Podrobný výpis o publikaci

SPURNÝ, Lubomír a Ondřej PIVODA. Pavel Haas : Janacek's Most Gifted Pupil?. Online. Czech Music Quarterly. Praha: Hudební informační středisko, 2016, roč. 16, č. 3, s. 16-26. ISSN 1211-0264. [citováno 2024-04-24]

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Základní údaje
Originální název	Pavel Haas : Janacek's Most Gifted Pupil?
Autoři	SPURNÝ, Lubomír (203 Česká republika, domácí) a Ondřej PIVODA (203 Česká republika, domácí)
Vydání	Czech Music Quarterly, Praha, Hudební informační středisko, 2016, 1211-0264.

Další údaje
Originální jazyk	angličtina
Typ výsledku	Článek v odborném periodiku
Obor	Umění, architektura, kulturní dědictví
Stát vydavatele	Česká republika
Utajení	není předmětem státního či obchodního tajemství
Kód RIV	RIV/00216224:14210/16:00092551
Organizační jednotka	Filozofická fakulta
Klíčová slova česky	Pavel Haas; Czech music; Czech jewish music
Klíčová slova anglicky	Pavel Haas; Czech music; Czech jewish music
Štítky	rivok
Změnil	Změnil: prof. PhDr. Lubomír Spurný, Ph.D., učo 17637. Změněno: 21. 10. 2017 10:50.

Anotace
In the course of the 1920s and 30s Pavel Haas (1899-1944) earned a reputation for himself in broader cultural consciousness as an original composer and Janáček's "most talented student". Yet Janáček’s influence would only fully manifest itself at the moment when, striving to find his own creative methods, he distanced himself from his teacher. Haas was a composer who to an extent greater than that of Janáček’s other pupils responded to the stimuli arriving in Czech music from outside, primarily those of the French modernists. By his embracing the tendencies that would in the future affect the development of modern music, he resembles a few other Czech composers of note (Martinů, for instance). Yet these partial syntheses notwithstanding, Haas did not craft a truly singular style of his own. Another essential trait of Haas is that he made only a rather marginal contribution to the future evolution of Czech music. This may have been down to several reasons, some of them being purely practical. Haas did not compose continuously, and his educational activities were not ample. After World War II, the awareness of Haas’s music was for a long time limited to a select few, mostly chamber, works.

Anotace

In the course of the 1920s and 30s Pavel Haas (1899-1944) earned a reputation for himself in broader cultural consciousness as an original composer and Janáček's "most talented student". Yet Janáček’s influence would only fully manifest itself at the moment when, striving to find his own creative methods, he distanced himself from his teacher. Haas was a composer who to an extent greater than that of Janáček’s other pupils responded to the stimuli arriving in Czech music from outside, primarily those of the French modernists. By his embracing the tendencies that would in the future affect the development of modern music, he resembles a few other Czech composers of note (Martinů, for instance). Yet these partial syntheses notwithstanding, Haas did not craft a truly singular style of his own. Another essential trait of Haas is that he made only a rather marginal contribution to the future evolution of Czech music. This may have been down to several reasons, some of them being purely practical. Haas did not compose continuously, and his educational activities were not ample. After World War II, the awareness of Haas’s music was for a long time limited to a select few, mostly chamber, works.

Návaznosti
MUNI/A/0988/2015, interní kód MU	Název: Výzkumné sondy k dějinám hudební kultury na Moravě, především v Brně, část III.
MUNI/A/0988/2015, interní kód MU	Investor: Masarykova univerzita, Výzkumné sondy k dějinám hudební kultury na Moravě, především v Brně, část III., DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty