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@inbook{1394459,
author = {Horáková, Jana},
address = {Hildesheim-Zürich-New York},
booktitle = {Fluid Access : Archiving Performance-Based Arts},
editor = {Barbara Büscher, Franz Anton Cramer},
keywords = {time based historigraphy; space based historiography; media-performance; The Trial},
howpublished = {tištěná verze "print"},
language = {eng},
location = {Hildesheim-Zürich-New York},
isbn = {978-3-487-15476-3},
pages = {167-180},
publisher = {Georg Olms Verlag},
title = {Re-co(r)ding the Scene of the Crime. Processing the Ontology of Dissapearance},
year = {2017}
}
TY - CHAP
ID - 1394459
AU - Horáková, Jana
PY - 2017
TI - Re-co(r)ding the Scene of the Crime. Processing the Ontology of Dissapearance
VL - Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig Schriften / Publication Series 12
PB - Georg Olms Verlag
CY - Hildesheim-Zürich-New York
SN - 9783487154763
KW - time based historigraphy
KW - space based historiography
KW - media-performance
KW - The Trial
N2 - Current debates on media-performance relationship challenge an ability of documentary materials, like photographs, video, film, props, scores, scripts or reviews, to provide a true and an authentic evidence of live events and thus to contribute to our knowledge of historical live arts in general. Another quite recent tendency in media-performance discourse has been led by the belief in an ability of re-enactments of historical performances to overcome limits of inevitably mediated (second-hand) quality of our experience of the historical live arts. The paper 1) contributes to the discourse by a critical overview of certain strategies of transparent mediation of live performance historiography. And 2) it is a report on the experiment on theatre performance’s live-reco(r)ding and real-time transformation. The purpose of the experiment was to challenge the traditional time-based historiography (with its categories of past-present-future) by space-based digital historiography (with its categories of real-time processing, and endless interpretations).
ER -
HORÁKOVÁ, Jana. Re-co(r)ding the Scene of the Crime. Processing the Ontology of Dissapearance. In Barbara Büscher, Franz Anton Cramer. \textit{Fluid Access : Archiving Performance-Based Arts}. Hildesheim-Zürich-New York: Georg Olms Verlag, 2017, p.~167-180. Hochschule für Musik und Theater ''Felix Mendelssohn Bartholdy'' Leipzig Schriften / Publication Series 12. ISBN~978-3-487-15476-3.
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