Detailed Information on Publication Record

FOLETTI, Ivan and Manuela GIANANDREA. The Fifth Century in Rome Art, Liturgy, Patronage. Řím: Viella, 2017, 312 pp. Studia Artium Mediaevalium Brunensia. ISBN 978-88-6728-211-1.

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Basic information
Original name	The Fifth Century in Rome Art, Liturgy, Patronage
Authors	FOLETTI, Ivan (203 Czech Republic, guarantor, belonging to the institution) and Manuela GIANANDREA (380 Italy).
Edition	Řím, 312 pp. Studia Artium Mediaevalium Brunensia, 2017.
Publisher	Viella

Other information
Original language	English
Type of outcome	Book on a specialized topic
Field of Study	60401 Arts, Art history
Country of publisher	Italy
Confidentiality degree	is not subject to a state or trade secret
Publication form	printed version "print"
RIV identification code	RIV/00216224:14210/17:00096210
Organization unit	Faculty of Arts
ISBN	978-88-6728-211-1
Keywords in English	Art; Liturgy; Late Antique; Rome; Patronage; Rhetoric
Tags	rivok
Changed by	Changed by: doc. Mgr. Pavel Suchánek, Ph.D., učo 19371. Changed: 2/4/2018 20:52.

Abstract
The objective of this book is to draw attention to fifth-century Rome – to those hundred years which even today need to be looked at from different perspectives. It is a key mo- ment, a border between worlds, far too important not to receive further attention. The studies, presented here together, aim to respond to new demands: the art object remains at the centre, but with a new search for its context. This context would be un- thinkable without the key concept of co-existence – between popular and elite culture, popes and emperors, pagans and Christians. As well as between liturgy – intrinsically necessary to the Christian world – and patronage – the intellectual project which stems from a cultural concept. Moreover, co-existence is crucial between the mindset of the Roman elites (the tradition inscribed in the city’s DNA), and new internal and external demands arising from this rich moment in the history of Rome. The fifth-century, studied in this book, is the moment in which future and past meet, and Antique and Christian coincide. An artistic moment with only one identifying fea- ture: its incredibly rich complexity.

Abstract

The objective of this book is to draw attention to fifth-century Rome – to those hundred years which even today need to be looked at from different perspectives. It is a key mo- ment, a border between worlds, far too important not to receive further attention. The studies, presented here together, aim to respond to new demands: the art object remains at the centre, but with a new search for its context. This context would be un- thinkable without the key concept of co-existence – between popular and elite culture, popes and emperors, pagans and Christians. As well as between liturgy – intrinsically necessary to the Christian world – and patronage – the intellectual project which stems from a cultural concept. Moreover, co-existence is crucial between the mindset of the Roman elites (the tradition inscribed in the city’s DNA), and new internal and external demands arising from this rich moment in the history of Rome. The fifth-century, studied in this book, is the moment in which future and past meet, and Antique and Christian coincide. An artistic moment with only one identifying fea- ture: its incredibly rich complexity.

Links
MUNI/A/1090/2015, interní kód MU	Name: Místo a okamžik formy v dějinách evropské architektury a výtvarného umění (Acronym: Místo a okamžik formy)
MUNI/A/1090/2015, interní kód MU	Investor: Masaryk University, Category A