This critical review of drawings of the author and painter Irena Savić is a glance at around 50 drawings whose reproductions form the permanent exhibition at the Faculty of Philosophy, University of Tuzla. Special attention has been given to linking the painter's visual artistic expression and her poetic output. The ancient Greek term metempsychosis is seen twofold, first as a journey of particles from one object to another in the drawings, and secondly in the poems, as well as life and untimely death of the author herself.