BERNÁTEK, Martin. Theatricality and performativity in contemporary Czech live art. In Visegrad‐Blockseminar Institut für Slawistik – Philosophische Fakultät II ‐ Humboldt‐Universität zu Berlin. 2014.
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Basic information
Original name Theatricality and performativity in contemporary Czech live art
Name in Czech Divadelnost a performativita v současném českém scénickém umění
Name (in English) Theatricality and performativity in contemporary Czech live art
Authors BERNÁTEK, Martin.
Edition Visegrad‐Blockseminar Institut für Slawistik – Philosophische Fakultät II ‐ Humboldt‐Universität zu Berlin, 2014.
Other information
Original language Czech
Type of outcome Requested lectures
Field of Study Art, architecture, cultural heritage
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
WWW Sylabus celého kurzu
Organization unit Faculty of Arts
Keywords (in Czech) Performativita; Divadelnost; České divadlo
Keywords in English Performativit; Theatricality; Cyech Theatre
Tags diváctví, dramaturgie inscenace performance, Erika Fischer-Lichte, inscenace, představení, site-specfiic divadlo, teatrologie, tělo, veřejný prostor
Tags International impact
Changed by Changed by: Mgr. Martin Bernátek, Ph.D., učo 179003. Changed: 6/1/2015 16:05.
Abstract
In this lecture, theoretical and analytical approach is combined in order to present a variety of contemporary Czech or live arts as well as to try the potential of theoretical concept of performativity. Several theoretical approaches will be sketched in (Erika Fischer-Lichte, Patrice Pavis, Richard Schechner, Aleksandra Jovicevic and Ana Vujanovic) and compared and criticised. Current trends and dominant artist and cultural phenomena will be introduced. The first part of the lecture (23. 5. 2014) will be dedicated to contemporary Czech theatre and its analysis via concepts of performativity. The second part of the lecture (30. 5. 2014) will target on materiality on stage and current tendencies in performance design and space. The specific position of the spectator, his conceptualisation (Shuhey Hokosawa, Jacques Ranciere) and her addressing in contemporary theatrical practice will be also discussed. The lecture will be illustrated by examples from Czech dance, musical object and drama performances and also from visual arts.
Abstract (in English)
In this lecture, theoretical and analytical approach is combined in order to present a variety of contemporary Czech or live arts as well as to try the potential of theoretical concept of performativity. Several theoretical approaches will be sketched in (Erika Fischer-Lichte, Patrice Pavis, Richard Schechner, Aleksandra Jovicevic and Ana Vujanovic) and compared and criticised. Current trends and dominant artist and cultural phenomena will be introduced. The first part of the lecture (23. 5. 2014) will be dedicated to contemporary Czech theatre and its analysis via concepts of performativity. The second part of the lecture (30. 5. 2014) will target on materiality on stage and current tendencies in performance design and space. The specific position of the spectator, his conceptualisation (Shuhey Hokosawa, Jacques Ranciere) and her addressing in contemporary theatrical practice will be also discussed. The lecture will be illustrated by examples from Czech dance, musical object and drama performances and also from visual arts.
Links
GAP409/11/1082, research and development projectName: Český divadelní strukturalismus: souvislosti a potenciál
Investor: Czech Science Foundation, Czech Structuralist Thought on Theatre: Context and Potency
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