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@proceedings{1401756,
author = {Flašar, Martin and Horáková, Jana and Johánek, Filip},
keywords = {sound; visuality; space; place; interactivity; new media; philosophy},
language = {eng},
title = {Sounding Spaces},
url = {https://is.muni.cz/el/1421/podzim2017/IM157/VIDEOLOGY_and_more_13-15_Nov_2017_Final.pdf},
year = {2017}
}
TY - CONF
ID - 1401756
AU - Flašar, Martin - Horáková, Jana - Johánek, Filip
PY - 2017
TI - Sounding Spaces
KW - sound
KW - visuality
KW - space
KW - place
KW - interactivity
KW - new media
KW - philosophy
UR - https://is.muni.cz/el/1421/podzim2017/IM157/VIDEOLOGY_and_more_13-15_Nov_2017_Final.pdf
N2 - “The radical illusion is that of the original crime, by which the world is altered from the beginning, and is never identical to itself, never real. The world exists only through this definitive illusion which is that of the play of appearances – the very site of the unceasing disappearance of all meaning and all finality. And this is not merely metaphysical: in the physical order, too, from its origin – whatever that may be – the world has been forever appearing and disappearing.” J. Baudrillard, Le crime parfait (1995) “Between the materiality of the image and the ideology of perception, and vice versa: the margin of entropy, noise, irreducibility, ambiviolence (as Joyce said). Entropy as motive force, noise as contentless information, irreducibility as the perpetual non-normalisable element, ambiviolence as counter-reduction.” L. Armand, Videology. International symposium on the ways sounds and spaces, natural and artificial ones, intersect, melt, and fuse, rival and collide in media art and culture of the 20th and 21st century.
ER -
FLAŠAR, Martin, Jana HORÁKOVÁ and Filip JOHÁNEK. \textit{Sounding Spaces}. 2017.
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