s 2017

Ritualizing the City. Collective Performances as Aspects of Urban Construction from Constantine to Mao

FOLETTI, Ivan and Adrien PALLADINO

Basic information

Original name

Ritualizing the City. Collective Performances as Aspects of Urban Construction from Constantine to Mao

Authors

FOLETTI, Ivan (203 Czech Republic, guarantor, belonging to the institution) and Adrien PALLADINO (756 Switzerland, belonging to the institution)

Edition

Řím, Ritualizing the City. Collective Performances as Aspects of Urban Construction from Constantine to Mao, 228 pp. 2017

Publisher

Viella

Other information

Language

English

Type of outcome

Editorství tematického sborníku, editorství monotematického čísla odborného časopisu

Field of Study

60401 Arts, Art history

Country of publisher

Italy

Confidentiality degree

není předmětem státního či obchodního tajemství

RIV identification code

RIV/00216224:14210/17:00095186

Organization unit

Faculty of Arts

ISBN

978-88-6728-894-6

Keywords in English

City; Ritual; Urban Construction; Performativity; Ritual Space

Tags

Změněno: 26/3/2018 12:53, Mgr. Igor Hlaváč

Abstract

V originále

The city has always been, and remains, the ideal place of collective rituality. It is the city that has hosted, since Antiquity, collective celebrations of victory, important religious ceremonies, but also ritual consecrations of the elite. Based on these essential notions, the aim of this book is to reflect on a specific issue: the interaction between ritual and city space. Our wish is to understand, in a multidisciplinary and cross-epochal approach, how a collective liturgy, civic or religious, can unfold within the public space and transform it. In addition to sacred buildings and seizures of power, the square and the streets become in this sense important identity-shaping loci. Bringing places of power to the street or the square – which are by definition liminal spaces – means entering into a dialogue constructed between those who organise the ritual, those who perform it and those who witness it. It seems that it is in compromise between the different components of society that collective rituals can happen within the public space. Therefore, it is no surprise that the crucial question for this book is the way in which this same space is adapted to the requirements of the ritual, or, on the contrary, how the ritual adapts to the space.

Links

GB14-36521G, research and development project
Name: Centrum pro transdisciplinární výzkum kulturních fenoménů ve středoevropských dějinách: obraz, komunikace, jednání