OPÁLENÁ, Linda. Autofiction et construction identitaire. (Autofiction and identity formation.). In Studia Romanistica Beliana IV: Langue, littérature, identité en contact. 2015.
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Basic information
Original name Autofiction et construction identitaire.
Name in Czech Autofikce a formování identity.
Name (in English) Autofiction and identity formation.
Authors OPÁLENÁ, Linda.
Edition Studia Romanistica Beliana IV: Langue, littérature, identité en contact. 2015.
Other information
Original language French
Type of outcome Presentations at conferences
Field of Study 60200 6.2 Languages and Literature
Country of publisher Slovakia
Confidentiality degree is not subject to a state or trade secret
Organization unit Faculty of Arts
Keywords (in Czech) Autobiografie; autofikce; identita
Keywords in English Autobiography; autofiction; identity
Tags kontrola_RIV
Tags International impact
Changed by Changed by: doc. Mgr. Ivo Buzek, Ph.D., učo 103619. Changed: 6/2/2017 15:42.
Abstract
Dans l'histoire littéraire l’autofiction est considéré comme un terme nouveau. Toutefois, expérimenter avec la narration de soi au cours des derniéres décennies est devenu primordial quant aux discussions sur l'impossibilité de l'autobiographie dite traditionnelle ou sur la naissance d’un nouveau sujet, d’un sujet fragmenté qui se cherche, se questionne et se déconstruit dans sa construction meme. Dans notre communication, nous étudierons l’inclinaison fiévreuse de Chloé Delaume vers cette méthode de narration de soi a travers des multiples sujets fictifs, en communiquant ainsi ses expériences les plus intimes, souvent traumatisantes, décousues et incohérentes. Nous appliquerons les résultats de notre analyse aux oeuvres de cette écrivaine contemporaine française pour déterminer la présence des signes caractéristiques dans son écriture avec un accent sur la construction identitaire d’un sujet fictif autofictionnel.
Abstract (in English)
In the history of literature, autofiction is considered as one of the new terms. This taken into account we have to say that in the course of the last decades, experimenting with the narrating of the self became vital, especially in the light of such discussions which turn around the impossibility of the so called traditional autobiography and the birth of a new subject, a subject which is fragmented and in the process of self searching, questioning and deconstructing in its own forming. In our conference paper, we are going to study the feverish inclination of Chloé Delaume towards this particular type of narration of the self through multiple fictional subjects and thus communicating her own and most intimate experiences, which are often traumatizing, rambling and incoherent. We would apply the results of the analysis to the works of this contemporary French writer to be able to determine the presence of some representative sings in her writing with a focus on the identity formation of a fictional subject in autofictional writings.
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