Theatricality and performativity in contemporary Czech live art
BERNÁTEK, Martin. Theatricality and performativity in contemporary Czech live art. In Visegrad‐Blockseminar Institut für Slawistik – Philosophische Fakultät II ‐ Humboldt‐Universität zu Berlin. 2014. |
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Original name | Theatricality and performativity in contemporary Czech live art |
Name in Czech | Divadelnost a performativita v současném českém scénickém umění |
Name (in English) | Theatricality and performativity in contemporary Czech live art |
Authors | BERNÁTEK, Martin. |
Edition | Visegrad‐Blockseminar Institut für Slawistik – Philosophische Fakultät II ‐ Humboldt‐Universität zu Berlin, 2014. |
Other information | |
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Original language | Czech |
Type of outcome | Requested lectures |
Field of Study | Art, architecture, cultural heritage |
Country of publisher | Czech Republic |
Confidentiality degree | is not subject to a state or trade secret |
WWW | Sylabus celého kurzu |
Organization unit | Faculty of Arts |
Keywords (in Czech) | Performativita; Divadelnost; České divadlo |
Keywords in English | Performativit; Theatricality; Cyech Theatre |
Tags | diváctví, dramaturgie inscenace performance, Erika Fischer-Lichte, inscenace, představení, site-specfiic divadlo, teatrologie, tělo, veřejný prostor |
Tags | International impact |
Changed by | Changed by: Mgr. Martin Bernátek, Ph.D., učo 179003. Changed: 6/1/2015 16:05. |
Abstract |
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In this lecture, theoretical and analytical approach is combined in order to present a variety of contemporary Czech or live arts as well as to try the potential of theoretical concept of performativity. Several theoretical approaches will be sketched in (Erika Fischer-Lichte, Patrice Pavis, Richard Schechner, Aleksandra Jovicevic and Ana Vujanovic) and compared and criticised. Current trends and dominant artist and cultural phenomena will be introduced. The first part of the lecture (23. 5. 2014) will be dedicated to contemporary Czech theatre and its analysis via concepts of performativity. The second part of the lecture (30. 5. 2014) will target on materiality on stage and current tendencies in performance design and space. The specific position of the spectator, his conceptualisation (Shuhey Hokosawa, Jacques Ranciere) and her addressing in contemporary theatrical practice will be also discussed. The lecture will be illustrated by examples from Czech dance, musical object and drama performances and also from visual arts. |
Abstract (in English) |
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In this lecture, theoretical and analytical approach is combined in order to present a variety of contemporary Czech or live arts as well as to try the potential of theoretical concept of performativity. Several theoretical approaches will be sketched in (Erika Fischer-Lichte, Patrice Pavis, Richard Schechner, Aleksandra Jovicevic and Ana Vujanovic) and compared and criticised. Current trends and dominant artist and cultural phenomena will be introduced. The first part of the lecture (23. 5. 2014) will be dedicated to contemporary Czech theatre and its analysis via concepts of performativity. The second part of the lecture (30. 5. 2014) will target on materiality on stage and current tendencies in performance design and space. The specific position of the spectator, his conceptualisation (Shuhey Hokosawa, Jacques Ranciere) and her addressing in contemporary theatrical practice will be also discussed. The lecture will be illustrated by examples from Czech dance, musical object and drama performances and also from visual arts. |
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GAP409/11/1082, research and development project | Name: Český divadelní strukturalismus: souvislosti a potenciál |
Investor: Czech Science Foundation, Czech Structuralist Thought on Theatre: Context and Potency |
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