Detailed Information on Publication Record
2015
Socialism for Sale: Czechoslovakia’s Krátký film, Custom-Made Film Production, and the Promotion of Consumer Culture in the 1950s
ČESÁLKOVÁ, LucieBasic information
Original name
Socialism for Sale: Czechoslovakia’s Krátký film, Custom-Made Film Production, and the Promotion of Consumer Culture in the 1950s
Authors
ČESÁLKOVÁ, Lucie (203 Czech Republic, guarantor, belonging to the institution)
Edition
First published. New York - Oxford, Cinema in the Servce of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945-1960, p. 166-187, 22 pp. Film Europe, 2015
Publisher
Berghahn Books
Other information
Language
English
Type of outcome
Chapter(s) of a specialized book
Field of Study
Literature, mass media, audio-visual activities
Country of publisher
United States of America
Confidentiality degree
is not subject to a state or trade secret
Publication form
printed version "print"
RIV identification code
RIV/00216224:14210/15:00081499
Organization unit
Faculty of Arts
ISBN
978-1-78238-996-5
Keywords in English
advertising film; short film; propaganda; promotion; socialist consumer culture
Tags
Tags
International impact, Reviewed
Changed: 25/4/2016 15:37, Mgr. Vendula Hromádková
Abstract
V originále
This essay examines the relationship between the socialist state and short film in Czechoslovakia in the 1950s, focusing on a mixture of ideological and commercial objectives in the process of negotiation about Krátký film's custom-made productions for state bodies. It takes into account the internal structures of consumer culture and the attitudes of official state bodies to consumerism in general and offers a deeper understanding of the importance of film promotion and advertising within the socialist system. It claims, that advertising films that supported consumer culture represented a challenge to socialism, which cultural policy failed to address for quite some time. Due to the medium’s high demand with regard to production time and cost, film had the potential to expose imbalances between the ideals of socialism and consumer culture Methodologically, this text combines the study of so-called 'useful film', custom-made film, and film propaganda—including a consideration of the specifics of exhibition in a non-theatrical environment—with an examination of the role of state-promotional film within socialistic consumer culture more generally.
Links
GPP409/10/P156, research and development project |
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