Detailed Information on Publication Record
2016
Cinema Programming in Occupied Czechoslovakia: Politics, Economics, Culture, and Everyday Life
ČESÁLKOVÁ, LucieBasic information
Original name
Cinema Programming in Occupied Czechoslovakia: Politics, Economics, Culture, and Everyday Life
Authors
ČESÁLKOVÁ, Lucie (203 Czech Republic, guarantor, belonging to the institution)
Edition
Cinema, War and Democratic Agency: Exhibition, Moviegoing and Everyday Resistance, 1939-1945, Norway, 24-25 November 2016, 2016
Other information
Language
English
Type of outcome
Vyžádané přednášky
Field of Study
Literature, mass media, audio-visual activities
Country of publisher
Norway
Confidentiality degree
není předmětem státního či obchodního tajemství
RIV identification code
RIV/00216224:14210/16:00093087
Organization unit
Faculty of Arts
Keywords in English
cinema; war; occupied countries; film exhibition; cinema programming
Tags
Tags
International impact, Reviewed
Změněno: 23/3/2017 16:05, Mgr. Vendula Hromádková
Abstract
V originále
Since 1939, Czechoslovak market not only faced the separation of Sudeten and Slovakia, but also the decline in domestic production and lower diversity of import from other markets weakened by the war together with import regulations given by political reasons. Since 1941, when the occupation authorities banned the import of films from all countries outside of Nazi sphere of influence, there remained only Czech and German films on the market, with several Italian and Swedish exceptions. Decline in number of films on the market thus significantly changed the regularity of their circulation. In my paper, I will analyze and explain, how the war condition, in particular the situation after 1941, transformed the film's lifecycles on the Czech market. Focusing on political, economic, cultural and social factors I will reconsider the role of film premieres and re-runs and clarify specific programming and cinema-going strategies which followed these trends.
Links
| MUNI/A/1129/2015, interní kód MU |
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