Detailed Information on Publication Record
2014
Theatricality and performativity in contemporary Czech live art
BERNÁTEK, MartinBasic information
Original name
Theatricality and performativity in contemporary Czech live art
Name in Czech
Divadelnost a performativita v současném českém scénickém umění
Name (in English)
Theatricality and performativity in contemporary Czech live art
Authors
Edition
Visegrad‐Blockseminar Institut für Slawistik – Philosophische Fakultät II ‐ Humboldt‐Universität zu Berlin, 2014
Other information
Language
Czech
Type of outcome
Vyžádané přednášky
Field of Study
Art, architecture, cultural heritage
Country of publisher
Czech Republic
Confidentiality degree
není předmětem státního či obchodního tajemství
References:
Organization unit
Faculty of Arts
Keywords (in Czech)
Performativita; Divadelnost; České divadlo
Keywords in English
Performativit; Theatricality; Cyech Theatre
Tags
Tags
International impact
Změněno: 6/1/2015 16:05, Mgr. Martin Bernátek, Ph.D.
V originále
In this lecture, theoretical and analytical approach is combined in order to present a variety of contemporary Czech or live arts as well as to try the potential of theoretical concept of performativity. Several theoretical approaches will be sketched in (Erika Fischer-Lichte, Patrice Pavis, Richard Schechner, Aleksandra Jovicevic and Ana Vujanovic) and compared and criticised. Current trends and dominant artist and cultural phenomena will be introduced. The first part of the lecture (23. 5. 2014) will be dedicated to contemporary Czech theatre and its analysis via concepts of performativity. The second part of the lecture (30. 5. 2014) will target on materiality on stage and current tendencies in performance design and space. The specific position of the spectator, his conceptualisation (Shuhey Hokosawa, Jacques Ranciere) and her addressing in contemporary theatrical practice will be also discussed. The lecture will be illustrated by examples from Czech dance, musical object and drama performances and also from visual arts.
In English
In this lecture, theoretical and analytical approach is combined in order to present a variety of contemporary Czech or live arts as well as to try the potential of theoretical concept of performativity. Several theoretical approaches will be sketched in (Erika Fischer-Lichte, Patrice Pavis, Richard Schechner, Aleksandra Jovicevic and Ana Vujanovic) and compared and criticised. Current trends and dominant artist and cultural phenomena will be introduced. The first part of the lecture (23. 5. 2014) will be dedicated to contemporary Czech theatre and its analysis via concepts of performativity. The second part of the lecture (30. 5. 2014) will target on materiality on stage and current tendencies in performance design and space. The specific position of the spectator, his conceptualisation (Shuhey Hokosawa, Jacques Ranciere) and her addressing in contemporary theatrical practice will be also discussed. The lecture will be illustrated by examples from Czech dance, musical object and drama performances and also from visual arts.
Links
| GAP409/11/1082, research and development project |
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