This thesis is a comparative work which is focused on the method of the interpretation in Tatarkiewicz’s History of Aesthetic and A History of Six Ideas. Character of this method is firstly in the acceptance of implicit and explicit sources in history of Aesthetic. Secondly in the way of work with an objective and conventional periodization of history. And thirdly in the consideration of difference between aesthetic ideas and designation. These points are shown on the author’s interpretation of history of an aesthetic experience (from antiquity to the first half of the 18th century).