HAVLÍČKOVÁ KYSOVÁ, Šárka. Verdi's Macbeth and Otello in Brno at the Verge of the Velvet Revolution : Between Stage Metaphor and Stage Realism. In Czech and Slovak Scenography for Shakespeare Symposium, 3. 3. 2017, Ohio State University, Ohio, USA. 2017.
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Basic information
Original name Verdi's Macbeth and Otello in Brno at the Verge of the Velvet Revolution : Between Stage Metaphor and Stage Realism
Name in Czech Verdiho Mecbeth a Otello na sklonku Sametové revoluce : mezi jevištní­ metaforou a realismem
Authors HAVLÍČKOVÁ KYSOVÁ, Šárka (203 Czech Republic, guarantor, belonging to the institution).
Edition Czech and Slovak Scenography for Shakespeare Symposium, 3. 3. 2017, Ohio State University, Ohio, USA, 2017.
Other information
Original language English
Type of outcome Requested lectures
Field of Study 60403 Performing arts studies
Country of publisher United States of America
Confidentiality degree is not subject to a state or trade secret
RIV identification code RIV/00216224:14210/17:00094897
Organization unit Faculty of Arts
Keywords (in Czech) divadlo; scénografie; Shakespeare; Verdi; Otello; Macbeth; Miloš Wasserbauer; Václav Věžník; Ladislav Vychodil
Keywords in English theatre; scenography; Shakespeare; Verdi; Otello; Macbeth; Miloš Wasserbauer; Václav Věžník; Ladislav Vychodil
Tags rivok
Tags International impact, Reviewed
Changed by Changed by: Mgr. Marie Skřivanová, učo 262124. Changed: 20/4/2018 14:16.
Abstract
Ladislav Vychodil, an outstanding Czechoslovak scenographer, together with Josef Jelínek, renowned costume designer, significantly contributed to the productions of two Shakespearean operas in Brno State Theatre in the 80s of the 20th century: Macbeth (1987) and Otello (1989) by Giuseppe Verdi. In cooperation with the well-known director Václav Věžník, younger co-worker of renowned operatic director Miloš Wasserbauer, Vychodil and Jelínek created remarkable scenography for the operatic productions. Both operas, staged in the final years of the declining Communist regime in Czechoslovakia just before the Velvet Revolution, are remembered until today. In my paper I provide the analysis of both productions. For the purpose of my analysis, I put emphasise on the interference between the stage metaphor and the stage realism since I perceive it as the crucial point in the process of creating scenography of both productions. I also focus on Verdi's and Boito's approach to the key concepts and motives in the original plays by William Shakespeare, as these key concepts are ingeniously incorporated into both operatic adaptations. The scenography of both operatic productions by Vychodil and Jelínek and the pioneering approach to the key concepts in the operas strongly contributed to the success of both productions in Brno.
Links
GA15-06548S, research and development projectName: Generace režiséra Miloše Wasserbauera a progresivní dramaturgie v opeře Státního divadla v Brně (Acronym: MWOSTB)
Investor: Czech Science Foundation
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