 2014, vol.~22, No~1, p.~29-53. ISSN~1210-3640.
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