SKOPAL, Pavel. Risk and trust in the sphere of film production: the case of Czechoslovak, East German and Polish Film Studios, 1957-1985. In Přednáška na Herderově institutu v Marburgu. 2015.
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Basic information
Original name Risk and trust in the sphere of film production: the case of Czechoslovak, East German and Polish Film Studios, 1957-1985
Authors SKOPAL, Pavel (203 Czech Republic, guarantor, belonging to the institution).
Edition Přednáška na Herderově institutu v Marburgu, 2015.
Other information
Original language English
Type of outcome Presentations at conferences
Field of Study Literature, mass media, audio-visual activities
Country of publisher Germany
Confidentiality degree is not subject to a state or trade secret
RIV identification code RIV/00216224:14210/15:00085527
Organization unit Faculty of Arts
Keywords in English co-productions; state socialist cinema; production history; Trust; Risk; Barrandov; DEFA
Tags rivok
Changed by Changed by: Mgr. Vendula Hromádková, učo 108933. Changed: 17/3/2016 16:12.
Abstract
A consideration of risk and trust enables us to imagine the creative environment of film production as multi-dimensional and multidirectional. This approach allows not to restrict ourselves to a hierarchical relationship between administrative bodies and subordinate creative personnel, but rather recognize a horizontal axis characterized by business partners and ideological allies. We may consider this relationship both in top-down fashion – from centralized managerial power toward practitioners – and in bottom-up fashion, insofar as power is directed from dramaturgical groups toward functionaries. But instead of a detailed explication of this conceptual background, the lecture will rather illustrate the role of "institutional trust" for co-productions on a few telling examples from the 1960s and 1970s.
Links
ROZV/20/FF/H/SKO/2015, interní kód MUName: Podpora habilitací - Skopal
Investor: Ministry of Education, Youth and Sports of the CR
PrintDisplayed: 27/7/2024 14:03