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@article{1401765,
author = {Flašar, Martin},
article_location = {Brno},
article_number = {1},
doi = {http://dx.doi.org/10.5817/MB2017-1-6},
keywords = {20th century music; technology; electronic media; avant-garde; Martin Heidegger; Iannis Xenakis; György Ligeti; Pierre Boulez; Petr Nikl},
language = {eng},
issn = {1212-0391},
journal = {Musicologica Brunensia},
title = {Technology or Theology? Music Beyond Technology},
url = {http://hdl.handle.net/11222.digilib/136928},
volume = {52},
year = {2017}
}
TY - JOUR
ID - 1401765
AU - Flašar, Martin
PY - 2017
TI - Technology or Theology? Music Beyond Technology
JF - Musicologica Brunensia
VL - 52
IS - 1
SP - 63-68
EP - 63-68
PB - Masarykova univerzita
SN - 12120391
KW - 20th century music
KW - technology
KW - electronic media
KW - avant-garde
KW - Martin Heidegger
KW - Iannis Xenakis
KW - György Ligeti
KW - Pierre Boulez
KW - Petr Nikl
UR - http://hdl.handle.net/11222.digilib/136928
L2 - http://hdl.handle.net/11222.digilib/136928
N2 - In different times of 20th century technology played various roles in fulfilling listeners’ and authors’ expectations. The whole process reached its peak certainly in the post-war music development when technology was perceived either as a threat or a way to salvation of the contemporary music. The most remarkable problem represented a buying on future’s credit. Leaders of European and American avant-garde swore on the future as the only guarantee of the contemporary music authenticity unmasking the obsolescence of yesterday’s music. Not all composers were excited by technological possibilities of electronic media and left the optimistic mainstream sooner than others. Can music exist without technology? Can technology be possibly abandoned by composers and artists? And under what conditions?
ER -
FLAŠAR, Martin. Technology or Theology? Music Beyond Technology. \textit{Musicologica Brunensia}. Brno: Masarykova univerzita, roč.~52, č.~1, s.~63-68. ISSN~1212-0391. doi:10.5817/MB2017-1-6. 2017.
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