J.G. Ballard's Crash and the Pornographization of the Ordinary

k 2015

J.G. Ballard's Crash and the Pornographization of the Ordinary

ZITA, Antonín

Basic information

Original name

J.G. Ballard's Crash and the Pornographization of the Ordinary

Authors

ZITA, Antonín (203 Czech Republic, guarantor, belonging to the institution)

Edition

10th Brno International Conference of English, American and Canadian Studies, The Department of English and American Studies, Masaryk University and The Czech Association for the Study of English (CZASE), 5.-7. 2. 2015, Brno, 2015

Other information

Language

English

Type of outcome

Prezentace na konferencích

Field of Study

Literature, mass media, audio-visual activities

Country of publisher

Czech Republic

Confidentiality degree

není předmětem státního či obchodního tajemství

RIV identification code

RIV/00216224:14210/15:00085469

Organization unit

Faculty of Arts

Keywords in English

J. G. Ballard; narrative; discourse; critical theory

Abstract

V originále

J.G. Ballard's novel Crash (1973) caused significant controversy upon its publication. Some reviewers claimed it was "the most repulsive book [they]'ve yet to come across" (Mano 7), others, such as Michael Moorcock, conversely praised it due to the "moral line" running through the narrative (37). The text, in which the human body and the car intersect in the sexualized spectacle of the car crash, inevitably leads to polarizing reception. Numerous approaches to the novel are possible, yet the following two seem to be the most common: it is either read in terms of Jean Baudrillard's simulacrum and simulation (an approach common due to Baudrillard's chapter on Crash in Simulacra and Simulation) or analyzed through Georges Bataille's ideas on death and sexuality. Nevertheless, something is ignored through these approaches: from the first-person narrative or the clinical and emotionless language to the prevalence of photographs and photographic images in the novel, the text invites the reader to focus on the visual representations contained within. The gaze of the reader—faced with sexual acts juxtaposed with the automobile—manifests a pornographic obsession with the nonliving vehicles in a voyeuristic manner. The result is a "pornographization" rather than eroticization of the car, itself a stand-in for the ordinary. The novel then reveals the underlying principles of obsessive fetishizing of everyday reality as the truly pornographic mechanism. Works Cited: Mano, D.K. Review of Crash. New York Times Book Review, 23 Sept. 1973: 7. Print.

Links

MUNI/A/1246/2014, interní kód MU

Name: Nové směry v anglofonním jazykovědném a literárním výzkumu III (Acronym: NDALLR3)

Investor: Masaryk University, Category A

Citovat

ZITA, Antonín. J.G. Ballard's Crash and the Pornographization of the Ordinary. In 10th Brno International Conference of English, American and Canadian Studies, The Department of English and American Studies, Masaryk University and The Czech Association for the Study of English (CZASE), 5.-7. 2. 2015, Brno. 2015.

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   author = {Zita, Antonín},
   booktitle = {10th Brno International Conference of English, American and Canadian Studies, The Department of English and American Studies, Masaryk University and The Czech Association for the Study of English (CZASE), 5.-7. 2. 2015, Brno},
   keywords = {J. G. Ballard; narrative; discourse; critical theory},
   language = {eng},
   title = {J.G. Ballard's Crash and the Pornographization of the Ordinary},
   year = {2015}
}

TY  - CONF
ID  - 1322517
AU  - Zita, Antonín
PY  - 2015
TI  - J.G. Ballard's Crash and the Pornographization of the Ordinary
KW  - J. G. Ballard
KW  - narrative
KW  - discourse
KW  - critical theory
N2  - J.G. Ballard's novel Crash (1973) caused significant controversy upon its publication. Some reviewers claimed it was "the most repulsive book [they]'ve yet to come across" (Mano 7), others, such as Michael Moorcock, conversely praised it due to the "moral line" running through the narrative (37). The text, in which the human body and the car intersect in the sexualized spectacle of the car crash, inevitably leads to polarizing reception. Numerous approaches to the novel are possible, yet the following two seem to be the most common: it is either read in terms of Jean Baudrillard's simulacrum and simulation (an approach common due to Baudrillard's chapter on Crash in Simulacra and Simulation) or analyzed through Georges Bataille's ideas on death and sexuality. Nevertheless, something is ignored through these approaches: from the first-person narrative or the clinical and emotionless language to the prevalence of photographs and photographic images in the novel, the text invites the reader to focus on the visual representations contained within. The gaze of the reader—faced with sexual acts juxtaposed with the automobile—manifests a pornographic obsession with the nonliving vehicles in a voyeuristic manner. The result is a "pornographization" rather than eroticization of the car, itself a stand-in for the ordinary. The novel then reveals the underlying principles of obsessive fetishizing of everyday reality as the truly pornographic mechanism. Works Cited: Mano, D.K. Review of Crash. New York Times Book Review, 23 Sept. 1973: 7. Print.
ER  -

ZITA, Antonín. J.G. Ballard's Crash and the Pornographization of the Ordinary. In \textit{10th Brno International Conference of English, American and Canadian Studies, The Department of English and American Studies, Masaryk University and The Czech Association for the Study of English (CZASE), 5.-7. 2. 2015, Brno}. 2015.

Detailed Information on Publication Record