Interactional humour and spontaneity in TV documentaries

CHOVANEC, Jan. Interactional humour and spontaneity in TV documentaries. Lingua. Amsterdam: Elsevier, 2017, vol. 197, -, p. 34-49. ISSN 0024-3841. Available from: https://dx.doi.org/10.1016/j.lingua.2017.04.007.

Basic information

• Original name: Interactional humour and spontaneity in TV documentaries
• Name in Czech: Interakční humor a spontánnost v televizních dokumentárních pořadech
• Authors: CHOVANEC, Jan (203 Czech Republic, guarantor, belonging to the institution).
• Edition: Lingua, Amsterdam, Elsevier, 2017, 0024-3841.

Other information

• Original language: English
• Type of outcome: Article in a journal
• Field of Study: 60203 Linguistics
• Country of publisher: Netherlands
• Confidentiality degree: is not subject to a state or trade secret
• Impact factor: Impact factor: 0.864
• RIV identification code: RIV/00216224:14210/17:00096127
• Organization unit: Faculty of Arts
• Doi: http://dx.doi.org/10.1016/j.lingua.2017.04.007
• UT WoS: 000411780200004
• Keywords (in Czech): humor; pragmatika; dokumentární pořad; spontánnost; autenticita; konverzační humor
• Keywords in English: humour; pragmatics; broadcast discourse; TV documentary; spontaneity; authenticity; conversational humour; prank
• Tags: rivok

Abstract

This article investigates spontaneous humour-related phenomena in TV documentary, arguing that their presence helps to overcome the scripted nature of the genre. Focusing on the diegetic level of interaction between the presenter and other individuals present in the scene, the analysis traces how the interlocutors achieve mutual in-tune-ness that is necessary for setting up the play frame. It pays attention to several humour-related phenomena, including non-humorous laughter, joint joking and physical pranks. The findings indicate that while laughter can alleviate tension associated with face-threat or personal failure, other forms of humour emerge in the diegetic frame as part of the programme producers’ design to divert from the transactional mode of factual television to a more entertaining hybrid format based on a significant experiential component. As a result, TV viewers do not simply receive information but derive pleasure from the playful spontaneity performed for their benefit by the presenter and other interlocutors.

Links

• MUNI/A/1065/2016, interní kód MU: Name: Profilace výzkumných zaměření v anglofonní lingvistické a literární vědě II (Acronym: VZALL2)

Investor: Masaryk University, Category A