SZCZEPANIK, Petr, Johana KOTIŠOVÁ, Jakub MACEK, Jan MOTAL and Eva PJAJČÍKOVÁ. Studie vývoje českého hraného kinematografického díla (A Study of Feature Film Development in the Czech Republic). Praha: Státní fond kinematografie. 292 pp. ISBN 978-80-260-8911-7. 2015.
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Basic information
Original name Studie vývoje českého hraného kinematografického díla
Name (in English) A Study of Feature Film Development in the Czech Republic
Authors SZCZEPANIK, Petr (203 Czech Republic, guarantor, belonging to the institution), Johana KOTIŠOVÁ (203 Czech Republic, belonging to the institution), Jakub MACEK (203 Czech Republic, belonging to the institution), Jan MOTAL (203 Czech Republic, belonging to the institution) and Eva PJAJČÍKOVÁ (203 Czech Republic, belonging to the institution).
Edition Praha, 292 pp. 2015.
Publisher Státní fond kinematografie
Other information
Original language Czech
Type of outcome Book on a specialized topic
Field of Study Literature, mass media, audio-visual activities
Country of publisher Czech Republic
Confidentiality degree is not subject to a state or trade secret
Publication form electronic version available online
WWW URL
RIV identification code RIV/00216224:14210/15:00084833
Organization unit Faculty of Arts
ISBN 978-80-260-8911-7
Keywords in English feature film development; Czech Republic; production studies
Tags rivok
Tags Reviewed
Changed by Changed by: doc. Mgr. Jakub Macek, Ph.D., učo 14931. Changed: 18/3/2016 16:07.
Abstract
Tuto studii zadal týmu Masarykovy univerzity Státní fond kinematografie s cílem "prozkoumat aspekty vývoje literárního scénáře i vývoje (tzv. developmentu) z ekonomických a kulturních perspektiv", a zajistit tak empirické podklady pro hlubší poznání reálné praxe vývoje kinematografického díla a pro optimalizaci systému veřejné podpory v této oblasti filmové praxe. Fond vycházel z předpokladu, že praxe vývoje je nejméně zmapovanou fází vzniku kinematografického díla, která ovšem zásadně ovlivňuje jeho výslednou kvalitu.
Abstract (in English)
The book delivers conclusions of an inquiry into the aspects of the development of Czech feature films. The research draws upon in-depth qualitative interviews with 62 filmmakers (predominantly producers, directors and writers) who have collaborated on 50 sample films in 2013-2009. The project concluded by the book was contracted out to the Masaryk University research team by the State Cinematography Fund in order to map Czech film development practice from both the economic and cultural perspective, with the aim of helping to optimize state support system in this area. The core of the study identifies key development problems and structures them by four product types (based on films’ orientation on profit or cultural prestige and their relation to mainstream) and by professions. Each subsection concludes with illustrative quotations from the interviews.
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