2014
Interpretation instead of creation: Why early music replaced the contemporary production?
FLAŠAR, MartinZákladní údaje
Originální název
Interpretation instead of creation: Why early music replaced the contemporary production?
Autoři
FLAŠAR, Martin (203 Česká republika, garant, domácí)
Vydání
Final conference of EUR-TEXT project, Lodz, 2014
Další údaje
Jazyk
angličtina
Typ výsledku
Vyžádané přednášky
Obor
Umění, architektura, kulturní dědictví
Stát vydavatele
Polsko
Utajení
není předmětem státního či obchodního tajemství
Kód RIV
RIV/00216224:14210/14:00078036
Organizační jednotka
Filozofická fakulta
Klíčová slova anglicky
Early music; new music; interpretation; creation; historical memory; aesthetic value; postmodernism
Štítky
Příznaky
Mezinárodní význam
Změněno: 5. 2. 2015 09:42, Mgr. Vendula Hromádková
Anotace
V originále
Admittedly, this contribution is based predominantly on presumptions and hypotheses to be discussed. Recently there can be observed a strong tendency in the Czech music culture grounded in replacing contemporary music by early music. Tracing processes leading to such a paradoxical conditions we should examine many historical reasons. As a starting point the emergence of music historicism in the 19th century could be perceived. Since the first third of the 19th century a parallel existence of old and new music production started to emerge. Until 1960s' the New music maintained its position of the leading force in meeting the expectations of audience striving for something new. Following the crisis of the second avant-garde and rise of postmodernism the traditional and the old music acquired a quality of something surprisingly new. The New music movement definitely lost its audience due to the contempt and elitism. Early music movement evidently returns the human dimension into music with its certain inaccuracy, imperfection, fragility and deep emotionality. Has the New music definitely lost the battle? What are its chances for the near future?
Návaznosti
MUNI/A/0797/2013, interní kód MU |
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